Interpretations of Wuthering Heights often focus upon the grand passions of Heathcliff and Catherine Earnshaw, and the striking bond between them. But full and detailed consideration of the novel discourages the assumption that Emily Brontë is wholeheartedly endorsing their point of view, or any other. She consistently presents all her characters, Heathcliff and Catherine included, as blind to the world as others see it, and consequently as holding views that do not do justice to the fullness of things. Largely because of their myopia, all are ever at odds with one another, often physically, but usually conceptually, engaging in indecisive wars of words, benighted battles of too limited views. The battles occur as well within Catherine and Heathcliff, whose divided hearts reflect the confused divisions in the world at large. And the reader is fully implicated in the inconclusive conflicts, for his formulations and sympathies are repeatedly betrayed. Wuthering Heights provides him with no standard of judgment that comprehends the restricted ones of the characters, no privileged point of view to relieve his uncertainties. Whatever her intentions, Emily Brontë is clearly not just throwing her being vicariously into the lives of Heathcliff and Catherine. She possesses strong critical impulses and many contrary views, only one of them being that of Heathcliff.
SPECIFICITY OF SPATIAL AND TEMPORAL ARRANGEMENT OF THE NOVEL “WUTHERING HEIGHTS” BY EMILY BRONTË