Fin de Siècle, Gilded Age, or Belle Époque

This chapter considers the origin and significance of three terms widely used to characterize a decadent periodization in Britain, the United States, and France: fin de siècle, Gilded Age, and Belle Époque. While these terms were used loosely, and in some cases retrospectively, to describe the last thirty years of the nineteenth century, they also highlight dominant social narratives of the period. These decades witnessed unprecedented economic growth, rapid technological progress, and relative peace following such crises as the Franco-Prussian War in Europe and the Civil War in the United States. However, the cultural products of decadence were more likely to emphasize millennial doom, nervous exhaustion, sexual perversion, and scientific failure, while the decadent style was seen as a novel way of expressing how it felt to live in an era in which the pace of modern life brought with it febrile cultural, social, and political change.

Sexual Perversion Leads to Laparotomy

Insertion of objects/stuff in bodily orifice is not unusual. There are many causes of penetration of bowel with different objects inserted via anus as to achieve sexual pleasure, to satisfy lust, self-injury, malingering and human trafficking is known for centuries. There are different household products used by the people to satisfy their lust/sexual desire but the objects/stuff used for this purpose mainly cylindrical and a type of soft texture. These objects are known for potential damage to gastrointestinal tract but it also affects other parts of the body and may create different inner complications, which needs to be evaluated and managed accordingly. Sometimes, management only requires local intervention, but if complications are build up like perforation develop needs laparotomy, broad-spectrum antibiotic therapy, repair of perforation with or without colostomy.

To casuistry of sexual perversions

As you know, sexual perversions can be expressed in a very diverse form. Consideration of various external manifestations of this anomaly is not included in our task. In the proposed work, we would like to give only a brief description of one case of sexual perversion, which occurs in the form described below, apparently not often.

Western tolerance: the rule of democracy or the offensive of dehumanization?

In the West, there is a total substitution of concepts, expressed in the idea of tolerance, according to which humanism manifests itself in respect for any system of values. The criteria for good and evil are neutralized, and the Weld of what is permitted is expanded. Values and life practices that were traditionally considered unacceptable and marginal in the culture receive the status of normal and even necessary. When the boundaries of tolerance are not defined, the idea itself becomes dehumanizing. But the dehumanizing meaning of the ongoing cultural transformations is hidden behind emotionally attractive names like human rights and democracy. Socially harmful ideology and the life practices it absolutizes are given a lot of emotionally euphonious names, which are simulacra that hide the true essence of the phenomena being signified. Ne protection of minority rights under the banner of democracy and human rights is usually an attack on the rights of the majority, and human rights are wrongly identified with the rights of the minority. The absolutization of the rights of social minorities (and the most radical ones in relation to traditional culture) is at the same time an infringement of the rights of the majority. The social majority becomes oppressed. Ne idea of tolerance implanted anti-democratic, without taking into account the views of the public. In the West, it is necessary to show tolerance both to different practices and points of view, and to the very fact of planting this tolerant line. That is, a mandatory tolerance for tolerance is instilled. The common idea of postmodern relativization of values is not entirely correct. The sick, the evil, and the unreasonable are given more right to exist than the healthy, the good, and the reasonable. But instead of equating the worthy and the unworthy, a “sociocultural inflection” is carried out towards the unworthy. Criticism of homosexuality is presented as reprehensible intolerant homophobia, and parents who are negative about gay propaganda risk becoming clients for juvenile services. Even schools began to reorient themselves under the apologia of sexual perversion, which is a reversal to the de-intellectualization and dehumanization of children’s minds. Trends that are referred to as ways to protect human rights, freedom, and democracy actually lead to social dehumanization.

The Role of the Satirist and the Problem of Moral Conviction

This chapter addresses two related subjects, the reception of De Hooghe’s satires and the role of the satirist. The focus of this discussion is the so-called Pamphlet War of 1690, the primary vehicle for much of the criticism of De Hooghe’s satires. In twelve scathing pamphlets published against Romeyn de Hooghe in the first several months of 1690, witnesses alleged his blasphemy, atheism, and sexual perversion, and embroiled him in a fevered exchange of pamphlets with representatives of Amsterdam. While such rhetoric employed against the printmaker in pamphlet literature vividly described his manifold immorality, Hollands hollende koe (Holland’s running cow), an anti-Williamite satire produced by the printmaker’s enemies in his distinctive etching style, provided material ‘evidence’ of his lack of integrity. With this print, De Hooghe was accused of working for both sides of the political divide—producing Orangist satires for William III and anti-Williamite satires for the Amsterdam regents. The potency of Hollands hollende koe depends fundamentally upon the assumption of integrity between satirist and satire, the notion that he or she believes in the positions and ideologies espoused in his or her satires. It will be argued that the conflation of satirist and satire and the attendant expectation of moral conviction on the part of the satirist are not only associated with the genre of political satire, they are engendered by it and feature prominently throughout its history.

Mark making or making a mark? Perversion and sublimation in the work of Estela Welldon, Martin Frishman, and Aubrey Beardsley

This short article explores the relationship between sexual perversion, as defined by Estela Welldon and illustrated by the late architect and author, Martin Frishman, and the work of the nineteenth-century artist, Aubrey Beardsley. It primarily argues that in both the acting out of sexual perversion and the creation of illustrations considered perverse, there is a shared desire to transform the experience of shame into the experience of fame. In the perpetrating of a perverse sexual offence, the assault can be regarded as an uncontrollable compelling urge for immediate action. Despite knowing this action is wrong, the offender cannot resist the impulse. The action of the assault offers immediate relief from unbearable anxiety and ultimately transfigures shame, however briefly, into fame. In the creation of sexualised and scandalous drawings, it is argued that the feeling of shame is sublimated, and the desire for fame is achieved without the destructive and perverse use of violence. It contemplates how Beardsley’s provocative drawings, in particular his illustrations for Aristophanes’ play Lysistrata, may have influenced the aesthetic of Frishman’s images explaining perversion as a manic defence against depression. Lastly, it considers the way in which unconscious societal prejudice may lead to confusion between sexual perversion and sexual difference.

A brief history of British drug policy: 1850-1950

Purpose As the clamour within the drug treatment field in the UK – and throughout much of Europe – increases, leading agencies are arguing for a review of the current legislation and a change in focus away from criminal justice and towards a more public health understanding of addiction. Therapeutic communities have found themselves united with many drug users-led campaigns to argue for a wholesale restructuring of the legislative, policy and funding arrangements which recognises the role of recovery-oriented interventions within the mix. Given these on-going debates, it is perhaps useful to understand how the current arrangements were established [1]. Design/methodology/approach In 1850s, the sale of opium – like alcohol – was largely unregulated. It was widely used, in a variety of preparations, by all classes for medical and non-medical purposes. A pennyworth of opium was as likely (perhaps more likely) as a pound of potatoes to find its way into the weekly shopping basket. Findings By the 1920s, the Fu Manchu novels of Sax Rohmer – with their tales of innocent English virgins being seduced into crime and sexual perversion by an evil Chinese genius who lurked within the opium dens of Edwardian Britain – had redefined opium as a drug of the outside, the deadly, an agent in the enslavement of innocence. Originality/value This dramatic change was largely brought about by the introduction of an array of new medications and a move away from traditional “herbal” remedies. This change was accelerated by the experiences of the First World War and underpinned by the print media and laid the foundations of the legislation and policy of the present day.

Kajian Kriminologi Terhadap Kekerasan Yang Dilakukan Oleh Perempuan di Kota Ambon

Essentially violent crime can occur wherever, anytime, and can be done by anyone without any distinction sex. That is guilty can male or female. The reality that occurs suggests that female also often perpetrated a violent crimes. Such as happened in the city of Ambon, which according to the data from Polresta P.Ambon and P. P lease, suggests that from 2017 until 2019, there are 14 ( fourteen ) violence made by women on jurisdiction. That has been a problem in writing this is what has been factor-factor cause violence carried out by women in the city ambon. Factors influencing the so that a woman committed violence in the city of Ambon is the family, the motivation, / sexual disorder of sexual perversion, and the role of the victim