scholarly journals Divine Incomprehensibility in Eastern Orthodoxy and Reformed Theology

2021 ◽  
Vol 19 (1) ◽  
pp. 15-26
Author(s):  
Тім Шимко
Keyword(s):  
Mystical Experience ◽  
The Other ◽  
Eastern Orthodox ◽  
Reformed Theology ◽  
Eastern Orthodoxy ◽  
Other Hand ◽  
The Subject ◽  
The Way

This article examines the views of the Eastern Orthodox and the Reformed on the subject of divine incomprehensibility. The two regard God to be entirely incomprehensible, but differ in the way that he can be known or experienced. The Eastern Orthodox maintain that God is not ultimately known intellectually but experienced mystically. Mystical experience, according to this view, is theology par excellence. The key means by which this mystical experience is enjoyed is theosis, or deification. The Reformed, on the other hand, eschew mystical experience and instead focus on the archetypal/ectypal distinction. God cannot be known as he is in himself (archetypal theology), but as he reveals himself to his creation (ectypal theology). Ectypal theology is not identical to, nor intersects at any point with, archetypal theology. It is, instead, analogous to it. With these different views on divine incomprehensibility, this article also briefly considers how these views affect other areas of study in theology (such as anthropology, hamartiology, soteriology, and pneumatology).

Vasily Polenov: Conversation with the Soul

2021 ◽  
pp. 75-83
Author(s):  
Natalya N. Rostova
Keyword(s):  
Point Of View ◽  
The Other ◽  
Philosophical Analysis ◽  
Landscape Painting ◽  
Human Being ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
The Way

The article examines the work of Vasily Polenov. The author presents Polenov’s artistic path as the dramatic choice between what is commonly called genre and landscape painting. From the philosophical point of view, the problem consists in concept of understanding art. On the one hand, the essence of art can be reduced to «what», to writing a story, a big sense. On the other hand, art can be understood as «painting for painting’s sake». In this sense, the tension in Polenov’s work arises between the paintings «Moscow Courtyard» and «Christ and the Sinner». The author notes that the way out of this dilemma is to understand art as the subject that reflects the non-objectifiable and devoid of anything essence. The article analyzes the philosophical meaning of Polenov’s paintings of the gospel cycle and provides a philosophical analysis of the artist’s nostalgic paintings. The author comes to the conclusion that Polenov’s paintings are the form that establishes an emotionally experiencing human being

Transitivity alternation and neutral-verbs in Korean

2001 ◽  
Vol 64 (3) ◽  
pp. 381-391
Author(s):  
JAEHOON YEON
Keyword(s):  
The Other ◽  
Transitive Verb ◽  
Other Hand ◽  
Verb Constructions ◽  
The Subject ◽  
The One ◽  
Agglutinative Language ◽  
The Way

Although the way in which the transitivity alternation is realized differs from language to language, it is common cross-linguistically that a pair of morphologically related verbs participate in the alternation. Korean, an agglutinative language, employs derivational suffixes to indicate alternations in transitivity. On the other hand, there are some verbs used either transitively or intransitively with no addition of suffixes or any alternation of the root verbs, but with the object of the transitive verb the same as the subject of the intransitive. We have named this kind of verb the ‘neutral-verb’ and established some morphosyntactic and semantic criteria for neutral-verbs to distinguish the various pseudo-neutral-verb constructions from true neutral-verb constructions. We have observed the semantic differences between the analytic passives and the intransitive form of neutral-verbs on the one hand, and between the analytic causatives and the transitive form of neutral-verbs on the other.

Metaphor as argument: A stylistic genre-based approach

2012 ◽  
Vol 21 (2) ◽  
pp. 119-135 ◽  
Author(s):  
Dany Badran
Keyword(s):  
Rhetorical Analysis ◽  
The Other ◽  
One Dimension ◽  
Situational Context ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
Reader Reaction ◽  
The Way

One of the most intriguing questions in both stylistic and rhetorical analyses relates to determining textual effect on readers, aesthetic or otherwise. Whether the power of the text is directly associated with the role of the text producer and his or her intentions, the linguistic, paralinguistic, extralinguistic and situational context of the text, the background and socio-cognitive expectations of the reader, or a combination of some or all of these factors (or other factors) is a question that is still the subject of stylistic and rhetorical analysis today. This article is a further step in this direction. It attempts to investigate one dimension of textual effect, namely uniformity in reader reaction to an argumentative poem entitled Dinner with the Cannibal, by focusing on the roles that genre and metaphor play in ideologically positioning readers. It argues, on the one hand, that literature is the dominant genre in this hybrid literary-argumentative poem, channelling the readers’ initial interpretations almost exclusively in the interest of more traditional literary interpretative approaches. On the other hand, and more importantly, it focuses on the role that metaphor, as a cognitive link between text producer and reader, plays in the construction of an extremely controlled, uniform interpretation of the argumentative dimension to the poem. The overall effect of the way genre and metaphor function in this argumentative poem, it is concluded, is highly ideological.

scholarly journals Dziecięce zabawki świąteczne w świetle wybranych źródeł ikonograficznych 2. połowy XIX i początku XX wieku

2020 ◽  
pp. 89-112
Author(s):  
Katarzyna Kabacińska-Łuczak ◽  
Monika Nawrot-Borowska
Keyword(s):  
20Th Century ◽  
Subject Matter ◽  
The Other ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
The Way

The aim of this study is the reconstruction of children’s toys received by them during the Christmas period in the second half of the 19th and at the beginning of the 20th century. In its subject matter, the article refers, on the one hand, to the deliberations about Christmas toys and, on the other hand, it is part of the ever-growing trend of research on children’s toys from the historical and pedagogical perspective. The text is part of the triptych prepared by the authors on the subject of children’s Christmas toys during the period of Partitions of Poland. Selected iconographic sources – press graphics, Christmas postcards and photographs on which children’s toys can be found, comprise the source basis of this part. They are sources important for cognitive reasons, because they show the image of toys of the time, their appearance, shape, size, the way they were made, decorated, etc. They also indicate which toys were particularly popular (fashionable) and liked by children in the analysed period, and show the ways they were used.

scholarly journals Changes in the Logistics System of the Polish Navy

2019 ◽  
Vol 217 (2) ◽  
pp. 69-79
Author(s):  
Mariusz Jankowski
Keyword(s):  
Subject Matter ◽  
Armed Forces ◽  
Technical Condition ◽  
The Other ◽  
Logistics System ◽  
Military Equipment ◽  
Other Hand ◽  
The Subject ◽  
The Republic ◽  
The Way

Abstract The aim of the article is to show the changes taking place in the structures of logistical support of the Polish Navy, focusing on the changes in the way of supplying ships of the Polish Navy. In recent years, the Polish Navy has undergone many changes in the subject matter, starting from the liquidation of the Logistics of the Polish Navy and the Polish Navy Command, including the Management of Logistics Planning. The changes contributed to the centralization of Logistics, creating the Inspectorate for Armed Forces Support of the Republic of Poland, which focused on the main burden of tasks related to, among others, repairs, modernization and supply of ships. On the other hand, it extends the time of issuing opinions on, for example, the protocols for assessing the technical condition of military equipment (ME), which are the basis for the replacement, repair or further exploitation of the ME.

scholarly journals Wypowiedzi wartościujące jako istotny aspekt dyskursu wideoblogowego na przykładzie kanału „Stanowo” o tematyce kryminalnej

2021 ◽  
pp. 43-66
Author(s):  
Ewa Gorlewska ◽  
Keyword(s):  
Social Life ◽  
The Other ◽  
Emotional Involvement ◽  
Other Hand ◽  
Close Relationship ◽  
Value Judgements ◽  
The Subject ◽  
The Creation ◽  
Colloquial Style ◽  
The Way

The subject of the paper is valuation statements present in videoblog discourse. The material is based on audiovisual recordings broadcast on the “Stanowo” channel. The aim of the analysis is to explore the way in which judgements are expressed that relate crime seen as a sensitive aspect of social life. It has been shown that the author rarely uses messages marked axiologically in her material. Her priority is to present facts accurately rather than to make judgements. Statements involving valuation of facts do appear in her statements, especially in those in which the author manifests her emotional involvement in the story. This leads to a conclusion that there is a close relationship between expressiveness and valuing, as revealed in the material studied. Irony, contrasting and comparisons are the most common linguistic tool used by the author to express value judgements. The use on names is a metaphorical sense also plays an important role. Three pillars of the stories presented are assessed: the event itself and its circumstances, the victim and the perpetrator. It has been shown that valuation of the facts discussed has two objectives: the presentation of personal positions, which facilitates the creation of a kind of sender-receiver relationship, and the release of tension generated by the absorption of information about violent events. In the conclusion it has been stated that the way reality is valued by a popular video blogger may cause her axiological perspective to be adopted especially by young, morally unformed viewers. Therefore, it should be regarded as positive that the author does not deviate from generally accepted patterns of assessing the behaviour of victims and perpetrators. On the other hand, the style of the presented valuation statements can be assessed negatively – the author uses colloquial style, however, this form of language is out of keeping with the solemnity of the events under discussion.

scholarly journals La fonction communicative d’énoncés déclaratifs utilisés dans l’interrogation totale ‒ une étude contrastive français/norvégien

2019 ◽  
Vol 10 (1) ◽  
pp. 11
Author(s):  
Marianne Hobæk Haff
Keyword(s):  
The Other ◽  
Communicative Function ◽  
Other Hand ◽  
The Subject ◽  
The Way

This paper discusses the communicative function of declarative sentences used as polar questions in French and Norwegian: (1a) - Inger Holter jobbet i en bar? (1b) -  Inger Holter bossait dans un bar ? These two sentences are similar concerning the subject-verb order, the ascending intonation curve, and the choice of lexical morphemes. In both languages, they are declarative sentences used to ask questions. More precisely, we are dealing with polar questions marked by intonation only. The way sentences such as (1a) and (1b) are used in actual texts shows that they do not have the same communicative function. The Norwegian speaker expects his assumption to be confirmed by the listener, maybe with a hope of getting more information. The French example, on the other hand, admits two different interpretations, and it is the context of the utterance that decides. It can be a request for information, in which the speaker has no preconceived idea of what the answer will be. Alternatively, the interpretation can be the same as in Norwegian if a modal particle or adverb is added, as in Inger Holter bossait dans un bar, n’est-ce pas?   

scholarly journals ‘Гады’ и ‘рыбы’ аквариумного отображения (2)

2020 ◽  
pp. 465-486
Author(s):  
Piotr Czerwiński
Keyword(s):  
The Other ◽  
Human Being ◽  
Human Consciousness ◽  
Other Hand ◽  
The Subject ◽  
Being There ◽  
Fish Tank ◽  
Positive Character ◽  
The Way

Based on the fish tank symbolism in the dream books some features are derived and determined. These features are typical of the reception and feeling of the so-called imaginative pictures which are typical of imagining, feeling, experiencing and realizing of the conceptual-assessing and sensitive impressions. The assumptions connected with the observation of the object, as well as with being there (i.e. in a fish tank), are presented and discussed. These are the features which are determined both separately and mutually and they describe the states in question. The reptiles and fish (mentioned in the title), according to the interpretations quoted, are both the element which fills up a fish tank and the projection of its positive character (or a negativeone in the case of its absence). On the other hand, in a non-visible but perceptible way they become involved with the subject that is observing them in a fish tank and then with a human being and that human being is to some extent identified with that subject. All those elements mentioned above, together with the characterized semantics of those images (i.e. a fish tank with reptiles and fish inside), are the key to understanding the way the human consciousness is able to transfer itself into another existence, with the interpretation of the visible and non-visible world as experienced by the human.

Ontological Fundaments of the Responsibility for Human Actions

1970 ◽  
Vol 4 (1) ◽  
pp. 91-105
Author(s):  
Stanisław Ziemiański
Keyword(s):  
Free Will ◽  
The Other ◽  
Human Being ◽  
Human Actions ◽  
Other Hand ◽  
The Subject ◽  
Practical Life ◽  
Human Responsibility ◽  
The Way

In this paper on the nature of the human being's responsibility for his actions I deliberately omit the controversy surrounding the determinism/indeterminism problem. To be sure, the free-will issue plays a prominent and very important role in any models of human responsibility and is the most frequently disputed issue in this discussion, for the human being is responsible insofar as his decisions can be said to be free. Though no less important, the interconnection between the subject, his action and its consequences on the other hand receives less attention, and yet - though it is no less important: the way in which this interconnection is conceived can have weighty repercussions in practical life, and unfortunately not all approaches are appropriate or adequate.

scholarly journals The Language of Smell in Vladimir Nabokov’s Mystical Discourse of Prose from His French Period

2021 ◽  
Vol 9 (2) ◽  
Author(s):  
Natalia Rogacheva ◽  
Anastasia Drozdova
Keyword(s):  
Mystical Experience ◽  
The Other ◽  
Spatial Distance ◽  
Fictional World ◽  
Literature And Philosophy ◽  
Other Hand ◽  
The Subject ◽  
Temporal And Spatial ◽  
Fictional Worlds ◽  
The Grotesque

This article focuses on the mystical connotations of the olfactory images in V. Nabokov’s prose from his French period (1937–1940). The authors analyse the connection between Nabokov’s mystical, philosophical, and aesthetic conceptions. They demonstrate that mystical experience is not conveyed by the writer directly but through the narration structure and forms of the mystical code in literature and philosophy (as in N. Gogol, P. Ouspensky, A. Bergson, etc.). The research refers to studies that prove the metafictional nature of Nabokov’s mysticism and its connection with perceptual imagery. As a result, the authors distinguish the ambivalent meaning of olfactory images. Smell is an element of the observer’s sensorial hallucination and a way in which the otherworld impacts on characters’ perception. On the other hand, images of smell are used to assess the ability of language to convey not only familiar smells, but also supersensory experiences. In Nabokov’s prose, the main smell characteristics are the temporal and spatial distance between the source and the subject of perception, the correlation with the observer’s viewpoint, and the peculiarities of nomination. More particularly, the magical meaning of smell images that create the plot for solipsistic characters is associated with the perception of the grotesque nature of smell. The authors conclude that mysticism is an attribute of Nabokov’s fictional world itself. The mystical connotations of smell lie in its transgressive and irrational forms: the fact that smell is difficult to verbalise is due to its ability to transcend the boundaries of fictional worlds, imaginary reality, and narration about it.

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