scholarly journals Fashioning the Post Colonial Reading: Cultural Representations In Vogue Mexico and Latin America and Arabia Editorials

2021 ◽  
Author(s):  
Martyne Alphonso
Keyword(s):  
Latin America ◽  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
National Identities ◽  
Cultural Representations ◽  
Editorial Content ◽  
Visual Narratives ◽  
Race And Gender ◽  
Post Colonial ◽  
And Gender

This study analyzes regional editorial content as produced by Vogue magazine. Vogue has developed an empire comprised of 22 international editions. Vogue Mexico & Latin America, and Vogue Arabia, are the only two editions that encompass numerous countries, cultures, and voices. Using discourse analysis through a cultural studies lens, this study analyzes six editorial spreads to uncover what cultural messages are being produced, how these images impact national identities, and who is or is not represented in the fashion image. Intersections of fashion with culture, identity, race, and gender, are analyzed through critical discourse analysis to address constructions of power, specifically within a cultural and postcolonial framework. Visual narratives in Vogue Arabia and Vogue Mexico & Latin America reflect values seemingly distinct to their region, but are charged with cultural assumptions and inaccuracies. For postcolonial cultures vying for identities independent of their colonial past, these marketable stereotypes continue to suppress their structural agency.

scholarly journals Fashioning the Post Colonial Reading: Cultural Representations In Vogue Mexico and Latin America and Arabia Editorials

2021 ◽  
Author(s):  
Martyne Alphonso
Keyword(s):  
Latin America ◽  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
National Identities ◽  
Cultural Representations ◽  
Editorial Content ◽  
Visual Narratives ◽  
Race And Gender ◽  
Post Colonial ◽  
And Gender

This study analyzes regional editorial content as produced by Vogue magazine. Vogue has developed an empire comprised of 22 international editions. Vogue Mexico & Latin America, and Vogue Arabia, are the only two editions that encompass numerous countries, cultures, and voices. Using discourse analysis through a cultural studies lens, this study analyzes six editorial spreads to uncover what cultural messages are being produced, how these images impact national identities, and who is or is not represented in the fashion image. Intersections of fashion with culture, identity, race, and gender, are analyzed through critical discourse analysis to address constructions of power, specifically within a cultural and postcolonial framework. Visual narratives in Vogue Arabia and Vogue Mexico & Latin America reflect values seemingly distinct to their region, but are charged with cultural assumptions and inaccuracies. For postcolonial cultures vying for identities independent of their colonial past, these marketable stereotypes continue to suppress their structural agency.

scholarly journals Let's talk madness: a critical discourse analysis of personal stories used in the Bell Let's Talk campaign

2021 ◽  
Author(s):  
Shailee Koranne
Keyword(s):  
Mental Health ◽  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
Health Awareness ◽  
Awareness Campaign ◽  
Race And Gender ◽  
Mental Health Awareness ◽  
Personal Stories ◽  
And Gender

This study analyzes a sampling of the personal stories used in the Bell Let’s Talk campaign, an annual mental health awareness campaign started in 2010 by Bell, a large Canadian telecommunications company. Using the method of critical discourse analysis, this paper discusses the ideologies regarding madness, race, and gender that inform the communications of the Bell Let’s Talk campaign. This MRP aims to create an awareness of the limitations of such campaigns and the effects that these representations may have on the way we view madness and mad people.

scholarly journals Let's talk madness: a critical discourse analysis of personal stories used in the Bell Let's Talk campaign

2021 ◽  
Author(s):  
Shailee Koranne
Keyword(s):  
Mental Health ◽  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
Health Awareness ◽  
Awareness Campaign ◽  
Race And Gender ◽  
Mental Health Awareness ◽  
Personal Stories ◽  
And Gender

This study analyzes a sampling of the personal stories used in the Bell Let’s Talk campaign, an annual mental health awareness campaign started in 2010 by Bell, a large Canadian telecommunications company. Using the method of critical discourse analysis, this paper discusses the ideologies regarding madness, race, and gender that inform the communications of the Bell Let’s Talk campaign. This MRP aims to create an awareness of the limitations of such campaigns and the effects that these representations may have on the way we view madness and mad people.

scholarly journals From "Looking for Alibrandi" to "Does my Head Look Big in This?": The role of Australian teenage novels in reconceptualising racialised-gendered identities

2007 ◽  
Vol 2 (1) ◽  
Author(s):  
Lana Zannettino
Keyword(s):  
Race And Ethnicity ◽  
Ethnic Identification ◽  
Dominant Culture ◽  
Race And Gender ◽  
Post Colonial ◽  
Female Protagonists ◽  
Gendered Identities ◽  
And Gender ◽  
Biological Race

This paper undertakes a comparative analysis of three Australian teenage novels – Melina Marchetta’s ‘Looking for Alibrandi’ (1992), Randa Abdel-Fattah’s ‘Does my Head Look Big in This?’ (2005), and Morris Gleitzman’s ‘Girl Underground’ (2004). Drawing from feminist post-structural and post-colonial theories, the paper examines how each author has constructed the racialised-gendered identities of their female protagonists, including the ways in which they struggle to develop an identity in-between minority and dominant cultures. Also considered is how each author inter-weaves race, gender and class to produce subjects that are positioned differently across minority and dominant cultures. The similarities in how the authors have inscribed race and ethnicity on the subjectivities of their female characters, despite the novels being written at different points in time and focusing on different racial and ethnic identities, suggest that what it means to be a raced subject in Australia has more to do with the significance of all-at-once ‘belonging’ and ‘not belonging’ to the dominant culture, of ‘inclusion’ and ‘exclusion’ and of ‘sameness’ and ‘otherness’, than it has with the unique characteristics of biological race and ethnic identification. The paper argues that this kind of fiction carries with it an implicit pedagogy about race relations in Australia, which has the potential to subvert oppressive binary dualisms of race and gender by demonstrating possibilities for the development of hybrid cultural identities and ‘collaborations of humanity’.

US Interventions and Occupations in Latin America

2019 ◽  
Author(s):  
Alan McPherson
Keyword(s):  
Latin America ◽  
Cold War ◽  
Local Governments ◽  
The United States ◽  
Post Cold War ◽  
Race And Gender ◽  
And Gender ◽  
Good Neighbor ◽  
Almost All ◽  
The Cold War

From 1800 to the present, US troops have intervened thousands of times in Latin America and have occupied its countries on dozens of occasions. Interventions were short-term and superficial, while occupations lasted longer and controlled local governments. The causes of these troop landings reflected the United States’ motivations as it expanded from a strong, large republic into first a continental and then an overseas empire at the expense of its smaller, weaker neighbors. Those motivations included colonial land hunger, cultural chauvinism, the exploitation of resources, the search for markets abroad, competition against other great powers, political reformism, global ideological struggle, and the perception that US domestic problems originated in Latin America. US troops undertook almost all these interventions and occupations, although private groups sometimes joined. The major periods were the expansion of the continental republic from 1811 to 1897, the war in Cuba and the apex of occupations (1898–1933), the Good Neighbor years (1934–1953), the Cold War (1954–1990), and the post-Cold War period (1991–2018 and ongoing). Scholars of these events have become increasingly critical and diverse, not only seeing them often as unnecessary brutal failures but also foregrounding extra-military aspects of these episodes, such as economics, race, and gender.

scholarly journals Language and Power: A Critical Discourse Analysis of Wole Soyinka’s The Lion and the Jewel

2018 ◽  
Vol 10 (1) ◽  
pp. 982-988
Author(s):  
Ochulor Nwaugo Goodseed
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
African Culture ◽  
Post Colonial ◽  
Western Education ◽  
Language And Power ◽  
Self Worth ◽  
Traditional Marriage ◽  
Bride Price

The play, The Lion and the Jewel by Soyinka has been projected variously as a triumph of African culture over the Western culture. This is because it is a post-colonial write-up that came almost after the end of the struggles that got Nigeria its independence. There have been different approaches to the study of this text with respect to the struggles between the two traditions as represented by Lakunle (the Western tradition) and Baroka (the African tradition). However, this paper takes a different dimension. Its concern is to investigate, using Fairclough’s tools of Critical Discourse Analysis, some of the ideologies and power relations embedded in some discourses in the text which reveal, in the same context, that Yoruba (African) traditional marriage ideology of bride price oppresses and marginalizes women whereas Western marriage ideology empowers and helps women to discover their self-worth. In addition too, the play reveals that chauvinism in African man cannot be completely eroded no matter the level of Western education acquired. In other words, there were still other levels of imperialism within the so called “independent world” of the traditional Yoruba and at large, Africa.

scholarly journals Women’s Participation in Politics as Represented in the Novel “In Praise of Hatred”

2018 ◽  
Vol 8 (7) ◽  
pp. 73
Author(s):  
Nor Fatin Abdul Jabar ◽  
Kamariah Yunus ◽  
Nurul Fatihah Muhamad Nazmi ◽  
Muhammad Farriz Aziz ◽  
Nurul Afiqah Muhammad Zani
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Gender Stereotypes ◽  
Political Discourse ◽  
Analysis Approach ◽  
The Novel ◽  
Representation Of Women ◽  
Political Discourse Analysis ◽  
Politics And Gender ◽  
And Gender

In today’s reality, there is a definite gap when it comes to men’s and women’s participation in politics. It can be seen that the society prefers men to lead them, make decisions and solve problems. The society assumes men to have better leadership qualities, but people tend to be sceptical when it comes to women. In Syria, men’s responsibilities as leaders and the ones who make decisions are valued highly by the Syrian society. They believe that men’s power and abilities to lead are more stable, prosperous and secure than women. Among the society, women are considered as subordinates and excluded from negotiations. This matter is highlighted in Syrian literature too, especially in novels and writings since masculinity, is practiced in Syrian society. This present study attempted to investigate the gender stereotypes on politics portrayed in the novel “In Praise of Hatred”, by Khaled Khalifa. The present study employed a Critical Discourse Analysis (CDA) approach to investigate the pragmatic representation of politics portrayed in the controversial Syrian novel. The findings focused on the representation of women in politics. To this end, Van Dijk’s Social-political Discourse Analysis Approach was adopted to reveal the ideology behind the constructions. The issues of gender and politics were analysed based on the pragmatic representation in the novel. Adopting the Social-political Discourse Analysis approach under Sociocognitive Discourse Studies (SCDS), the criteria of social aspects (politics and gender) were being looked at thoroughly. Regarding subject positions, the data analysis showed that the portrayal of gender is always biased and women’s participation in politics is not encouraged.

scholarly journals Identity as Liminality in Post-Colonial Fiction: Nadine Gordimer.’s The Pickup and Bessie Head.’s A Question of Power

2017 ◽  
Author(s):  
José Luis Venegas Caro de la Barrera
Keyword(s):  
Postcolonial Literature ◽  
Nadine Gordimer ◽  
Female Characters ◽  
Bessie Head ◽  
Race And Gender ◽  
Post Colonial ◽  
And Gender ◽  
Shifting Identities

Abstract: This paper sets out to analyze the interstitial/liminal aspect of postcolonial literature as ciphered in the narratives of Nadine Gordimer and Bessie Head. A Question of Power and The Pickup both voice hybrid subjects in terms of race and gender, and thus represent the new epistemological space that this literature opens up. Focusing on the shifting identities of the female characters in these novels, we will establish a connection between the praxis of post-colonial writing as a continuous refocusing of cultural certainties and the relocation of the familiar in the uncanny.Resumen: Este artículo pretende analizar el aspecto liminal de la literatura postcolonial tal y como se refleja en la narrativa de Nadine Gordimer y Bessie Head. A Question of Power y The Pickup articulan la voz de individuos híbridos en cuanto a raza y género, y, de este modo, representan el nuevo espacio epistemológico que esta literatura abre. Al centrarnos en las identidades variables de los personajes femeninos de estas novelas, trataremos de establecer una conexion entre la praxis de la literatura postcolonial como un continuo reajuste de certezas culturales y la reubicación de lo familiar en lo extraño.

Sign in / Sign up

Export Citation Format

Share Document