Political Power and Gender: Focusing on the Media Representation of Park Geun-hye, the First ‘Female’ President of South Korea

2021 ◽  
Vol 37 (2) ◽  
pp. 167-201
Author(s):  
Eunmi Jang ◽  
Sohyun Lee
2019 ◽  
Vol 12 (3) ◽  
pp. 416-433 ◽  
Author(s):  
Richard Mocarski ◽  
Robyn King ◽  
Sim Butler ◽  
Natalie R Holt ◽  
T Zachary Huit ◽  
...  

Abstract In recent years, the transgender and gender diverse (TGD) population has gained a stronger voice in the media. Although these voices are being heard, there are limits on the types of TGD representation displayed in media. The current study interviewed 27 TGD individuals. These interviews exposed how participants view the rise of TGD media representation. The main themes that emerged were TGD awareness and TGD identity discovery and role modeling. Clearly, there is a disconnect between transnormativity in the media and transnormativity in reality.


2020 ◽  
Vol 42 (7-8) ◽  
pp. 1326-1342 ◽  
Author(s):  
Youjeong Oh

Media representation is not a neutral site for reflection of reality, but a process through which discourses are constructed and circulated. When presented in media, urban space is re-mediated and its meanings are newly configured. Discursive currents do not simply remain in the media sphere, but reshape the cultural economy of certain places by attracting tourists and inducing property value increases. This article examines the process in which Ihwa Mural Village, a disenfranchised residential neighborhood in South Korea, has become one of the ‘best photo spots’ for tourists through representation via three distinct types of media – murals, popular culture, and Instagram. The analyses focus on the double functions of each medium: branding function to create particular place meanings, on the one hand, and power to create distance between representation and community realities on the other. This dual tendency is reinforced by transmedia dynamics. When featured in diverse media, images of Ihwa Village proliferate, attracting more participants and enabling further transmedia interactions. Yet, transmedia image flows accentuate only visual and aesthetic qualities of place. The expansive and subtractive transmedia construction consolidates the place myth, while the same process advances its detachment from the reality of the place.


2004 ◽  
Vol 21 (4) ◽  
pp. 146-149
Author(s):  
Cheshmak Farhoumand-Sims

On 7-9 May 2004, the SSHRC-funded, York University-based MCRI projecton Diaspora, Islam, and Gender project held an international conferenceon “The Making of the Islamic Diaspora.” Under the directorship ofHaideh Moghissi, Saeed Rahnema, and Mark Goodman, the event was heldin Toronto and was cosponsored by the Ford Foundation EducationalProject for Palestinians, the Atkinson Faculty of Liberal and ProfessionalStudies, the York Centre for Refugee Studies, and the York Centre forFeminist Research. The conference brought together an impressive collectionof scholars from around the world to share knowledge and insight intothe challenges that face diaspora communities of emigrants, refugees, andexiles who originate from Islamic cultures, with a specific focus on the genderdimension of displacement.In addition to the invited guests and speakers, the conference wasattended by approximately 50 academics, graduate students, and the publicat large. The conference’s guest of honor was the Honorable Zahira Kamal,Minister of Women’s Affairs for the Palestinian National Authority, whoparticipated in the conference and presented a keynote address at a dinnerreception in her honor.The conference’s panels discussed themes related to identity formation,gender in diaspora, fundamentalism and human rights, the diasporaexperience, and the media and representation. Nergis Canefe, for example,spoke about issues of religious identity and national belonging andnoted that diasporas offer a site of new membership that is different thanmigrants and represent the flourishing of hybrid identities. She describedthe “common immigrant story,” where such socioeconomic barriers asracism, stereotyping, media representation, and difficulty in recertificationmake it extremely difficult to have a smooth life transition in a newcountry ...


Author(s):  
Maria Clara Medina

<p>Este artículo se centra en la representación mediática de Cristina Fernández de Kirchner en las portadas de la revista semanal Noticias durante su segundo mandato como presidenta de Argentina, 2011–2015. A través de una revisión feminista de la evidencia documental, este texto tiene como objetivo determinar los patrones más prevalentes en el uso de técnicas de dominación y estereotipos de género en los medios de comunicación, discutiendo la representación de mujeres políticas en narrativas visuales y escritas, ya que generalmente ésta refuerza los estereotipos de género, perjudicando la imagen pública de las candidatas y representantes femeninas. Los resultados muestran cómo cinco estereotipos de género identificables (el líder narcisista o la diva frívola; la viuda solitaria frente a la viuda malvada; la mujer hipersexualizada o descontrolada; la mujer mentalmente enferma o desequilibrada psíquicamente; y la mujer insopor­table) interactúan con siete técnicas de dominación complementarias (hacer invisible; ridiculizar; retener información; doble constreñimiento o doble castigo; culpar y humillar o avergonzar; objetivar; violencia, fuerza o amenaza de fuerza) para rechazar, subestimar o burlarse del liderazgo político femenino.</p>


2020 ◽  
Vol 1 (8) ◽  
pp. 69-83
Author(s):  
N. S. Dankova ◽  
E. V. Krekhtunova

The article is devoted to the study of the media representation features of the situation of coronavirus infection spread. The material was articles published in American newspapers. It is shown that the metaphorical model "War" is widely used in media coverage of the pandemic. The relevance of the work is due to the ability of the media to influence the mass consciousness. The methodological basis of the research is formed by critical discourse analysis, which establishes the connection between language and social reality. The article provides an overview of works devoted to the study of metaphor. The theoretical foundations for the study of metaphorical modeling are given. In the course of the analysis, the linguistic means of updating the metaphorical model "War" were revealed. The authors note that this metaphorical model is represented by such frames as “War and its characteristics”, “Participants in military action”, “War zone”, “Enemy actions”, “Confronting the enemy”. It is shown that modern reality is presented in the media as martial law, the coronavirus is positioned in the media as a cruel and merciless enemy seeking to take over the world, the treatment of the disease is represented as a fight against the enemy. It is concluded that the use of the metaphorical model "War" is one of the ways to conceptualize the spread of coronavirus.


Cultura ◽  
2019 ◽  
Vol 16 (1) ◽  
pp. 145-163
Author(s):  
Soochul KIM ◽  
Kyung Han YOU

This study examines the dynamics of cultural politics in reality television shows featuring North Korean resettlers (NKR2) in South Korea. As existing studies focus on the role of media representation reproducing a dominant ideology for the resettlers, this paper focuses on the specific media rituals of NKR2 programs, which can be seen as a product of the neoliberalist localization process of the global media industry. In doing so, this paper demonstrates how NKR2 programs interrupt the current dynamics of emotions in regard to North Korean resettlers in South Korea. We argue that in shaping civic identity as an effect of the NKR2 show, cultural politics of citizenship in South Korea on North Korean resettlers serve the formation of relatively conservative and sexist civic identity.


2020 ◽  
Vol 20 (1) ◽  
Author(s):  
Inseon Choi ◽  
Donghwan Lee ◽  
Kyung-Bok Son ◽  
SeungJin Bae

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