scholarly journals ‘Visual Histories’ Science Visualization in Nineteenth-Century Natural History Museums

2019 ◽  
Vol 17 (3) ◽  
pp. 404-421
Author(s):  
Stefanie Jovanovic-Kruspel
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Visual Culture ◽  
Visual Memory ◽  
Natural Sciences ◽  
Natural History Museums ◽  
History Museum ◽  
History Museums ◽  
The World ◽  
Shed Light

This article attempts to shed light on the complex interdependencies between science, art and popular visual culture in the context of nineteenth-century natural history museums. Natural history museums are still underestimated agents for (artistic) scientific visualizations. Built as ‘visual narrators’ they became a form of mass media that conveyed scientific knowledge to diverse audiences. This article is a first attempt to bring order into the broad field of science visualization and to describe its significance for the popularization of the natural sciences. The visual outreach of museums such as the Natural History Museum Vienna went far beyond their circle of visitors. By creating and presenting first rank artistic imaginaries, they inspired highly circulated teaching devices such as school wall charts, textbooks or models, thus influencing our collective visual memory. These images subconsciously shaped the way we perceive the world as it is and as it could have been. 

Basics of the external communication of State Natural History Museum NAS of Ukraine

2018 ◽  
pp. 3-8
Author(s):  
Arkhipova Kh. ◽  
Danylyuk K.
Keyword(s):  
Natural History ◽  
Communication Strategies ◽  
Natural History Museum ◽  
Natural History Museums ◽  
History Museum ◽  
External Communication ◽  
History Museums ◽  
The World

The main tendencies of development of communication strategies of the leading natural history museums of the world are considered. Based on the Strategy for the Development of State Natural History Museum NAS of Ukraine, the main goals, tasks and channels of communication with the main segments of the audience of the museum are developed.

The meaning of ceraunia: archaeology, natural history and the interpretation of prehistoric stone artefacts in the eighteenth century

2002 ◽  
Vol 35 (3) ◽  
pp. 255-269 ◽  
Author(s):  
MATTHEW R. GOODRUM
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Natural History ◽  
Natural Sciences ◽  
Stone Age ◽  
Natural History Museums ◽  
History Museums ◽  
The Earth ◽  
History Of

Historians of archaeology have noted that prehistoric stone artefacts were first identified as such during the seventeenth century, and a great deal has been written about the formulation of the idea of a Stone Age in the nineteenth century. Much less attention has been devoted to the study of prehistoric artefacts during the eighteenth century. Yet it was during this time that researchers first began systematically to collect, classify and interpret the cultural and historical meaning of these objects as archaeological specimens rather than geological specimens. These investigations were conducted within the broader context of eighteenth-century antiquarianism and natural history. As a result, they offer an opportunity to trace the interrelationships that existed between the natural sciences and the science of prehistoric archaeology, which demonstrates that geological theories of the history of the earth, ethnographic observations of ‘savage peoples’ and natural history museums all played important roles in the interpretation of prehistoric stone implements during the eighteenth century.

scholarly journals NATURAL HISTORY MUSEUMS

2021 ◽  
pp. 24-28
Author(s):  
Dimítri De Araújo Costa ◽  
Nuno Gomes ◽  
Harold Cantallo ◽  
Carlos Antunes
Keyword(s):  
Natural History ◽  
Public Awareness ◽  
Natural World ◽  
Scientific Culture ◽  
Natural History Museums ◽  
Type Specimens ◽  
Local Fauna ◽  
History Museums ◽  
The World ◽  
Object Of Study

Society in general is distant from scientific culture, it is required to bring scientific knowledge closer to the population. In this context, an effective and attractive way for scientific dissemination is the establishment of natural history museums, which are institutions of knowledge, displaying the past. Natural history museums have the natural world as their object of study; and their collections may contain the most diverse types of materials (local and/or from various parts of the world), such as zoological, botanical, geological, archaeological, among others. Scientific collections are the largest and most important source of authoritative biodiversity data, contributing to studies of biodiversity composition, evolutionary (morphological and genetic), biogeographical, phenological, as well as geological. The materials present in these collections may serve for temporal comparison, being useful to produce predictive models. Likewise, they have a fundamental role in safeguarding type specimens, i.e. the first organisms identified to describe and name a new species. In addition, there is the component available to visitors in general, in order to raise public awareness on the preservation of the local fauna and flora and of other places in the world. In this way, the museums serve both the academic-scientific public and visitors who come to these sites for recreational purposes. It is intended to promote, in Vila Nova de Cerveira, the Natural History Museum of the Iberian Peninsula - NatMIP (“Museu de História Natural da Península Ibérica”), which intends to collect materials for scientific purposes, mainly Iberian.

Nineteenth-century paleontological art in the Natural History Museum Vienna, Austria: Between demystification and mythologization

2021 ◽  
Author(s):  
Stefanie Jovanovic-Kruspel ◽  
Mathias Harzhauser
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Natural Theology ◽  
Hard Core ◽  
Natural History Museum ◽  
Natural History Museums ◽  
Science Museums ◽  
Cultural Traditions ◽  
History Museum ◽  
Systematic Paleontology

ABSTRACT The nineteenth century was the dawn of scientific and systematic paleontology. The foundation of Natural History Museums—built as microcosmic “Books of Nature”—not only contributed to the establishment of this new discipline but also to its visual dissemination. This paper will take the metaphor of the “book” as a starting point for an examination of the paleontological exhibition at the Natural History Museum in Vienna. In keeping with “Natural Theology,” the earliest natural science museums in Britain were designed as expressions of the medieval idea of the “Holy Book of Nature.” Contrary to this, the Natural History Museum Vienna, opened in 1889, wanted to be a nonreligious museum of evolution. Nevertheless, the idea of the “book” was also influential for its design. According to the architects and the first director, it should be a modern “walk-in textbook” instructive for everyone. The most prominent exhibition hall in the museum is dedicated to paleontology. The hall’s decorative scheme forms a unique “Paleo-Gesamtkunstwerk” (Gesamtkunstwerk: total piece of art). The use of grotesque and mythological elements is a particularly striking feature of the hall’s decoration and raises the question of how this relates to the museum’s claim to be a hard-core science institution. As it was paleontology’s task to demystify the monsters and riddles of Earth history systematically, it seems odd that the decorative program connected explicitly to this world. This chapter sheds light on the cultural traditions that led to the creation of this ambiguous program that oscillates between science and imagination.

Juan Cristóbal Gundlach's contributions to the knowledge of Puerto Rican birds and his influence on the development of natural history in Puerto Rico

2014 ◽  
Vol 41 (2) ◽  
pp. 251-269 ◽  
Author(s):  
James W. Wiley ◽  
Sylke Frahnert ◽  
Rafaela Aguilera Román ◽  
Pascal Eckhoff
Keyword(s):  
Higher Education ◽  
Puerto Rico ◽  
Natural History ◽  
Puerto Rican ◽  
Higher Education Institutions ◽  
Natural History Museum ◽  
Natural History Museums ◽  
History Museum ◽  
History Museums ◽  
German Naturalist

The German naturalist, Juan Cristóbal Gundlach (1810–1896), resided in Cuba for the last 57 years of his life, except for two expeditions to Puerto Rico in 1873 and 1875–1876, when he explored the southwestern, western, and northeastern regions. Gundlach made representative collections of the island's fauna, which formed the nucleus of the first natural history museum in Puerto Rico. He substantially increased the number of species known from the island, and was the first naturalist to make meticulous observations and produce detailed reports of the island's natural history. Gundlach greatly influenced other naturalists in the island, so that a period of concerted advancement in knowledge of natural history occurred in the 1870s. That development coincided with the establishment of the first higher education institutions in the island, including the first natural history museum. The natural history museums eventually closed, and only a few of their specimens were passed to other institutions, including foreign museums. None of Gundlach's and few of his contemporaries’ specimens have survived in Puerto Rico.

On the Species of Philonthus Stephens (Coleoptera: Staphylinidae: Staphylininae: Staphylinini: Philonthina) in the Collections of Romanian Natural History Museums

2012 ◽  
Vol 55 (2) ◽  
pp. 233-276
Author(s):  
Melania Stan
Keyword(s):  
Natural History ◽  
Alien Species ◽  
New Record ◽  
Palaearctic Region ◽  
National Museum ◽  
Natural History Museums ◽  
History Museum ◽  
Distribution Maps ◽  
History Museums ◽  
History Of

Abstract 57 species of the genus Philonthus were identified in the collections of four museums of Romania: Brukenthal National Museum, “Grigore Antipa” National Museum of Natural History, Museum of Natural History of Iaşi and Museum of Oltenia, Craiova. Philonthus wuesthoffi Bernhauer, an alien species from East Palaearctic Region, is a new record for the Romanian fauna. Except for Philonthus pyrenaeus Kiesenwetter, the species treated here are in the Romanian fauna and presented with their distribution maps. An identification key for Romanian Philonthus species found in the studied collections is also provided.

scholarly journals Towards writing the encyclopaedia of life: an introduction to DNA barcoding

2005 ◽  
Vol 360 (1462) ◽  
pp. 1805-1811 ◽  
Author(s):  
Vincent Savolainen ◽  
Robyn S Cowan ◽  
Alfried P Vogler ◽  
George K Roderick ◽  
Richard Lane
Keyword(s):  
Natural History ◽  
Dna Barcoding ◽  
Species Identification ◽  
Life Stage ◽  
Diagnostic Technique ◽  
Scientific Conference ◽  
Natural History Museums ◽  
History Museum ◽  
History Museums ◽  
Biodiversity Inventories

An international consortium of major natural history museums, herbaria and other organizations has launched an ambitious project, the ‘Barcode of Life Initiative’, to promote a process enabling the rapid and inexpensive identification of the estimated 10 million species on Earth. DNA barcoding is a diagnostic technique in which short DNA sequence(s) can be used for species identification. The first international scientific conference on Barcoding of Life was held at the Natural History Museum in London in February 2005, and here we review the scientific challenges discussed during this conference and in previous publications. Although still controversial, the scientific benefits of DNA barcoding include: (i) enabling species identification, including any life stage or fragment, (ii) facilitating species discoveries based on cluster analyses of gene sequences (e.g. cox1 = CO1 , in animals), (iii) promoting development of handheld DNA sequencing technology that can be applied in the field for biodiversity inventories and (iv) providing insight into the diversity of life.

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