scholarly journals The Cultural Dimension of Spanish Universities: The state of the issue

2020 ◽  
Vol 5 ◽  
pp. 181-195
Author(s):  
Antonio Javier González Rueda ◽  
Antonio Ariño Villarroya
Keyword(s):  
Present State ◽  
Field Work ◽  
Cultural Dimension ◽  
Historical Evolution ◽  
Teaching And Research ◽  
The Third ◽  
University Life ◽  
Spanish Universities ◽  
Third Dimension ◽  
State Of Affairs

The cultural dimension of Spanish universities has changed markedly, especially since the restoration of democracy in Spain in the late 1970s. This study reflects on the terminology and the historical evolution of Spanish universities, comparing their development within a broader world context. It also analyses the present state of affairs through two complementary pieces of field work. The paper concludes by examining the issues and hurdles that until recently were the third dimension of university life after teaching and research.

Criminal Forfeiture under Kenya's Proceeds of Crime and Anti-Money Laundering Act: Nature and Challenges

2020 ◽  
Vol 28 (4) ◽  
pp. 657-676
Author(s):  
Constance Gikonyo
Keyword(s):  
Money Laundering ◽  
Present State ◽  
Complex Nature ◽  
Fair Process ◽  
Proceeds Of Crime ◽  
State Of Affairs ◽  
Substantive Law

Criminal forfeiture is an asset confiscation mechanism used to seize benefits gained from an offence that one is convicted of. In Kenya, the Proceeds of Crime and Anti-Money Laundering Act provides the facilitating legislation. The present state of the regime's underutilisation prompts an examination of the substantive law and procedure provided in this statute. The analysis indicates that the provisions are technical in nature and the process is systematic. This ensures that a procedurally and substantively fair process is undertaken, in keeping with constitutional provisions. Nonetheless, identified challenges, including the complex nature of the provisions, translate to unclear interpretation and consequently ineffective implementation. This state of affairs is reversible through increased understanding of the criminal forfeiture provisions and their operation. This can potentially lead to an upsurge in its use and facilitate depriving offenders of criminal gains, removing the incentive for crime and reducing proceeds available to fund criminal activities.

Taking Cell Culture in Drug Discovery to the Third Dimension - A Patent Review

2008 ◽  
Vol 1 (2) ◽  
pp. 103-115
Author(s):  
Yinzhi Lai ◽  
Lina Wang ◽  
Ke Cheng ◽  
William Kisaalita
Keyword(s):  
Cell Culture ◽  
Drug Discovery ◽  
The Third ◽  
Patent Review ◽  
Third Dimension

La troisième dimension — De la fonction éthique et esthétique du décor dans le théâtre de machines français du XVIIe siècle

2020 ◽  
Vol 71 (1) ◽  
pp. 130-168
Author(s):  
Kirsten Dickhaut
Keyword(s):  
Seventeenth Century ◽  
Character Traits ◽  
Optical Illusion ◽  
Stage Design ◽  
The Third ◽  
Adequate Representation ◽  
Third Dimension ◽  
Xviie Siecle ◽  
The Aesthetic

AbstractThe machine theatre in France achieves its peak in the second half of the seventeenth century. It is the construction of machines that permits the adequate representation of the third dimension on stage. This optical illusion is created by flying characters, as heroes, gods, or demons moving horizontally and vertically. The enumeration indicates that only characters possessing either ethically exemplary character traits or incorporating sin are allowed to fly. Therefore, the third dimension indicates bienséance – or its opposite. According to this, the following thesis is deduced: The machine theatre illustrates via aesthetic concerns characterising its third dimension an ethic foundation. Ethic and aesthetics determine each other in the context of both, decorum and in theatre practice. In order to prove this thesis three steps are taken. First of all, the machine theatre’s relationship to imitation and creation is explored. Second, the stage design, representing the aesthetic benefits of the machines in service of the third dimension, are explained. Finally, the concrete example of Pierre Corneille’s Andromède is analysed by pointing out the role of Pegasus and Perseus.

scholarly journals Protest, Internet Activism, and Sociopolitical Change in Sub-Saharan Africa

2020 ◽  
pp. 000276422097506
Author(s):  
Oscar Mateos ◽  
Carlos Bajo Erro
Keyword(s):  
Field Work ◽  
Sub Saharan Africa ◽  
Third Wave ◽  
Sociopolitical Change ◽  
The Third ◽  
Political Protests ◽  
Street Protest ◽  
Internet Activism ◽  
Republic Of The Congo ◽  
Sub Saharan

Sub-Saharan Africa has been the scene of a sizeable wave of social and political protests in recent years. These protests have many aspects in common, while at the same time there is a certain historic continuity connecting them to previous protests, with which they also have much in common. What makes them new, however, is a hybrid nature that combines street protest and online action, making them similar to protests occurring in other parts of the world during the same period. Based on a literature review and field work on three countries, Senegal, Burkina Faso, and the Democratic Republic of the Congo, this article addresses some of the main features of what some authors have called the “third wave of African protests.” The study points out how the digital environment is galvanizing a new process of popular opposition and enabling both greater autonomy for actors promoting the protests and greater interaction at the regional level. With the sociopolitical impact in the short and medium term still uncertain, the third wave of African protests is giving birth to a new political and democratic culture in the region as a whole.

Sign in / Sign up

Export Citation Format

Share Document