Koszmar władzy. Potworność we „Wrońcu” Jacka Dukaja

Wroniec by Jacek Dukaj is a dark fairy tale set during the martial law in Poland (1981–1983). The protagonist of the story, a young boy named Adaś, has witnessed a kidnapping of his father by a monstrous bird — Wroniec. Adaś is set to find and rescue his father, but before he is able to do that, he has to fight many monsters who serve Wroniec. The only weapon that Adaś can use against them is the power of his own imagination. The purpose of this article is to analyse how the authorities of the martial law are seen as monsters by a young boy, changed into grotesque beings by his imagination. The article shows how Dukaj created the monsters based on the real authorities from the ’80. The names, behaviour, and appearance of the monsters have been examined in order to do that. It is also noted how important in the creation of both monster and reality child’s imagination is.

Configuring Taiwan’s Architectural Extensions

<p>Amongst Taipei’s contemporary urban skyline of skyscrapers sits a secondary layer of prolific informal structures latching onto the existing modernist infrastructures of Taiwan, most prominently multistorey residential buildings. These structures resolve the spatial issue of the urban environment on the surface level and communicate a certain expression of Taiwan’s way of life, but just as importantly, they serve as a critique of modernist standards and homogeneous space. This phenomenon is the result of the absence of planning and declaration of martial law under the KMT’s rule of Taiwan from 1949-1987. During this time, all top-down plans were reduced to one objective—to take over from China and return to the mainland (Illegal Taipei). During this time the government was negligent about these unrestrained developments in the city. In a 2011 exhibition titled “Illegal Architecture” Taiwanese architect, Ying-Chun Hsieh expressed a distinct view of this period. He wrote: Fortunately, while the government was concentrating itself on regaining the possession of mainland China and on promoting populism, which made it weak, people were given a chance to breathe. Their creativity was released, and fabulous urban life finally arose in Taipei… (Ching-Yueh) In recent years, the government has had a change of agenda; the demolitions of illegal extensions are now enforced and with it what has come to symbolise a Taiwanese’s way of life informed by decades of creative informal expansions and certain freedoms. Although government regulations emerge from safety concerns, this thesis argues that there is a superior procedure to overcome these issues without altering the culture: to create an architecture that references but does not imitate the context, therefore creating a new architectural language that retains the spirit of context and history of the everyday in Taiwan.</p>

Configuring Taiwan’s Architectural Extensions

<p>Amongst Taipei’s contemporary urban skyline of skyscrapers sits a secondary layer of prolific informal structures latching onto the existing modernist infrastructures of Taiwan, most prominently multistorey residential buildings. These structures resolve the spatial issue of the urban environment on the surface level and communicate a certain expression of Taiwan’s way of life, but just as importantly, they serve as a critique of modernist standards and homogeneous space. This phenomenon is the result of the absence of planning and declaration of martial law under the KMT’s rule of Taiwan from 1949-1987. During this time, all top-down plans were reduced to one objective—to take over from China and return to the mainland (Illegal Taipei). During this time the government was negligent about these unrestrained developments in the city. In a 2011 exhibition titled “Illegal Architecture” Taiwanese architect, Ying-Chun Hsieh expressed a distinct view of this period. He wrote: Fortunately, while the government was concentrating itself on regaining the possession of mainland China and on promoting populism, which made it weak, people were given a chance to breathe. Their creativity was released, and fabulous urban life finally arose in Taipei… (Ching-Yueh) In recent years, the government has had a change of agenda; the demolitions of illegal extensions are now enforced and with it what has come to symbolise a Taiwanese’s way of life informed by decades of creative informal expansions and certain freedoms. Although government regulations emerge from safety concerns, this thesis argues that there is a superior procedure to overcome these issues without altering the culture: to create an architecture that references but does not imitate the context, therefore creating a new architectural language that retains the spirit of context and history of the everyday in Taiwan.</p>

Parafia w Krasiczynie jako ośrodek wsparcia dla opozycji demokratycznej i niezależnego ruchu chłopskiego oraz centrum pomocy społecznej w okresie stanu wojennego i po nim

[The Parish in Krasiczyn as a centre of support of democratic opposition and independent peasant movement and a centre of social assistance during martial law in Poland and thereafter] The aim of another publication in “Rocznik Przemyski”, which falls under the project of “oral history”, is to preserve for posterity significant events in the Przemyśl region which took place not so long ago, whose participants are still alive and have agreed to bear first-hand testimonies. This paper focuses on the role of the Roman Catholic St. Martin parish church in Krasiczyn during a crucial period in our history, i.e. the birth of democratic opposition based on the “Solidarity” movement and then public resistance after martial law had been introduced in Poland. The article consists of five parts: introduction, presentation of Rev. Stanisław Bartmiński, calendar of events between 1970 and 2008, accounts by people who in the 1970s and later, particularly during the martial law, had contact with the Krasiczyn parish, and short biographies of the interlocutors and people mentioned in the interviews. The publication is complete with the afterword of the then parish priest, Rev. Stanisław Bartmiński. The collected testimonies show the social, cultural and charity-oriented role of the Krasiczyn church rectory and its head priest, in particular Krasiczyn as the place of meetings of peasant activists who laid the foundations of independent organizations of individual farmers, as a relief centre for democratic opposition activists and later a regional relief center for the people oppressed for their Solidarity activity. Part of the material also concerns organizing in the early 1990s camps for children of Polish origin from Ukraine as well as Ukrainian children harmed during the Chernobyl catastrophe.

Commemorating Martial Law as Treason

How and why have Polish state institutions constructed an official public memory of martial law (1981–1983) despite plural interpretations and growing apathy and amnesia in the broader society? Between 1992 and 2018, parliament passed eight commemorative resolutions endorsing a single interpretation of martial law as treason. This political consensus is surprising given not only the lack of social consensus but also the political polarization that existed between and among post-communist and post-Solidarity parties. Drawing on LaClau and Mouffe’s discourse theory as well as Brian Grodsky’s theory of transitional justice measures as political goods, this article analyzes the official discourse of martial law as articulated in commemorative resolutions, transcripts of parliamentary deliberations, parliamentary journals, court rulings, and reports of committees, subcommittees, special commissions, and governmental offices. It considers how this discourse has been deployed to legitimate the ruling elite, attack political rivals, and justify controversial initiatives, policies, and reforms. It contributes to the literature on the politics of memory during times of political transformation by examining a case of surprising stability despite factors that would seem to favor change over time.

Kasaysayan ng DZLB sa UPLB: Pagsasahimpapawid mula campus radio tungong closed TV circuit

This paper discusses the history of DZLB, the community radio of the University of the Philippines- Los Baños (UPLB) in Laguna, some 63 kilometers away from Manila. It traces the history of the radio under the College of Development Communication (UPLB-DevCom) that started in 1964. It tells the story of how the College of Agriculture Department of Agricultural Information and Communication evolved into the Institute of Development Communication making the UPLB history its backdrop. From UPCA, UPLB metamorphosed during the critical politic al events that culminated in 1972 when martial law was imposed in the Philippines. Witnesses to these unfolding events were the students who have been training in the field of communication and broadcasting. The campus and the communities within the reach of the DZLB radio have served as their laboratories. Through the School-on-Air and other programs, knowledge and information were broadcasted to the DLZB listeners who are farmers, housewives, out-of-school youth and students with the end in view of helping them raise their agricultural produce and eventually increase their income and improve the people’s quality of living. The UPLB-DevCom also plans to have an online television-radio to expand and increase their reach among their listeners and viewers inside and outside of the UPLB campus.

Martial Law as a Legal Phenomenon of the Great Patriotic War

The article attempts to give an objective assessment of the state wartime policy aimed at regulating public relations during the Great Patriotic War, to qualify the activities of the military authorities, the USSR NKVD troops and bodies as subjects of legal relations developed in the sphere of functioning of the legal regime of that time. The relevance of the research of the mentioned problems is conditioned by the urgent need to strengthen the confrontation with the ongoing attempts to rewrite the history and neutralize the significance of the USSR’s victory over Nazi Germany. From the standpoint of the principle of historicism, the article reveals the legal structure of the martial law regime as a wartime integral legal phenomenon. The specific historical reasons for the establishment of an emergency legal regime in the frontline zone, its content as a kind of martial law regime, the specificity of the troops and bodies activities of the USSR NKVD to ensure the legal regime of the frontline zone are also shown. Based on archival and other historical sources, the article substantiates the conclusion that the scope of powers of the military authorities, troops and law enforcement agencies directly depended on the severity degree of the legal regime, which, in its turn, determined the restriction degree of the rights and freedoms of the population living in the areas of the emergency legal provisions action. Recommendations for the application of emergency legal mechanisms aimed at ensuring state and public security, taking into account the interests of the state and society, are formulated in the conclusion.