scholarly journals [Invited Paper] Ambient Music Co-player: Generating Affective Video in Response to Impromptu Music Performance

2021 ◽  
Vol 9 (1) ◽  
pp. 2-12
Author(s):  
Issei Fujishiro ◽  
Anri Kobayashi
Keyword(s):  
Music Performance ◽  
Ambient Music

Performing Spaces: Street Music and Public Territory

2007 ◽  
Vol 3 (1) ◽  
pp. 97-120 ◽  
Author(s):  
MICHAEL BYWATER
Keyword(s):  
Twentieth Century ◽  
Public Space ◽  
Music Performance ◽  
Liminal Space ◽  
Performance History ◽  
Historical Scholarship ◽  
Liminal Spaces ◽  
Ambient Music ◽  
Street Performance ◽  
Public Territory

AbstractThe interaction between ‘marginal’ music performance (whether socially or musically marginal, e.g. busking, ambient music, etc.) and ‘liminal’ spaces is at first sight a characteristically twentieth-century phenomenon. However, performance history as revealed not only through historical scholarship but through contemporary anecdotal or fictional writings can contextualize these current uses of music in negotiating public space, while revealing some of our assumptions about performance in general. I argue that much of liminal performance is concerned with the appropriation and retention of spaces in which to perform, and that this is no new thing but was, until relatively recently, the norm. I look at some aspects of performance history in the light of contemporary thinking about liminality, and consider how buskers, particularly in Bath (where I lived for several years) contend for temporary possession of public space as a prerequisite of their performances. I conclude by suggesting that the defining of liminal space might be usefully extended, in thinking about street performance, into the notion of ‘liminal spacetime’.

Music Performance and Theories of Memory

2000 ◽  
Author(s):  
Steven A. Finney ◽  
Caroline Palmer
Keyword(s):  
Music Performance

Shared intentions in joint music performance

2009 ◽  
Author(s):  
Janeen D. Loehr ◽  
Rowena Pillay ◽  
Caroline Palmer
Keyword(s):  
Music Performance

Technical Issues Related to Computerized Music Performance Assessment

2019 ◽  
pp. 854-876
Author(s):  
Daniel Massoth
Keyword(s):  
Research And Development ◽  
Performance Assessment ◽  
Music Performance ◽  
External Factors ◽  
Assessment Process ◽  
Future Directions ◽  
Music Assessment ◽  
History Of ◽  
Technical Issues ◽  
Internal And External Factors

When technology is used for assessment in music, certain considerations can affect the validity, reliability, and depth of analysis. This chapter explores factors that are present in the three phases of the assessment process: recognition, analysis, and display of assessment of a musical performance. Each phase has inherent challenges embedded within internal and external factors. The goal here is not to provide an exhaustive analysis of any or all aspects of assessment but, rather, to present the rationale for and history of using technology in music assessment and to examine the philosophical and practical considerations. A discussion of possible future directions of product research and development concludes the chapter.

scholarly journals Performers of the night: Examining the mental health of electronic music artists

2021 ◽  
pp. 030573562097698
Author(s):  
Jolan Kegelaers ◽  
Lewie Jessen ◽  
Eline Van Audenaerde ◽  
Raôul RD Oudejans
Keyword(s):  
Mental Health ◽  
Social Support ◽  
Sleep Disturbance ◽  
Electronic Music ◽  
Music Performance ◽  
Well Being ◽  
Cross Sectional ◽  
Music Performance Anxiety ◽  
Symptoms Of Depression ◽  
Levels Of Functioning

Despite growing popular interest for the mental health of electronic music artists, scientific research addressing this topic has remained largely absent. As such, the aim of the current study was to examine the mental health of electronic music artists, as well as a number of determinants. Using a cross-sectional quantitative design, a total of 163 electronic music artists participated in this study. In line with the two-continua model of mental health, both symptoms of depression/anxiety and well-being were adopted as indicators for mental health. Furthermore, standardized measures were used to assess potential determinants of mental health, including sleep disturbance, music performance anxiety, alcohol abuse, drug abuse, occupational stress, resilience, and social support. Results highlighted that around 30% of participants experienced symptoms of depression/anxiety. Nevertheless, the majority of these participants still demonstrated at least moderate levels of functioning and well-being. Sleep disturbance formed a significant predictor for both symptoms of depression/anxiety and well-being. Furthermore, resilience and social support were significant predictors for well-being. The results provide a first glimpse into the mental health challenges experienced by electronic music artists and support the need for increased research as well as applied initiatives directed at safeguarding their mental health.

Sign in / Sign up

Export Citation Format

Share Document