How the Dutch Miss Merkus became the Joan of Arc of insurgent Herzegovina

2021 ◽  
pp. 112-147
Author(s):  
René Grémaux

Much has remained unclear as to how and when Jeanne (Jenny) Merkus came to Herzegovina, where her spectacular, yet tragic career as the Joan of Arc of the Serbian insurrection and where the subsequent war against Turkish and Muslim domination started. Facing the seeming non-existence of any relevant documentation, numerous unsubtantiated claims have been proposed for the Dutch lady's arrival shortly after the rebellion broke out in the summer of 1875. As if it would do harm to the iconic image of female heroism, the possibility of a strongly delayed accession was hardly ever seriously considered. Instead of meticulously researching newspapers and other contemporaneous sources for the first traces of her presence there, self-proclaimed experts spun fanciful stories, which were eagerly consumed as true. Mainly using nearly forgotten revelations of Italian correspondents among the insurgents, this contribution demonstrates that Miss Merkus did not join the insurrection before December of that year, but also that, once inside Herzegovina, she seized the opportunity to transform her purported humanitarian mission into a straightforward military one, adopting male attire and arms.

Author(s):  
G. D. Gagne ◽  
M. F. Miller

We recently described an artificial substrate system which could be used to optimize labeling parameters in EM immunocytochemistry (ICC). The system utilizes blocks of glutaraldehyde polymerized bovine serum albumin (BSA) into which an antigen is incorporated by a soaking procedure. The resulting antigen impregnated blocks can then be fixed and embedded as if they are pieces of tissue and the effects of fixation, embedding and other parameters on the ability of incorporated antigen to be immunocyto-chemically labeled can then be assessed. In developing this system further, we discovered that the BSA substrate can also be dried and then sectioned for immunolabeling with or without prior chemical fixation and without exposing the antigen to embedding reagents. The effects of fixation and embedding protocols can thus be evaluated separately.


2002 ◽  
Author(s):  
Sheri Yvonne Nottestad Boyd ◽  
Linda L. Huffer ◽  
Terry D. Bauch ◽  
James L. Furgerson

1956 ◽  
Author(s):  
Theodore R. Sarbin ◽  
Donal S. Jones
Keyword(s):  

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.


Derrida Today ◽  
2018 ◽  
Vol 11 (2) ◽  
pp. 134-143
Author(s):  
Alexander García Düttmann
Keyword(s):  
The One ◽  

Beautiful passages are passages of ‘pure presence’ inasmuch as they cannot be separated from an absence, from an absence that cannot be revoked by restoring a ‘pure presence’. Beautiful passages are passages that move and inspire because they do not withhold anything, though their gift and their surrender lies in an ellipsis that is essential to ‘pure presence’ and that cannot be sidestepped, as if a remainder, a reserve, or a surplus inhered in them. It is impossible to get a grip on beautiful passages. They are riddles that have been solved but persist in the midst of their solution and do not forfeit any of their enigmaticalness. Their beauty resides in an experience of intensity, in an experience based on an elision, on a tightening and an averting. Such averting is an immediate turning towards the one who feels the intensity, touching and stimulating him as a consequence. This paper explores the question: Are there beautiful passages in Of Grammatology?


Author(s):  
Frances L. Restuccia
Keyword(s):  

Agamben only sporadically alludes to psychoanalysis and invokes psychoanalytic concepts. He does so most prominently in Stanzas, where he dedicates Part III to ‘geniisque Henry Corbin et Jacques Lacan‘ (S 61); refers to ‘the Lacanian thesis according to which […] the phantasm makes the pleasure suited to the desire’, in order to elaborate a point in Plato about desire and pleasure relying on images in the soul (S 74); and takes up melancholia and fetishism – both of which, it is important to note, circumvent lack. But Agamben is by no means ‘psychoanalytic’. He presents and employs melancholia and fetishism as paradigms for accessing the inaccessible (perhaps we can say that he plays with them). Melancholia, in Agamben, becomes an ‘imaginative capacity to make an unobtainable object appear as if lost’ so that it ‘may be appropriated insofar as it is lost’ (S 20), a strategy for saving the unsavable that evolves into his conception of the messianic. And, although Agamben is preoccupied with ‘a zone of non-consciousness’, he underscores that it is ‘not the fruit of a removal, like the unconscious of psychoanalysis’ (UB 64)


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