Shin Chae-ho's imagination of the Korean nation and the education of heroes. - Focused on A New Discourse on Reading of History(讀史新論) and Heroism-

2019 ◽  
Vol 25 ◽  
pp. 467-511
Author(s):  
Woo-jin Lee
Keyword(s):  
2021 ◽  
Vol 18 (3) ◽  
pp. 419-445
Author(s):  
STEPHEN JOHNSON

AbstractKim Jong Il considered the 1971 premiere of the opera Sea of Blood a watershed moment in opera history. He lauded its innovative use of chŏlga (‘stanzaic song’) rather than aria and recitative. By Western analytical standards, however, chŏlga is simple and predictable, so scholars have thus far glossed over its conventions and their signification. This article instead argues that chŏlga conventions exhibit cultural hybridity and that Kim leveraged such hybridity to advocate a modern, popular, and national sound for North Korea. I begin by outlining hybrid characteristics of colonial-era popular music that chŏlga inherited. I then explore Kim's engagement with such trends in his speeches on chŏlga and demonstrate that cultural hybridity was central to his understanding of sonic modernity. Finally, I analyse a scene from Sea of Blood that pits chŏlga against other music genres, leading to a symbolic victory for the form and for the Korean nation.


2019 ◽  
Vol 60 ◽  
pp. 159-164
Author(s):  
Sun Jae Jung ◽  
Joonki Lee ◽  
Jae-Won Choi ◽  
Soohyun Kim ◽  
Aesun Shin ◽  
...  

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