Aesthetics and Politics of Squat - Focusing on Rancière’s Concept of Aesthetic Heterotopia

2021 ◽  
Vol 25 (2) ◽  
pp. 34-59
Author(s):  
Hyun-Sook KIM
Keyword(s):  
Aesthetics And Politics

The Aesthetics and Politics of French Métissage

Ecumene ◽  
1997 ◽  
Vol 4 (4) ◽  
pp. 435-457
Author(s):  
Sarah Bonnemaison
Keyword(s):  
Aesthetics And Politics

A “Magic and Poetic” Moment of Dissensus: Aesthetics and Politics in the June 2013 (Gezi Park) Protests in Turkey

2017 ◽  
Vol 20 (2) ◽  
pp. 191-208 ◽  
Author(s):  
E. Attila Aytekin
Keyword(s):  
Middle Class ◽  
Cultural Capital ◽  
New Wave ◽  
Aesthetics And Politics ◽  
Cultural Symbols ◽  
Protest Movement ◽  
Political Position ◽  
Predominant Form ◽  
The Relationship

This article departs from analyses that underline the middle-class character of June 2013 (Gezi Park) protests in Turkey by focusing on the relationship between politics and aesthetics in the protest movement. The predominant form of protest in the movement was aesthetic political acts, which did not bring about any distinction based on class or cultural capital. Rather, the artistic practices and cultural symbols employed by protesters bridged gaps by bringing a large and diverse body of people around a common political position. The June protests constituted a moment of “dissensus” in the Rancièrean sense as the shared position was based on an essential claim for equality of the dēmos and the demands of the anonymous to be seen, heard, counted in, and to partake. The article focuses on the role Second New Wave poetry played in the protests, as the protesters appropriated the ironic and ambiguous verses of the Second New Wave poets to create a unified movement.

From City Space to Cyberspace

2021 ◽  
Author(s):  
Amanda Wasielewski
Keyword(s):  
Silicon Valley ◽  
Aesthetics And Politics ◽  
Network Culture ◽  
Internet Culture ◽  
Exchange Of Information ◽  
City Space ◽  
History Of

The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the ’80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.

scholarly journals Introduction: Know Thyself

2018 ◽  
pp. xii-20
Author(s):  
Richard G.T. Gipps ◽  
Michael Lacewing
Keyword(s):  
Twentieth Century ◽  
Social Life ◽  
Free Association ◽  
Inner Life ◽  
Aesthetics And Politics ◽  
Central Concept ◽  
The Unconscious ◽  
The Temple

This Handbook examines the contributions of philosophy to psychoanalysis and vice versa. It explores the most central concept of psychoanalysis—the unconscious—in relation to its defences, transference, conflict, free association, wish fulfilment, and symbolism. It also considers psychoanalysis in relation to its philosophical prehistory, the recognition and misrecognition afforded it within twentieth-century philosophy, its scientific strengths and weaknesses, its applications in aesthetics and politics, and its value and limitations with respect to ethics, religion, and social life. The book explains how psychoanalysis draws our attention to the reality of central aspects of the inner life and how philosophy assists psychoanalysis in knowing itself. This introduction elaborates on the phrase ‘know thyself’, the words inscribed at the Temple of Delphi, and illustrates the connection between matters philosophical and psychoanalytic in relation to the Delphic command by highlighting their mutual concern with truth and truthfulness.

Working-Class Writing and the Use Value of the Literary

PMLA ◽  
2012 ◽  
Vol 127 (4) ◽  
pp. 932-938 ◽  
Author(s):  
Sonali Perera
Keyword(s):  
Working Class ◽  
World Literature ◽  
Literary Texts ◽  
Second Phase ◽  
Use Value ◽  
Aesthetics And Politics ◽  
Republic Of Letters ◽  
Greenwich Meridian ◽  
Country Culture ◽  
The Aesthetic

Formal preoccupations, which is to say specifically literary concerns, appear in small literatures only in a second phase, when an initial stock of literary resources has been accumulated and the first international artists find themselves in a position to challenge the aesthetic assumptions associated with realism and to exploit the revolutionary advances achieved at the Greenwich meridian.—Pascale Casanova, The World Republic of Letters“In our country culture has become so complex, this complexity is reflected in our literature. It takes a certain level of education to understand our novelists. The ordinary man cannot understand them …” … And she reeled off a list of authors, smiling smugly. It never occurred to her that these authors had ceased to be of any value whatsoever to their society—or was it really true that an extreme height of culture and the incomprehensible went hand in hand?—Bessie Head, A Question of Power (first ellipsis in orig.)ON WHAT BASIS ARE SELECT TRADITIONS OF LITERARY INTERNATIONALISM RECOGNIZED AS WORLD LITERATURE AND OTHERS DEEMED MERELY historical, relics of nostalgic Marxism or of resolved debates on aesthetics and politics? According to recent influential formulations, world literature is writing that in original or translated form circulates outside the author's country of origin. But what of traditions of literary internationalism, like those of working-class writing, that reverse and displace practical, utilitarian propositions to ask, instead, in more abstract terms, what is the use value of the literary? Bessie Head's A Question of Power poses a challenge to practical definitions. What of literary texts that have global currency but aren't of “any value whatsoever to their society”?

scholarly journals In Vitro City: A Laboratory without Experiments

2018 ◽  
Author(s):  
Severino Alfonso ◽  
◽  
Loukia Tsafoulia ◽  
Keyword(s):  
Built Environment ◽  
Digital Technologies ◽  
Digital Tools ◽  
Aesthetics And Politics ◽  
Architectural Production ◽  
Critical Awareness ◽  
Building Systems

The paper states the relationships between the instrumentality of building systems, the aesthetics and politics of software and the digital technologies impact on the built environment. It explores the space between the architect’s intentionality and the changing modes in architectural production. The text proposes a critical awareness of the epistemological and technical dimension of the digital instruments as a way for architects to better appropriate the expanding array of digital tools in an ever-increasing urban complexity.

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