Doxamachia Restituo: From Commedia to Hypnerotomachia by way of Ibn Rushd
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This paper reflects on the philosophical traditions that would enable the artistic integration of Classical themes and values into the cultural-climate of Quattrocento and 15th century Europe. I posit that Dante’s Divine Comedy leverages the philosophical legacy of Averroes to reconcile Classical and Christian value-systems, subordinating the creative and cultural accomplishments of the former in anagogical service to the ethical and theological revelations of the latter. I argue that this project of philosophical synthesis exerts a direct influence on the intellectual and aesthetic contours of the Hypnerotomachia Poliphili, a late 15th century text attributed to one Francesco Colonna.
2004 ◽
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