scholarly journals NATURAL HISTORY MUSEUMS

2021 ◽  
pp. 24-28
Author(s):  
Dimítri De Araújo Costa ◽  
Nuno Gomes ◽  
Harold Cantallo ◽  
Carlos Antunes

Society in general is distant from scientific culture, it is required to bring scientific knowledge closer to the population. In this context, an effective and attractive way for scientific dissemination is the establishment of natural history museums, which are institutions of knowledge, displaying the past. Natural history museums have the natural world as their object of study; and their collections may contain the most diverse types of materials (local and/or from various parts of the world), such as zoological, botanical, geological, archaeological, among others. Scientific collections are the largest and most important source of authoritative biodiversity data, contributing to studies of biodiversity composition, evolutionary (morphological and genetic), biogeographical, phenological, as well as geological. The materials present in these collections may serve for temporal comparison, being useful to produce predictive models. Likewise, they have a fundamental role in safeguarding type specimens, i.e. the first organisms identified to describe and name a new species. In addition, there is the component available to visitors in general, in order to raise public awareness on the preservation of the local fauna and flora and of other places in the world. In this way, the museums serve both the academic-scientific public and visitors who come to these sites for recreational purposes. It is intended to promote, in Vila Nova de Cerveira, the Natural History Museum of the Iberian Peninsula - NatMIP (“Museu de História Natural da Península Ibérica”), which intends to collect materials for scientific purposes, mainly Iberian.

Zootaxa ◽  
2009 ◽  
Vol 2297 (1) ◽  
pp. 15-26
Author(s):  
JIŘÍ MLÍKOVSKÝ ◽  
SYLKE FRAHNERT

At least nine bird species were described as new to science on the basis of material collected by Eduard Eversmann and Christian Pander during a Russian embassy headed by Aleksandr Negri to Bukhara in 1820–1821. We identified the type specimens and determined the type localities of these species, which are currently housed in natural history museums of Berlin, Germany, and Moskva, Russia. We suggest that, if only two subspecies of Otus brucei are recognized, the larger northern migratory one should be recognized as O. b. brucei (Hume, 1872), and the smaller southern nonmigratory one as O. b. semenowi (Zarudnyj & Härms, 1902), and we show that the name semenowi has been misapplied to the population from the Tarim Basin. We designate a lectotype for the nominal species Scops obsoleta Cabanis.


Author(s):  
Caroline Drieënhuizen ◽  
Fenneke Sysling

Abstract Natural history museums have long escaped postcolonial or decolonial scrutiny; their specimens were and are usually presented as part of the natural world, containing only biological or geological information. However, their collections, like those of other museums, are rooted in colonial practices and thinking. In this article, we sketch a political and decolonial biography of ‘Java Man’, the fossilized remains of a Homo erectus specimen, housed in Naturalis, the Natural History Museum, in the Netherlands. We describe the context of Dutch colonialism and the role of indigenous knowledge and activity in the discovery of Java Man. We also follow Java Man to the Netherlands, where it became a contested specimen and part of a discussion about repatriation. This article argues that the fossils of Java Man and their meanings are products of ‘creolized’ knowledge systems produced by Empire and sites of competing national and disciplinary histories and identities.


2021 ◽  
pp. 358-370
Author(s):  
Natalia Shiyan

For the stability of the nomenclature of biological organisms an important condition is the presence and preservation of type specimens of the described taxa. The type specimens of plants and fungi typically are accumulated and stored in herbaria of specialized scientific institutions (e.g. botanical gardens and universities) or natural history museums. In Ukraine, there are nearly 80 herbaria of various volumes of collections but only 22 of them have type materials of taxa of different ranks, which were described from the territory of Ukraine and the world. The article includes a quantitative assessment of type materials of Ukrainian herbaria and emphasizes their role in regional and global biodiversity surveys. On the basis of own research of the Ukrainian herbarium fund, the estimation of preservation conditions of type specimens of plants and fungi and their collections in Ukraine is given, and the prospects of functioning of these collections are considered.


Author(s):  
Arkhipova Kh. ◽  
Danylyuk K.

The main tendencies of development of communication strategies of the leading natural history museums of the world are considered. Based on the Strategy for the Development of State Natural History Museum NAS of Ukraine, the main goals, tasks and channels of communication with the main segments of the audience of the museum are developed.


1993 ◽  
Vol 1 (4) ◽  
pp. 319-328
Author(s):  
Sven Mathiasson

All over the world natural history museums act as storehouses. Billions of creatures are preserved. Most museum visitors never see these collections; they only meet the limited specimens presented in public exhibitions. Most people seem to know little about the value of these collections and how they are used. This article presents some aspects of natural history collections and their value in scientific and other contexts.


2004 ◽  
Vol 359 (1444) ◽  
pp. 571-583 ◽  
Author(s):  
Quentin D. Wheeler

Revisionary taxonomy is frequently dismissed as merely descriptive, which belies its strong intellectual content and hypothesis–driven nature. Funding for taxonomy is inadequate and largely diverted to studies of phylogeny that neither improve classifications nor nomenclature. Phylogenetic classifications are optimal for storing and predicting information, but phylogeny divorced from taxonomy is ephemeral and erodes the accuracy and information content of the language of biology. Taxonomic revisions and monographs are efficient, high–throughput species hypothesis–testing devices that are ideal for the World Wide Web. Taxonomic knowledge remains essential to credible biological research and is made urgent by the biodiversity crisis. Theoretical and technological advances and threats of mass species extinctions indicate that this is the time for a renaissance in taxonomy. Clarity of vision and courage of purpose are needed from individual taxonomists and natural history museums to bring about this evolution of taxonomy into the information age.


Pyrite ◽  
2015 ◽  
Author(s):  
David Rickard

This classic opening gambit at the stereotypical drinks party always throws me. I have been a professor at a university for most of my life, so the easiest answer is that I teach. This is true, but it disguises the reality that much of my waking time has been concerned with research. If I admit this, then it becomes necessary to explain what I actually research. One of my pet subjects is pyrite. But if I let on that I research pyrite, my interlocutors look at me as though I am one of those wonderful beings who haunt the bowels of natural history museums as world experts on a rare species of toad. As with toads, most people in the world have heard of pyrite. They know it is a mineral or stone, and most know that it is also called fool’s gold, a familiar theme of moral tales and nursery stories. So the idea of someone studying pyrite is not altogether the stuff of IgNobel prizes. Within the time limits imposed by decent conversation I cannot explain that pyrite is the mineral that made the modern world. I cannot refer them to a book about it since there has not been one published about pyrite since 1725. This book is an attempt to rectify the situation. In it I contend that pyrite has had a disproportionate and hitherto unrecognized influence on developing the world as we know it today. This influence extends from human evolution and culture, through science and industry, to ancient, modern, and future Earth environments and the origins and evolution of early life on the planet. The book is aimed at making the subject accessible to the general reader. It is not a scientific monograph, since these handle only the science and are really directed at the converted: the high priests of the cathedral of science and technology and their aspirant novices. It is also not aimed at being a textbook in the conventional sense: textbooks are generally aimed at specific academic courses and ultimately pave the way for the students to understand the monographs.


2019 ◽  
Vol 32 (2) ◽  
pp. 353-368
Author(s):  
Mike Viney ◽  
Dagmar Dietrich ◽  
Jim Mills

Abstract According to mineralogical literature, some of the finest opalized wood in the world was discovered in Idaho c.1895, originating in a unique deposit along Clover Creek in Lincoln County (now Gooding County). The American mineral dealer Dr A. E. Foote acquired and processed the bulk of the discovery into specimens that were advertised between 1896 and 1904. Over a period of four years, we have identified sixteen natural history museums in Europe, North America, and Australia in possession of Clover Creek opalized oak today. Many museum acquisitions and the fossil’s taxonomic affinity, Quercinium pliocaenicum, resulted from collective networking between mineral dealers, private collectors and scientists – evidence of a common interest among a diversity of people – contributing the best specimens for museums of natural history.


2019 ◽  
Vol 17 (3) ◽  
pp. 404-421
Author(s):  
Stefanie Jovanovic-Kruspel

This article attempts to shed light on the complex interdependencies between science, art and popular visual culture in the context of nineteenth-century natural history museums. Natural history museums are still underestimated agents for (artistic) scientific visualizations. Built as ‘visual narrators’ they became a form of mass media that conveyed scientific knowledge to diverse audiences. This article is a first attempt to bring order into the broad field of science visualization and to describe its significance for the popularization of the natural sciences. The visual outreach of museums such as the Natural History Museum Vienna went far beyond their circle of visitors. By creating and presenting first rank artistic imaginaries, they inspired highly circulated teaching devices such as school wall charts, textbooks or models, thus influencing our collective visual memory. These images subconsciously shaped the way we perceive the world as it is and as it could have been. 


Sign in / Sign up

Export Citation Format

Share Document