scholarly journals On serial killers: the collective's search for understanding

Author(s):  
Robyn S. Harper

I will begin by examining the term serial itself and its importance in the notion of the serial killer. What does the term serial say? It draws on series - a term often used in reference to novels, films and, quite literally, the television series. Series carries notions of multiple segments that are all linked in some way. There is an ongoing nature to the series - when one segment ends, another begins. The series creates anticipation, anxiety of what is to come and a hope for closure. As "serial killer" is a relatively new term it becomes possible to trace its inception and examine what is being revealed in this naming process. I then go to illustrate how this term serial is what sets serial killing apart from other forms of multiple murder (such as mass murder, spree killing, terrorism and assassination). I will explore the features of the serial killer that appear to make it unique to the collective by developing the language of the accounts of understanding the serial killer: the profiling account, the study of numbers, facts and statistics as a way to apprehend and comprehend the serial killer; the logical extension of society account, where the serial killer is a reflection of society from concerns with the individual to celebrity and consumerism; and the serial killer account, where the serial killer explains his own motivations. In looking at these accounts it becomes possible to see the cliches that are used to discuss the serial killer and how these reveal thoughts and fears of the collective, rather than providing the insight on the serial killer that the accounts are seeking.

2021 ◽  
Author(s):  
Robyn S. Harper

I will begin by examining the term serial itself and its importance in the notion of the serial killer. What does the term serial say? It draws on series - a term often used in reference to novels, films and, quite literally, the television series. Series carries notions of multiple segments that are all linked in some way. There is an ongoing nature to the series - when one segment ends, another begins. The series creates anticipation, anxiety of what is to come and a hope for closure. As "serial killer" is a relatively new term it becomes possible to trace its inception and examine what is being revealed in this naming process. I then go to illustrate how this term serial is what sets serial killing apart from other forms of multiple murder (such as mass murder, spree killing, terrorism and assassination). I will explore the features of the serial killer that appear to make it unique to the collective by developing the language of the accounts of understanding the serial killer: the profiling account, the study of numbers, facts and statistics as a way to apprehend and comprehend the serial killer; the logical extension of society account, where the serial killer is a reflection of society from concerns with the individual to celebrity and consumerism; and the serial killer account, where the serial killer explains his own motivations. In looking at these accounts it becomes possible to see the cliches that are used to discuss the serial killer and how these reveal thoughts and fears of the collective, rather than providing the insight on the serial killer that the accounts are seeking.


Author(s):  
Paul Elliott

This chapter assesses the British serial killer cinema. British cinema has been noticeably reticent about depicting its serial killers. Aside from Jack the Ripper, who has appeared in many films since the 1920s, British killers are not nearly as ubiquitous as their Hollywood counterparts and where they are depicted they are often allied more to realism than horror. Like all areas of the crime film, British serial-killer cinema is inextricably linked to Hollywood; however, it also strives to distance itself, drawing on quintessentially British histories, images, and texts. The chapter looks at three films where serial killing is the main thrust of the narrative: Alfred Hitchcock's The Lodger (1927), Richard Fleischer's 10 Rillington Place (1971), and John McNaughton's Henry: Portrait of a Serial Killer (1986).


Slavic Review ◽  
2002 ◽  
Vol 61 (3) ◽  
pp. 453-459 ◽  
Author(s):  
Janine P. Holc

In this forum onNeighborsby Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to readingNeighborsthat links the emotive mode in which some of the narrative is expressed to a productive engagement with traumatic or violent historical episodes. This type of history resists finality and closure and creates an avenue for active engagement by members of ethnic (or other) communities with violent and traumatic pasts. Wojciech Roszkowski discusses three aspects of the debate onNeighborsin Poland: the credibility of the book, the facts of 10 July 1941 and their moral meaning, and the representativeness of the Jedwabne case and the question of “innocence” or “guilt” of nations. While arguing that the credibility ofNeighborsis low and that Gross's thesis that “one half of the Jedwabne inhabitants killed the other half” has not been proven, he writes that it is impossible to deny Polish participation in the massacre. Yet, as with other documented cases of Polish wartime evildoing, it is unfair to blow this incident out of proportion and produce unwarranted generalizations. Past and present realities are always more complicated than simple stereotypes that “Poles” or “Jews” are to blame or that they have always been innocent. William W. Hagen argues that Gross vacillates between a robust positivism promising that “a reconstruction” of “what actually took place” is possible, such that guilt and motive may confidently be assigned, and an interpretive pessimism suggesting that “we will never 'understand' why it happened.” In his assignment of causality, Gross offers a largely unconnected, in part inferential or speculative, array of determinants and motives. Although some ofthecauses Gross adduces are certainly persuasive, his analysis does not address the Jedwabne perpetrators' and witnesses' perception of the cultural meaning of the inhuman violence their Jewish neighbors were suffering. Hagen offers some suggestive historical evidence on the Poles' subjective response to the Jewish genocide and to their own wartime fate, arguing that the Jedwabne Poles' participation in the mass murder of the Jews must be conceived as a response, mediated by the penetration of ideological anti-Semitism into the countryside, to profound anxiety over the individual and social death menacing Polish identity under Soviet and Nazi occupation. Norman M. Naimark argues that the appearance of Gross'sNeighborshas created an entirely new dimension to the historiography of World War II in Poland. The book demonstrated, as has no other work, the extent to which the Poles were directly involved in the genocide of the Jews. The clarity and force of Gross's presentation provides Polish historiography with an unprecedented opportunity “to come to terms with the past.” The essay also suggests that the Jedwabne massacre needs to be looked at in the context of overall German policy “in the east” and in comparison to similar horrors taking place roughly at the same time in Lithuania, Ukraine, Belarus, and Latvia. The Nazis intentionally (and surreptitiously) sought to incite pogroms in the region, filming and photographing the horrific events for audiences back home. Their own propaganda about the “Jewish-Bolshevik” menace both prompted and was ostensibly confirmed by the pogroms. In his response, Jan T. Gross replies to Roszkowski's criticism concerning historical credibility.


Slavic Review ◽  
2002 ◽  
Vol 61 (3) ◽  
pp. 476-482 ◽  
Author(s):  
Norman M. Naimark

In this forum onNeighborsby Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to readingNeighborsthat links the emotive mode in which some of the narrative is expressed to a productive engagement with traumatic or violent historical episodes. This type of history resists finality and closure and creates an avenue for active engagement by members of ethnic (or other) communities with violent and traumatic pasts. Wojciech Roszkowski discusses three aspects of the debate onNeighborsin Poland: the credibility of the book, the facts of 10 July 1941 and their moral meaning, and the representativeness of the Jedwabne case and the question of “innocence” or “guilt” of nations. While arguing that the credibility ofNeighborsis low and that Gross's thesis that “one half of the Jedwabne inhabitants killed the other half” has not been proven, he writes that it is impossible to deny Polish participation in the massacre. Yet, as with other documented cases of Polish wartime evildoing, it is unfair to blow this incident out of proportion and produce unwarranted generalizations. Past and present realities are always more complicated than simple stereotypes that “Poles” or “Jews” are to blame or that they have always been innocent. William W. Hagen argues that Gross vacillates between a robust positivism promising that “a reconstruction” of “what actually took place” is possible, such that guilt and motive may confidently be assigned, and an interpretive pessimism suggesting that “we will never 'understand' why it happened.” In his assignment of causality, Gross offers a largely unconnected, in part inferential or speculative, array of determinants and motives. Although some ofthecauses Gross adduces are certainly persuasive, his analysis does not address the Jedwabne perpetrators' and witnesses' perception of the cultural meaning of the inhuman violence their Jewish neighbors were suffering. Hagen offers some suggestive historical evidence on the Poles' subjective response to the Jewish genocide and to their own wartime fate, arguing that the Jedwabne Poles' participation in the mass murder of the Jews must be conceived as a response, mediated by the penetration of ideological anti-Semitism into the countryside, to profound anxiety over the individual and social death menacing Polish identity under Soviet and Nazi occupation. Norman M. Naimark argues that the appearance of Gross'sNeighborshas created an entirely new dimension to the historiography of World War II in Poland. The book demonstrated, as has no other work, the extent to which the Poles were directly involved in the genocide of the Jews. The clarity and force of Gross's presentation provides Polish historiography with an unprecedented opportunity “to come to terms with the past.” The essay also suggests that the Jedwabne massacre needs to be looked at in the context of overall German policy “in the east” and in comparison to similar horrors taking place roughly at the same time in Lithuania, Ukraine, Belarus, and Latvia. The Nazis intentionally (and surreptitiously) sought to incite pogroms in the region, filming and photographing the horrific events for audiences back home. Their own propaganda about the “Jewish-Bolshevik” menace both prompted and was ostensibly confirmed by the pogroms. In his response, Jan T. Gross replies to Roszkowski's criticism concerning historical credibility.


Author(s):  
Phillip L. Simpson

Serial killing is an age-old problem, though it was not popularly known by that name until the 1980s. It took the rise of mass media and the mechanisms of mass production to create the conditions for the rise of serial murder in the modern world. The mass media representation of a series of murders arguably dates back to the notoriety accorded to the so-called Jack the Ripper killings of prostitutes in London in the autumn of 1888. The Ripper murders stand at a particular nexus in the representation of true crime, where fact and legend immediately fused in popular media to create a terrifying new modern, urban mythology of a preternaturally cunning human super-predator: one who strikes from the shadows to commit ghastly murder with impunity and then retreats back into that darkness until the next atrocity. Since the days of Jack the Ripper, a ghoulish pantheon of other serial killers has captivated the public imagination through representation in media: the Zodiac Killer, David Berkowitz, Ted Bundy, John Wayne Gacy Jr., Henry Lee Lucas, Richard Ramirez, and Jeffrey Dahmer, just to name a few. However, the term “serial killer” did not enter the American popular vocabulary until the 1980s, so in another sense, the true representation of what we now know as serial killing could not begin until it had this latest, proper name. In tandem, as cultural consciousness of serial murder expanded, fictional serial killers proliferated the media landscape: Patrick Bateman, Norman Bates, Francis Dolarhyde, Lou Ford, Jame Gumb, Mickey and Mallory Knox, Leatherface, Dr. Hannibal Lecter, Dexter Morgan, Tom Ripley, and a host of others. Serial killers as they exist in the popular imagination are media constructs rooted in sociological/criminological/psychological realities. These constructs originate from collective fears or anxieties specific to a particular time and place, which also means as times and the cultural zeitgeist change, the serial killer as a character epitomizing human evil is endlessly reinvented for new audiences in popular media.


Slavic Review ◽  
2002 ◽  
Vol 61 (3) ◽  
pp. 483-489
Author(s):  
Jan T. Gross

In this forum on Neighbors by Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to reading Neighbors that links the emotive mode in which some of the narrative is expressed to a productive engagement with traumatic or violent historical episodes. This type of history resists finality and closure and creates an avenue for active engagement by members of ethnic (or other) communities with violent and traumatic pasts. Wojciech Roszkowski discusses three aspects of the debate on Neighbors in Poland: the credibility of the book, the facts of 10 July 1941 and their moral meaning, and the representativeness of the Jedwabne case and the question of “innocence” or “guilt” of nations. While arguing that the credibility of Neighbors is low and that Gross's thesis that “one half of the Jedwabne inhabitants killed the other half” has not been proven, he writes that it is impossible to deny Polish participation in the massacre. Yet, as with other documented cases of Polish wartime evildoing, it is unfair to blow this incident out of proportion and produce unwarranted generalizations. Past and present realities are always more complicated than simple stereotypes that “Poles” or “Jews” are to blame or that they have always been innocent. William W. Hagen argues that Gross vacillates between a robust positivism promising that “a reconstruction” of “what actually took place” is possible, such that guilt and motive may confidently be assigned, and an interpretive pessimism suggesting that “we will never 'understand' why it happened.” In his assignment of causality, Gross offers a largely unconnected, in part inferential or speculative, array of determinants and motives. Although some of the causes Gross adduces are certainly persuasive, his analysis does not address the Jedwabne perpetrators' and witnesses' perception of the cultural meaning of the inhuman violence their Jewish neighbors were suffering. Hagen offers some suggestive historical evidence on the Poles' subjective response to the Jewish genocide and to their own wartime fate, arguing that the Jedwabne Poles' participation in the mass murder of the Jews must be conceived as a response, mediated by the penetration of ideological anti-Semitism into the countryside, to profound anxiety over the individual and social death menacing Polish identity under Soviet and Nazi occupation. Norman M. Naimark argues that the appearance of Gross's Neighbors has created an entirely new dimension to the historiography of World War II in Poland. The book demonstrated, as has no other work, the extent to which the Poles were directly involved in the genocide of the Jews. The clarity and force of Gross's presentation provides Polish historiography with an unprecedented opportunity “to come to terms with the past.” The essay also suggests that the Jedwabne massacre needs to be looked at in the context of overall German policy “in the east” and in comparison to similar horrors taking place roughly at the same time in Lithuania, Ukraine, Belarus, and Latvia. The Nazis intentionally (and surreptitiously) sought to incite pogroms in the region, filming and photographing the horrific events for audiences back home. Their own propaganda about the “Jewish-Bolshevik” menace both prompted and was ostensibly confirmed by the pogroms. In his response, Jan T. Gross replies to Roszkowski's criticism concerning historical credibility.


Author(s):  
Susana Vargas Cervantes

This chapter focuses on the difficulties the Mexican police, press, and public had in conceptualizing a serial killer, and how this affected the search for El/La Mataviejitas. It opens with a discussion of Mexico’s cultural beliefs concerning serial killing—that it is a product of anomie; it can happen only in a society deficient in moral values. The chapter then shows how from official discourses to popular culture, Mexicans conceive of their society as strongly grounded in traditional family values and how this belief influenced the search for a serial killer. The chapter closes with an analysis of the construction of "infamous" serial killers internationally and the impact of these constructions on the conceptualization of El/La Mataviejitas. The analysis focuses on the police assumption that the serial killer of elderly women must be a man, based on international patterns. This stereotype of the serial killer took on a distinctly local flavor once the police authorities modified their belief that El Mataviejitas was a “he” to include the possibility that he was a “travesti”—a local gendered identity linked to sex work, which police equated with sexual perversion and upon which it is culturally easy to build criminality.


Slavic Review ◽  
2002 ◽  
Vol 61 (3) ◽  
pp. 460-465 ◽  
Author(s):  
Wojciech Roszkowski

In this forum on Neighbors by Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to reading Neighbors that links the emotive mode in which some of the narrative is expressed to a productive engagement with traumatic or violent historical episodes. This type of history resists finality and closure and creates an avenue for active engagement by members of ethnic (or other) communities with violent and traumatic pasts. Wojciech Roszkowski discusses three aspects of the debate on Neighbors in Poland: the credibility of the book, the facts of 10 July 1941 and their moral meaning, and the representativeness of the Jedwabne case and the question of “innocence” or “guilt” of nations. While arguing that the credibility of Neighbors is low and that Gross's thesis that “one half of the Jedwabne inhabitants killed the other half” has not been proven, he writes that it is impossible to deny Polish participation in the massacre. Yet, as with other documented cases of Polish wartime evildoing, it is unfair to blow this incident out of proportion and produce unwarranted generalizations. Past and present realities are always more complicated than simple stereotypes that “Poles” or “Jews” are to blame or that they have always been innocent. William W. Hagen argues that Gross vacillates between a robust positivism promising that “a reconstruction” of “what actually took place” is possible, such that guilt and motive may confidently be assigned, and an interpretive pessimism suggesting that “we will never 'understand' why it happened.” In his assignment of causality, Gross offers a largely unconnected, in part inferential or speculative, array of determinants and motives. Although some of the causes Gross adduces are certainly persuasive, his analysis does not address the Jedwabne perpetrators' and witnesses' perception of the cultural meaning of the inhuman violence their Jewish neighbors were suffering. Hagen offers some suggestive historical evidence on the Poles' subjective response to the Jewish genocide and to their own wartime fate, arguing that the Jedwabne Poles' participation in the mass murder of the Jews must be conceived as a response, mediated by the penetration of ideological anti-Semitism into the countryside, to profound anxiety over the individual and social death menacing Polish identity under Soviet and Nazi occupation. Norman M. Naimark argues that the appearance of Gross's Neighbors has created an entirely new dimension to the historiography of World War II in Poland. The book demonstrated, as has no other work, the extent to which the Poles were directly involved in the genocide of the Jews. The clarity and force of Gross's presentation provides Polish historiography with an unprecedented opportunity “to come to terms with the past.” The essay also suggests that the Jedwabne massacre needs to be looked at in the context of overall German policy “in the east” and in comparison to similar horrors taking place roughly at the same time in Lithuania, Ukraine, Belarus, and Latvia. The Nazis intentionally (and surreptitiously) sought to incite pogroms in the region, filming and photographing the horrific events for audiences back home. Their own propaganda about the “Jewish-Bolshevik” menace both prompted and was ostensibly confirmed by the pogroms. In his response, Jan T. Gross replies to Roszkowski's criticism concerning historical credibility.


2002 ◽  
Vol 75 (2) ◽  
pp. 93-99
Author(s):  
Elizabeth Ashburner ◽  
Keith Soothill

To understand serial killing, we must move beyond the individual and consider background structural and cultural factors. Elliot Leyton's structural approach is seductive but problematic. In analysing serial killing as a cultural phenomenon, Mark Seltzer points to the United States as an information society characterised by ‘wound culture’. However, theorists have largely neglected the area of gender. Serial killing illustrates the nature of gender relations within our culture. Nevertheless, feminist theories and texts tend to focus solely on men murdering women, but such approaches need to be extended to cover the whole spectrum of serial killing, whether it involves heterosexual or homosexual relations, male or female killers. To understand why one individual becomes a serial killer while another will not there is a need to combine sociological and individual approaches. Using Tony Jefferson's concept of subjectivity, which combines social and psychoanalytical influences on human behaviour, is one way forward in trying to explain the phenomenon of serial killing.


Slavic Review ◽  
2002 ◽  
Vol 61 (3) ◽  
pp. 466-475 ◽  
Author(s):  
William W. Hagen

In this forum onNeighborsby Jan T. Gross (Princeton, 2001), four scholars respond to the book and to the issues of evidence, causality, and interpretation that it raises. Janine P. Holc summarizes the contents and the book's approach and explores the roles of individual choice, on the one hand, and ethnic identity categories, on the other, in Gross's presentation of the causes of the massacre of the Jewish residents of Jedwabne by their non-Jewish neighbors. She argues for an approach to readingNeighborsthat links the emotive mode in which some of the narrative is expressed to a productive engagement with traumatic or violent historical episodes. This type of history resists finality and closure and creates an avenue for active engagement by members of ethnic (or other) communities with violent and traumatic pasts. Wojciech Roszkowski discusses three aspects of the debate onNeighborsin Poland: the credibility of the book, the facts of 10 July 1941 and their moral meaning, and the representativeness of the Jedwabne case and the question of “innocence” or “guilt” of nations. While arguing that the credibility ofNeighborsis low and that Gross's thesis that “one half of the Jedwabne inhabitants killed the other half” has not been proven, he writes that it is impossible to deny Polish participation in the massacre. Yet, as with other documented cases of Polish wartime evildoing, it is unfair to blow this incident out of proportion and produce unwarranted generalizations. Past and present realities are always more complicated than simple stereotypes that “Poles” or “Jews” are to blame or that they have always been innocent. William W. Hagen argues that Gross vacillates between a robust positivism promising that “a reconstruction” of “what actually took place” is possible, such that guilt and motive may confidently be assigned, and an interpretive pessimism suggesting that “we will never 'understand' why it happened.” In his assignment of causality, Gross offers a largely unconnected, in part inferential or speculative, array of determinants and motives. Although some ofthecauses Gross adduces are certainly persuasive, his analysis does not address the Jedwabne perpetrators' and witnesses' perception of the cultural meaning of the inhuman violence their Jewish neighbors were suffering. Hagen offers some suggestive historical evidence on the Poles' subjective response to the Jewish genocide and to their own wartime fate, arguing that the Jedwabne Poles' participation in the mass murder of the Jews must be conceived as a response, mediated by the penetration of ideological anti-Semitism into the countryside, to profound anxiety over the individual and social death menacing Polish identity under Soviet and Nazi occupation. Norman M. Naimark argues that the appearance of Gross'sNeighborshas created an entirely new dimension to the historiography of World War II in Poland. The book demonstrated, as has no other work, the extent to which the Poles were directly involved in the genocide of the Jews. The clarity and force of Gross's presentation provides Polish historiography with an unprecedented opportunity “to come to terms with the past.” The essay also suggests that the Jedwabne massacre needs to be looked at in the context of overall German policy “in the east” and in comparison to similar horrors taking place roughly at the same time in Lithuania, Ukraine, Belarus, and Latvia. The Nazis intentionally (and surreptitiously) sought to incite pogroms in the region, filming and photographing the horrific events for audiences back home. Their own propaganda about the “Jewish-Bolshevik” menace both prompted and was ostensibly confirmed by the pogroms. In his response, Jan T. Gross replies to Roszkowski's criticism concerning historical credibility.


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