The Third Angle in Israel Studies

2021 ◽  
Vol 36 (2) ◽  
pp. 66-86
Author(s):  
Paula Kabalo ◽  
Esther Suissa

Relying on theoretical foundations and conceptualizations in the literature on government–Third Sector relations, this article examines the motives and outcomes that impacted the relations between voluntary non-governmental entities and government organs after the State of Israel was established. Using the typology primarily of Jennifer Coston, in addition to those of Dennis Young and Adil Nagam, the article concentrates on three case studies reflecting those relations: disabled veterans and demobilized soldiers, immigrant associations, and the Israel Education Fund. All three cases show that additional actors lay claim to matters undisputedly under the state’s responsibility. The relationships between these parties, we maintain, provide another angle to an understanding of mamlakhtiyut, the Israeli version of republicanism.

2012 ◽  
Vol 4 (3) ◽  
Author(s):  
Leandro Costa Lopes ◽  
Cacilda Soares Andrade ◽  
Juliana Matos Meira ◽  
Aldemar Araújo Santos ◽  
Joaquim Osório Liberalquino Ferreira

O objetivo desta pesquisa foi verificar como as Organizações do Terceiro Setor realizam o controle financeiro dos recursos recebidos de financiadores, através de convênio, para a execução de suas atividades sociais. Buscou-se na literatura um referencial teórico que ressalta a cobrança de uma preocupação dos gestores para a forma como estão sendo geridos os recursos financeiros confiados à sua organização para a execução de atividades de cunho social. Foram encontrados reforços de muitos autores quanto à necessidade de melhor estruturação dos controles internos e aperfeiçoamento da gestão das Organizações do Terceiro Setor para atender as exigências dos seus financiadores e conquistarem seu espaço, além de novos ingressos de recursos financeiros para manter o desenvolvimento das atividades sociais propostas e até mesmo a própria estrutura da organização. A metodologia adotada nesta pesquisa contou com um estudo multicaso aplicado a sete organizações situadas no Estado de Pernambuco, utilizando-se da técnica de análise documental, entrevistas e observações diretas. Os achados da pesquisa indicam falhas no processo de gestão dos recursos financeiros, devidos principalmente à falta de segregação de funções entre os membros da equipe que atua nos projetos. Além disso, constata-se que nenhuma das organizações faz uso da contabilidade para acompanhamento e controle dos recursos, alegando principalmente a falta de oportunidade no recebimento dos relatórios contábeis.


Author(s):  
Matthew LIEVESLEY ◽  
Robert YOUNG ◽  
David O’LEARY ◽  
Laura WARWICK

The research addresses the role of Design creating value at the intersections of disciplines in organisations. It presents a revision to the discourse on the nature of and relationship between Design and other disciplines. This paper advocates a new para-disciplinary term for the post-disciplinary state of Design in its contemporary practices, acting as the ‘inter-discipline’ within organisations that are intent on the strategic development of their innovation capacity and potential. The work builds on a synthesis of findings from a longitudinal range of practice-based design research projects undertaken across industry and the third sector over the last four years. Case studies of these projects demonstrate that the involvement of Design has resulted in successive levels of influence leading to the radical transformation of the organisations’ innovation strategies. The implication for the generic aspect of these findings are discussed in terms of inter-disciplinary discourses.


Author(s):  
Anu Oinaala ◽  
Vilja Ruokolainen

Independent Performing Arts Sector as a Part of the Third Sector inTransition This article examines the Finnish independent performing arts sector as a part of the so-called third (non-profit and voluntary) sector. The independent performing arts sector is analyzed from the viewpoint of the changing nature of the new third sector as identified in recent research. The aim of the article is to describe the agents in the manifold independent sector of performing arts and to analyze what kind of forms the elements important to the so-called new third sector, organizational membership and paid labour, take in the independent performing arts. From the genres of performing arts, theatre, dance, circus and performance art are investigated. There are two sets of data. Quantitative data consists of the number of productions performed in the Helsinki region during 2009–2011 by the independent performing arts sector and the number of the artists participating in those productions. The qualitative data includes case studies from 16 independent performing arts groups from around Finland. In addition to case studies, research methods include typification and network analysis. This article is concerned especially with four identified transitions in the third sector: from volunteerism to professionalism, from institutions to informal groups, from influencing to performing services and from traditional membership to different forms of participation. We conclude that the independent sector in the performing arts consists of a variety of forms of organization, and the volume of productions by groups that are not formally organized is significant. Membership has several different meanings, and they often differ from the traditional notion of the concept. In the independent sector of the arts different forms of employment and labour are mixed. The independent performing arts sector uses many familiar third sector features such as forms of organization, tradition of volunteering and light administration to organize and fund its activities, but it also moves freely outside the third sector conventions, borrows and creates its own ways, which are sometimes again borrowed by actors outside the arts sector. Keywords: Independent arts sector, performing arts, third sector


2020 ◽  
pp. 1-21
Author(s):  
ROB MACMILLAN ◽  
ANGELA ELLIS PAINE

Abstract In the context of a mixed economy of welfare, public policy in the UK and elsewhere has long promoted third sector involvement in delivering public services. A growing research literature consistently highlights the challenges third sector organisations face engaging with a demanding public services commissioning environment, but it tends to lack a theoretical basis and can offer misleading accounts of third sector organisations as relatively passive and powerless in the face of wider forces. This article argues that third sector organisations actively operate within and seek to shape a commissioning context which advantages some strategies and some types of organisation over others. To provide stronger theoretical foundations for understanding public services commissioning and the third sector, the concept of ‘strategic selectivity’ (Hay, 2002) is applied to in-depth qualitative longitudinal data from third sector organisations delivering a range of public services. The article contributes new theoretical insights into the dynamic ways in which social policies and public services are organised. The analysis highlights how differently positioned organisations seek to read, navigate pathways through, and transform an uneven public services commissioning landscape.


1994 ◽  
Vol 30 (3) ◽  
pp. 1-9
Author(s):  
Francisco Fontes Lima ◽  
Francisco Alves Pereira

This paper describes the findings of the “Third International Conference on Waste Management in the Chemical and Petrochemical Industries,” held in Salvador, Brazil, October 20-23, 1993. A summary of the 74 technical papers, divided into six major categories, is presented together with comments on the more stringent legislation concerning source control programmes. Case studies of two large chemical complexes that have been developing successful waste minimization programmes are described in detail: CETREL-Environmental Protection Company in Camaçari, Brazil, and BASF AG in Ludwigshafen, Germany.


Author(s):  
John West

Literary history often positions Dryden as the precursor to the great Tory satirists of the eighteenth century, like Pope and Swift. Yet a surprising number of Whig writers expressed deep admiration for Dryden, despite their political and religious differences. They were particularly drawn to the enthusiastic dimensions of his writing. After a short reading of Dryden’s poem to his younger Whig contemporary William Congreve, this concluding chapter presents three case studies of Whig writers who used Dryden to develop their own ideas of enthusiastic literature. These three writers are Elizabeth Singer Rowe, John Dennis, and the Third Earl of Shaftesbury. These case studies are used to critique the political polarizations of seventeenth- and eighteenth-century literary history and to stress instead how literary friendship crossed political allegiances, and how writers of differing ideological positions competed to control mutually appealing ideas and vocabularies.


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