Re-inventing the Ashmolean. Natural history and natural theology at Oxford in the 1820s to 1850s

2000 ◽  
Vol 27 (3) ◽  
pp. 369-406 ◽  
Author(s):  
ARTHUR MACGREGOR ◽  
ABIGAIL HEADON
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Natural Science ◽  
Natural Theology ◽  
Research Priorities ◽  
Science Museum ◽  
History Of ◽  
Extensive Body ◽  
Significant Figures ◽  
Almost All

During the period of the successive keeperships of John Shute Duncan (1823–1829) and his brother Philip Bury Duncan (1829–1854), the collections of the Ashmolean Museum at Oxford were comprehensively redisplayed as a physical exposition of the doctrines of natural theology, specifically as propounded by William Paley. The displays assembled by the Duncans, overwhelmingly dominated by natural history specimens, were swept away with the opening of the University's new Natural Science Museum and with them went almost all recollection of an extraordinary chapter in museum history. From largely unpublished records in the Ashmolean, the Duncans' achievement is here reconstructed. The primary evidence is provided by contemporary reports prepared for the Visitors of the Museum and by surviving texts from the Duncans' museum labels. Additional perspectives are provided by an extensive body of correspondence from the collectors, explorers and others who contributed specimens to the new displays: their texts illuminate aspects of contemporary preoccupations with classification, broader research priorities, and problems associated with collecting, preserving and transporting specimens, as well as shedding light on individual exhibits which they contributed to the Museum. These correspondents include a number of significant figures in the nineteenth century history of natural history, including Andrew Bloxam, N. A. Vigors and William Burchell.

Victorian Natural Science and the Seashore

2015 ◽  
pp. 437-457
Author(s):  
Amy M. King
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Natural Science ◽  
Social Life ◽  
Charles Darwin ◽  
Natural Theology ◽  
Popular Science ◽  
Scientific Culture ◽  
Empirical Observation ◽  
Victorian Period

Victorian natural science is not something separate from culture and social life, but integral to Victorian literary culture broadly defined. This is particularly important to the Victorian period because it was during the nineteenth century that the professionalization of science occurred; at the same time a vibrant popular science existed. Natural history is part of a broader landscape of scientific culture in the nineteenth century beyond the poles of the ‘scientific naturalists’ such as Charles Darwin and the Anglican ‘gentlemen of science’. A particular nineteenth-century version of natural theology persisted at least until mid-century and even as late as the 1870s, manifesting especially in popular natural histories. One specific genre was the seashore natural history, in which there is a blend of empirical observation and theology, especially in the work of Philip Henry Gosse.

Correspondence between Adolphe Brongniart and Robert Schomburgk: trading natural history collections for honours

2002 ◽  
Vol 29 (3) ◽  
pp. 333-336
Author(s):  
PIOTR DASZKIEWICZ ◽  
MICHEL JEGU
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Dominican Republic ◽  
Southeast Asia ◽  
Herbarium Specimens ◽  
British Guiana ◽  
Natural History Collections ◽  
History Of ◽  
Source Of Information ◽  
German Naturalist

ABSTRACT: This paper discusses some correspondence between Robert Schomburgk (1804–1865) and Adolphe Brongniart (1801–1876). Four letters survive, containing information about the history of Schomburgk's collection of fishes and plants from British Guiana, and his herbarium specimens from Dominican Republic and southeast Asia. A study of these letters has enabled us to confirm that Schomburgk supplied the collection of fishes from Guiana now in the Laboratoire d'Ichtyologie, Muséum National d'Histoire Naturelle, Paris. The letters of the German naturalist are an interesting source of information concerning the practice of sale and exchange of natural history collections in the nineteenth century in return for honours.

scholarly journals The sportification of judo: global convergence and evolution

2013 ◽  
Vol 8 (2) ◽  
pp. 299-317 ◽  
Author(s):  
Shohei Sato
Keyword(s):  
Nineteenth Century ◽  
Global Convergence ◽  
Martial Arts ◽  
Way Of Life ◽  
The West ◽  
Modern Times ◽  
The World ◽  
History Of ◽  
Almost All ◽  
Olympic Sport

AbstractThis article re-examines our understanding of modern sport. Today, various physical cultures across the world are practised under the name of sport. Almost all of these sports originated in the West and expanded to the rest of the world. However, the history of judo confounds the diffusionist model. Towards the end of the nineteenth century, a Japanese educationalist amalgamated different martial arts and established judo not as a sport but as ‘a way of life’. Today it is practised globally as an Olympic sport. Focusing on the changes in its rules during this period, this article demonstrates that the globalization of judo was accompanied by a constant evolution of its character. The overall ‘sportification’ of judo took place not as a diffusion but as a convergence – a point that is pertinent to the understanding of the global sportification of physical cultures, and also the standardization of cultures in modern times.

The Legacy of the ‘Edinburgh Lamarckians’

2019 ◽  
pp. 156-195
Author(s):  
Bill Jenkins
Keyword(s):  
Nineteenth Century ◽  
Medical Student ◽  
Natural History ◽  
Evolutionary Theory ◽  
Charles Darwin ◽  
Early Nineteenth Century ◽  
History Of ◽  
The City

The penultimate chapter looks at the longer-term impact of the efflorescence of evolutionary speculation in early-nineteenth-century Edinburgh on later generations of natural historians. First it examines the evangelical reaction against progressive models of the history of life and its role in the eclipse of the ‘Edinburgh Lamarckians.’ Next it examines to the evolutionary theory proposed by Robert Chambers in his anonymously published Vestiges of the Natural History of Creation (1844) to assess its possible debt to the Edinburgh transformists of the 1820s and 1830s. Finally it turns to the important question of the possible influence of the ‘Edinburgh Lamarckians’ on Charles Darwin during his time as a medical student in Edinburgh in the years 1825 to 1827, during which period he rubbed shoulders with many of the key proponents of evolutionary ideas in the city.

Introduction

2019 ◽  
pp. 1-6
Author(s):  
Bill Jenkins
Keyword(s):  
Nineteenth Century ◽  
Great Britain ◽  
Natural History ◽  
Early Nineteenth Century ◽  
Evolutionary Theories ◽  
Evolutionary Thought ◽  
History Of

The introduction sets the scene by exploring the role of Edinburgh as a centre for the development and propagation of pre-Darwinian evolutionary theories. It gives essential background on natural history in the Scottish capital in early nineteenth century and the history of evolutionary thought and outlines the aims and objectives of the book. In addition, it explores some of the historiographical issues raised by earlier historians of science who have discussed the role of Edinburgh in the development of evolutionary thought in Great Britain.

Nineteenth-century paleontological art in the Natural History Museum Vienna, Austria: Between demystification and mythologization

2021 ◽  
Author(s):  
Stefanie Jovanovic-Kruspel ◽  
Mathias Harzhauser
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Natural Theology ◽  
Hard Core ◽  
Natural History Museum ◽  
Natural History Museums ◽  
Science Museums ◽  
Cultural Traditions ◽  
History Museum ◽  
Systematic Paleontology

ABSTRACT The nineteenth century was the dawn of scientific and systematic paleontology. The foundation of Natural History Museums—built as microcosmic “Books of Nature”—not only contributed to the establishment of this new discipline but also to its visual dissemination. This paper will take the metaphor of the “book” as a starting point for an examination of the paleontological exhibition at the Natural History Museum in Vienna. In keeping with “Natural Theology,” the earliest natural science museums in Britain were designed as expressions of the medieval idea of the “Holy Book of Nature.” Contrary to this, the Natural History Museum Vienna, opened in 1889, wanted to be a nonreligious museum of evolution. Nevertheless, the idea of the “book” was also influential for its design. According to the architects and the first director, it should be a modern “walk-in textbook” instructive for everyone. The most prominent exhibition hall in the museum is dedicated to paleontology. The hall’s decorative scheme forms a unique “Paleo-Gesamtkunstwerk” (Gesamtkunstwerk: total piece of art). The use of grotesque and mythological elements is a particularly striking feature of the hall’s decoration and raises the question of how this relates to the museum’s claim to be a hard-core science institution. As it was paleontology’s task to demystify the monsters and riddles of Earth history systematically, it seems odd that the decorative program connected explicitly to this world. This chapter sheds light on the cultural traditions that led to the creation of this ambiguous program that oscillates between science and imagination.

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