scholarly journals PENGUATAN PEMBENTUKAN KARAKTER BERBASIS PERMAINAN BERHITUNG ORANG NGADA

2020 ◽  
Vol 10 (2) ◽  
pp. 181-196
Author(s):  
Watu Yohanes Vianey

This paper offers the meaning of 'arithmatic game' in local traditions of Ngada. The theory being used is oral tradition theory and modification of diffusion theory neodifusionist who shows the encounter of the spirituality values ​​of muzi sadho from local religion and the 'perfect life' spirituality of the Roman Catholic Church. The nine spirituality hierarchies are found in the meaning of ‘arithmetic game’ can influence contemporary Ngada people to strengthen the formation of his human character to fight the phenomenon of public outragein the new millennium era.

Author(s):  
Suzel Ana Reily

Suzel Reily’s essay discusses the implication of the universalist thrust of the Roman Catholic Church upon local traditions. While in Brazil local music making has been historically linked to Catholic practice, the clergy’s understandings of “the popular” derive from their interpretations of Vatican II directives along with a preoccupation with liturgical fidelity. In this setting, lay religious repertoires are being discouraged in favor of folk-like musics rooted in imagined local traditions. But alongside a clash in musical aesthetics, Reily shows how the musical practices associated with the new repertoire actually mitigate against collective singing, whilst threatening to shift local practices from the religious sphere to, at best, a secular folklorized arena.


1991 ◽  
Vol 44 (2) ◽  
pp. 163-220 ◽  
Author(s):  
M. Jennifer Bloxam

The cult of saints exerted a profound influence on the liturgy and plainsong of the Roman Catholic church in the later Middle Ages, as individual churches evolved local traditions of liturgy and plainsong to celebrate saints held dear by certain communities. Sacred polyphonic composition during this period also reflects the stimulation to musical creativity engendered by the veneration of special saints. This study explores a particularly fine example of the intersection of liturgy, chant, and polyphony inspired by the adoration of saints in the late Middle Ages. The introduction of a new local saint, Livinus, to the liturgy of the Flemish city of Ghent during the eleventh century provides the starting point for the investigation, which introduces a newly-discovered body of plainsong in his honor, notably a rhymed Office, preserved in manuscripts spanning the twelfth through the sixteenth centuries. From this corpus of plainsong the composer Mattheus Pipelare (c. 1450-c. 1515?) selected no fewer than sixteen chants for inclusion in his four-voiced Missa Floruit egregiis infans Livinus; the identification of these heretofore unknown cantus firmi prompts a fresh look at the provenance, style and structure of this remarkable Mass, which proves to be a musical historia akin to other multiple cantus firmus Masses of the period, notably those by Jacob Obrecht. The essay concludes with an examination of the Missa de Sancto Job by Pierre de la Rue, whose debt to Pipelare's Missa de Sancto Livino is elucidated through a discussion of its background and compositional technique.


2011 ◽  
Vol 5 (3) ◽  
pp. 337-364
Author(s):  
Kristin Norget

This article explores new political practices of the Roman Catholic Church by means of a close critical examination of the beatification of the Martyrs of Cajonos, two indigenous men from the Mexican village of San Francisco Cajonos, Oaxaca, in 2002. The Church’s new strategy to promote an upsurge in canonizations and beatifications forms part of a “war of images,” in Serge Gruzinski’s terms, deployed to maintain apparently peripheral populations within the Church’s central paternalistic fold of social and moral authority and influence, while at the same time as it must be seen to remain open to local cultures and realities. In Oaxaca and elsewhere, this ecclesiastical technique of “emplacement” may be understood as an attempt to engage indigenous-popular religious sensibilities and devotion to sacred images while at the same time implicitly trying to contain them, weaving their distinct local historical threads seamlessly into the fabric of a global Catholic history.


2013 ◽  
Vol 54 (4-5) ◽  
pp. 405-424
Author(s):  
Alina Nowicka -Jeżowa

Summary The article tries to outline the position of Piotr Skarga in the Jesuit debates about the legacy of humanist Renaissance. The author argues that Skarga was fully committed to the adaptation of humanist and even medieval ideas into the revitalized post-Tridentine Catholicism. Skarga’s aim was to reformulate the humanist worldview, its idea of man, system of values and political views so that they would fit the doctrine of the Roman Catholic church. In effect, though, it meant supplanting the pluralist and open humanist culture by a construct as solidly Catholic as possible. He sifted through, verified, and re-interpreted the humanist material: as a result the humanist myth of the City of the Sun was eclipsed by reminders of the transience of all earthly goods and pursuits; elements of the Greek and Roman tradition were reconnected with the authoritative Biblical account of world history; and man was reinscribed into the theocentric perspective. Skarga brought back the dogmas of the original sin and sanctifying grace, reiterated the importance of asceticism and self-discipline, redefined the ideas of human dignity and freedom, and, in consequence, came up with a clear-cut, integrist view of the meaning and goal of the good life as well as the proper mission of the citizen and the nation. The polemical edge of Piotr Skarga’s cultural project was aimed both at Protestantism and the Erasmian tendency within the Catholic church. While strongly coloured by the Ignatian spirituality with its insistence on rigorous discipline, a sense of responsibility for the lives of other people and the culture of the community, and a commitment to the heroic ideal of a miles Christi, taking headon the challenges of the flesh, the world, Satan, and the enemies of the patria and the Church, it also went a long way to adapt the Jesuit model to Poland’s socio-cultural conditions and the mentality of its inhabitants.


Author(s):  
Hiermonk Ioann ( Bulyko) ◽  

The Second Vatican Council was a unique event in the history of the Roman Catholic Church. Initiated by Pope John XXIII, it was intended to make the Roman Catholic Church more open to the contemporary society and bring it closer to the people. The principal aim of the council was the so called aggiornamento (updating). The phenomenon of updating the ecclesiastical life consisted in the following: on the one hand, modernization of the life of the Church and closer relations with the secular world; on the other hand, preserving all the traditions upon which the ecclesiastical life was founded. Hence in the Council’s documents we find another, French word ressourcement meaning ‘return to the origins’ based on the Holy Scripture and the works of the Church Fathers. The aggiornamento phenomenon emerged during the Second Vatican Council due to the movement within the Catholic Church called nouvelle theologie (French for “new theology”). Its representatives advanced the ideas that became fundamental in the Council’s decisions. The nouvelle theologie was often associated with modernism as some of the ideas of its representatives seemed to be very similar to those of modernism. However, what made the greatest difference between the two movements was their attitude towards the tradition. For the nouvelle theologie it was very important to revive Christianity in its initial version, hence their striving for returning to the sources, for the oecumenical movement, for better relations with non-Catholics and for liturgical renewal. All these ideas can be traced in the documents of the Second Vatican Council, and all this is characterized by the word aggiornamento.


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