scholarly journals Alternative Media as Counter-Hegemony: A Case study of Konde.co and Magdalene.co

Author(s):  
Moehammad Gafar Yoedtadi ◽  
Muhammad Adi Pribadi
Keyword(s):  
2019 ◽  
Vol 2 (1) ◽  
pp. 40
Author(s):  
Nuril Mufidah ◽  
Umi Salamah ◽  
Imroatul Muthoharoh ◽  
M. Irfan Islamy

This study aims to develop learning media in the form of videos called "Al-Mutho" videos on Haalatul Hadiiqoh material in third-grade students of elementary school. This is qualitative descriptive research and type of case study that aims to determine students' perceptions in using ‘Al-Mutho” videos. The results showed that students felt happier and eager to learn vocabulary (mufrodat) by using the video "Al-Mutho." Also, students are also able to remember ten new vocabulary words that are taught in one time face to face. This can be seen from the ability of students to answer the questions given quickly and precisely. Based on the results of the study it can be concluded that the video "Al-Mutho" can be used as an alternative media for mufrodat learning in Arabic for elementary schools. 


Author(s):  
Ari Yuniarso ◽  
Tri Wiyana ◽  
Arif Zulkarnain ◽  
Iwan Khrisnanto

<p>Fotografi dan pariwisata saat ini dianggap tidak dapat dipisahkan. Secara umum, tren yang terjadi dalam fotografi serta teknologinya telah berubah secara signifikan dan telah menjadi jauh lebih kompleks dan berbasis <em>online</em><em> media</em>. Media sosial dan beberapa jejaring sosial telah muncul sebagai suatu fenomena yang sebagai sumber informasi online baru yang dibuat, diinisiasi, diedarkan dan digunakan oleh konsumen yang bermaksud untuk mendidik satu sama lain tentang produk, merek, layanan, kepribadian, dan masal. Pembahasan dalam penelitian ini adalah tentang <em>travel selfie</em> sebagai media alternatif promosi destinasi wisata. Obyek penelitian ini berdasarkan fenomena kebun bunga di sepanjang pinggir Jalan Jalur Lintas Selatan(JJLS) Desa Srigading, Kecamatan Sanden, Kabupaten Bantul, Yogyakarta. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus. Data yang akan dianalisis adalah hasil <em>interview</em> pengunjung dan pemilik kebun bunga. Juga dilakukan pengamatan foto-foto yang muncul di media sosial untuk melihat respon terhadap obyek wisata tersebut. Tujuan penelitian ini untuk mengetahui kategori paling populer terhadap suatu citra destinasi, dan selanjutnya analisa deskripsi dilakukan untuk mendapatkan model bahwa <em>travel selfie</em>dianggap sebagai elemen yang lebih penting untuk media alternatif destinasi wisata.</p><p> </p><p><strong>Kata Kunci: </strong>travel selfie, social media, destination image</p><p> </p><p> </p><p align="center"><strong><em>ABSTRACT</em></strong><strong><em>:</em></strong><em></em></p><h5><em>Photography and tourism are now considered inseparable. In general, trends in photography and technology have changed significantly and have become much more complex and online-based media. Social media and social networks have emerged as a phenomenon as a new source of online information created, initiated, circulated and used by consumers who intend to educate each other about products, brands, services, personalities, and the masses. The discussion in this study is about travel selfie as an alternative media promotion of tourist destinations. The object of this research is based on flower garden phenomenon along the edge of Jalan Jalur Lintas Selatan (JJLS) of Desa Srigading, Kecamatan Sanden, Kabupaten Bantul, Yogyakarta. This research uses qualitative approach with case study method. The data to be analyzed is the result of interviews of visitors and flower garden owners. Also observed photographs appearing on social media to see the response to these attractions. The purpose of this research is to know the most popular category of destination image, and further description analysis is done to get the model that travel selfie considered as more important element for alternative media of tourist destination.</em></h5><p><strong><em> </em></strong></p><p><strong><em>Keywords</em></strong><strong><em>: </em></strong><em>travel selfie, social media, destination image</em></p>


Ethnicities ◽  
2021 ◽  
pp. 146879682110298
Author(s):  
Susan Nemec

This paper offers a theoretical model to analyse an example of Indigenous media through an Indigenous lens and discusses its potential to increase audiences in other alternative media. Adapted from New Zealand Māori filmmaker and philosopher Barry Barclay’s idea of the ‘fourth cinema’ and a metaphorical ‘communications marae’, 1 the model has been applied to New Zealand’s Indigenous broadcaster, Māori Television. This article discusses the model and suggests that the ‘communications marae’ has the potential to be used by non-mainstream media providers to, not only address their own audiences, but also to enrol wider communities in alternative perspectives to the ‘mainstream’. Research has demonstrated how Indigenous broadcasting can serve its own audience while also attracting wider, non-Indigenous audiences. However, this paper’s focus is a case study of migrants engaging with Māori Television because it is migrants who frequently operate outside of established power relationships and represent an often unrecognised niche audience segment in mainstream media. The model demonstrates the potential pedagogical role of the broadcaster and how its content can make a positive difference to migrants’ lives and attitudes towards Indigenous people through its ability to counter the, often negative, representations of Indigeneity in mainstream media. Outside of Māori Television, migrants have limited access to an Indigenous perspective on the nation’s issues and concerns, which calls into question both democracy and migrants’ ability to engage in civic society. Migrants need information to negotiate and weigh up important tensions and polarities, to understand multiple perspectives inherent to democratic living and to evaluate issues of social justice and to solve problems based on the principles of equity. Indigenous media, as in all alternative media, has a role to play in questioning or challenging accepted thinking and to present counter hegemonic discourses to all citizens in participatory democratic societies.


Author(s):  
Keshav Patel ◽  

Tik Tok, the new wave of social media which has introduced a new sub culture for the present generation and has brought a revolution in the social media for youngsters. Tik Tok has become a new platform for portrayal of talent for youngsters adding new meaning to already existing social media platforms. It is the fastest growing social media which has fascinated and engrossed so many youngsters across the globe and is one of the fastest growing in India. Tik Tok is basically the new alternative version of online sharing, that allows its users its interface for preparing short videos and music pieces. Tik Tok is the new obsession among youngsters which is giving them a platform to express them innovatively and ingeniously. The present paper is based on case study of individuals who used Tik Tok to highlight their talent.


2011 ◽  
Vol 36 (3) ◽  
Author(s):  
Felix Odartey-Wellington

ABSTRACT This article proposes a critical race theoretical approach to news discourse to counter the erasure of race in Canadian public discourse, using media coverage of the Suaad Hagi Mohamud affair as a case study. Between May and August 2009, Mohamud, a Canadian of Somali origin, was stranded in Nairobi, Kenya, because Canadian authorities voided her passport on the erroneous grounds that she was an impostor and consequently procured her prosecution by Kenyan authorities. While Mohamud’s case received extensive media coverage in Canada, much of the coverage failed to interrogate the possibility that her experience was racially motivated, despite facts that should have raised such concerns. Consequently, this article adopts a critical race perspective in discussing mainstream media coverage of the case and suggests alternative media discourses that engage with the race question in relevant cases.RÉSUMÉ Cet article applique la théorie critique de la race au discours de l’information afin de contrer l’effacement de la race dans le discours public au Canada, en utilisant la couverture médiatique de l’affaire Suaad Hagi Mohamud comme étude de cas. Entre mai et août 2009, Mohamud, une Canadienne d’origine somalienne, n’a pas pu quitter Nairobi au Kenya parce que les autorités canadiennes ont annulé son passeport sous le prétexte erroné qu’elle était un imposteur, entraînant ainsi sa poursuite par les autorités kényanes. Bien que le cas de Mohamud ait reçu une couverture médiatique imposante au Canada, une grande part de cette couverture a négligé de soulever l’idée que le racisme ait causé ses malheurs, malgré l’existence de faits qui auraient dû entraîner de telles constatations. En conséquence, cet article a recours à la théorie critique de la race afin de discuter de la couverture médiatique dominante sur le cas et proposer des discours médiatiques alternatifs qui, dans des cas connexes, traitent efficacement de race.


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