The power of advertising awards : a comparison of effectiveness between award-winning & none-award TV commercials

2007 ◽  
Author(s):  
Ju-Yu. Yen
2011 ◽  
Vol 21 (2) ◽  
pp. 177-195 ◽  
Author(s):  
Doreen D. Wu ◽  
Agatha Man-kwan Chung

As advertising can be a social factor and cultural artifact, this study analyzes the images of “modern Chinese woman” via an investigation of their role portrayals, appearance/projection, and verbal characteristics represented in a total of 164 award-winning Chinese TV commercials from 2007 to 2009. Results show that a much larger percentage of females in the Chinese TV commercials embody modern rather than traditional representations. The commercials from Mainland China have also manifested modern representations of the women in more dimensions than their counterparts in Hong Kong. Furthermore, hybridization of both the traditional and modern features are most frequently found in the Chinese TV commercials. It is concluded that the modern forms of Chinese femininity is generated from a synthesis of both the traditional and modern values and that the dichotomous approach of globalization vs localization debate in advertising practice has oversimplified the intricate process as well as the product of image representation and transformation of women in Cultural China.


Author(s):  
Erdem Tatli ◽  
Urun Anil Ozdemir

In this chapter, the award-winning television commercials of Turkey's Cristal Apple Advertising Competition are studied in terms of their use of humor. The commercials are content analyzed, and humorous devices are organized according to the studies of Sterthal and Craig (1973), Kelly and Solomon (1975), Buijen and Valkenburg (2004), and Yee (2011). The humorous devices are listed according to four distinct product categories—banking, decoration, detergents and household cleaners, and foods—and determined according to four distinct categories designed by Weinberger, Campbell, and Brody (1994). All the award-winning advertisements are analyzed according to humorous devices used and product types comparatively. As a result, it is observed that there are significant differences in terms of humor use in advertisements in different sectors. Accordingly, the most humorous advertisements are in the food sector. The humor devices used in the advertisements differentiate from year to year.


Author(s):  
Erdem Tatli ◽  
Urun Anil Ozdemir

In this chapter, the award-winning television commercials of Turkey's Cristal Apple Advertising Competition are studied in terms of their use of humor. The commercials are content analyzed, and humorous devices are organized according to the studies of Sterthal and Craig (1973), Kelly and Solomon (1975), Buijen and Valkenburg (2004), and Yee (2011). The humorous devices are listed according to four distinct product categories—banking, decoration, detergents and household cleaners, and foods—and determined according to four distinct categories designed by Weinberger, Campbell, and Brody (1994). All the award-winning advertisements are analyzed according to humorous devices used and product types comparatively. As a result, it is observed that there are significant differences in terms of humor use in advertisements in different sectors. Accordingly, the most humorous advertisements are in the food sector. The humor devices used in the advertisements differentiate from year to year.


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