A Study on ‘Islamophobia’ Phenomenon in Europe as Depicted in Arab Editorial Cartoons

2020 ◽  
Vol 11 (1) ◽  
pp. 293-322
Author(s):  
Jae-Hee KIM
Keyword(s):  
Editorial Cartoons

The Positive Image of Public Servants in Editorial Cartoons (1999 - 2003)

Public Voices ◽  
2016 ◽  
Vol 11 (1) ◽  
pp. 51
Author(s):  
Tony Carrizales
Keyword(s):  
American Culture ◽  
September 11 ◽  
The Political ◽  
Postal Service ◽  
Public Servants ◽  
Men And Women ◽  
Positive Image ◽  
Editorial Cartoons ◽  
Positive Images ◽  
Selection Of

The editorial cartoon has been a part of American culture since the beginning of the nation’s founding. The following review of editorial cartoons takes a specific look at public servants who are not in the political spotlight, such as teachers, police, fire and postal service men and women. Through a review of editorial cartoons from 1999-2003, it becomes apparent that there are positive images of public servants amid the numerous negative ones published daily. The selection of cartoons, most notably those following the attacks of September 11, 2001, highlights that heroism and service can be transcended through cartoons as with any other form of art.

Plantu and Pedagogy: The Draw of Editorial Cartoons in the Classroom

2012 ◽  
Vol 85 (5) ◽  
pp. 879-885
Author(s):  
Sophie Adamson
Keyword(s):  
Editorial Cartoons

Negative accounting stereotype: Enron cartoons

2021 ◽  
Vol 26 (1) ◽  
pp. 35-60
Author(s):  
Michael Jones ◽  
Patricia Stanton
Keyword(s):  
United States ◽  
The United States ◽  
Accounting Scandals ◽  
Editorial Cartoons ◽  
Arthur Andersen

A sample of editorial cartoons published following the wave of accounting scandals in the United States culminating in the collapse of Enron and the demise of the auditors Arthur Andersen LLP was examined to explore the portrayal of accounting, accountants and auditors. The nature and importance of the cartoons was also investigated. While the examination revealed what cartoonists had to say about accounting, accountants and auditing, the purpose was to ascertain the stereotypes conveyed. The cartoonists working from established preconceptions of accounting and accountants redefined and reshaped accounting stereotypes. They replaced the dull but honest image with a negative one, the fraudulent accountant. However, the image of the male accountant survived. As social critics, the cartoonists focused on the consequences on employees and stockholders but neglected to address the consequences for business institutions.

Counter-visualizing Ireland: Redmondite Home Rule in Sinn Féin’s Editorial Cartoons

2020 ◽  
Vol 3 (2) ◽  
pp. 75-90
Author(s):  
Mathew Staunton
Keyword(s):  
Visual Culture ◽  
Financial Support ◽  
Visual Representations ◽  
Nation Building ◽  
Status Quo ◽  
Home Rule ◽  
Sinn Fein ◽  
Editorial Cartoons

This article explores the efforts of the Sinn Féin activists in Arthur Griffith’s circle to define Irish citizenship as an active, nation-building duty rather than the relatively passive electoral and financial support demanded by the Irish Parliamentary Party in the period 1909-11. As the success of the IPP's Westminster strategy became increasingly harder to ignore, illustrator and designer Austin Molloy counter-attacked for Sinn Féin with dramatic visual representations of John Redmond as a naïve and bumbling shyster maintaining power and generating operational funds by making outlandish promises while being manipulated by more seasoned British parliamentarians. Focusing on key propaganda images from the period via the critical visual culture framework established by Nicholas Mirzoeff, I will consider the work of Molloy and Griffith as a concerted 'counter-visualisation' of the mainstream status quo visualised and promoted by the IPP.

Representing Trump and Trumpism Through Caricature

2019 ◽  
pp. 188-219
Author(s):  
Floribert Patrick C. Endong ◽  
Eugenie Grace Essoh
Keyword(s):  
American Politics ◽  
Media Representations ◽  
Semiotic Analysis ◽  
Editorial Cartoons ◽  
American Nation ◽  
Trump Administration

This chapter focuses on the Nigerian media representations of Donald Trump's controversial policies, statements and style of government. It specifically examines Nigerian caricaturists' criticism of these aspects of American politics through a semiotic analysis of six editorial cartoons penned by Boglo G. and published in the Nigerian online magazine Nasoweseeam, from 2016 to 2018. In the light of the semiotic analysis conducted in the study, the chapter argues that Nigerian political cartoonists have continuously given a remarkable attention to U.S. politics (notably Trump's presidency), particularly exploring the angle of U.S. policies' impact on Nigeria(ns). Their cartoons have been tapping into both universal myths and local idiosyncrasies to represent the Trump administration in particular, and the American nation as a whole. Such a representation has mostly been negative. Icons, indexes and symbols have thus, most often been mobilized in their cartoons to associate Trump, Trumpism and/or America as a whole with such negativities as racism, Islamophobia, Nazism, xenophobia and authoritarianism, among others.

Editorial Cartoons Fail to Reach Many Readers

1968 ◽  
Vol 45 (3) ◽  
pp. 533-535 ◽  
Author(s):  
LeRoy M. Carl
Keyword(s):  
Editorial Cartoons
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