Upward Mobility in the House of Batiatus

This chapter considers the depiction of the ambitious, ruthless couple Batiatus and Lucretia and their scheming aspirations to turn their ludus into the foremost gladiator spectacle business in Capua. Although their plans for upward mobility utilize violence, sexual manipulation, and multiple murders, the chapter claims that this does not diminish the characters' appeal to viewers, due to a pair of robust and sympathetic performances by the actors who play them. This chapter argues that the series successfully uses visual and narrative strategies to do something innovative within both the epic cinematic tradition and the Spartacus reception tradition: STARZ Spartacus invites the audience to transfer their allegiance away from the Roman elite and the rebel slaves, and identify with the cunning bourgeois boot-strappers at the head of the House of Batiatus.

2010 ◽  
Author(s):  
Kathleen E. Gathercoal ◽  
Rachel E. Mueller ◽  
Courtney McConnell ◽  
Rachael Kerns ◽  
Kimberly A. Moore ◽  
...  

Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 9-68
Author(s):  
Jean Du Verger

The philosophical and political aspects of Utopia have often shadowed the geographical and cartographical dimension of More’s work. Thus, I will try to shed light on this aspect of the book in order to lay emphasis on the links fostered between knowledge and space during the Renaissance. I shall try to show how More’s opusculum aureum, which is fraught with cartographical references, reifies what Germain Marc’hadour terms a “fictional archipelago” (“The Catalan World Atlas” (c. 1375) by Abraham Cresques ; Zuane Pizzigano’s portolano chart (1423); Martin Benhaim’s globe (1492); Martin Waldseemüller’s Cosmographiae Introductio (1507); Claudius Ptolemy’s Geographia (1513) ; Benedetto Bordone’s Isolario (1528) ; Diogo Ribeiro’s world map (1529) ; the Grand Insulaire et Pilotage (c.1586) by André Thevet). I will, therefore, uncover the narrative strategies used by Thomas More in a text which lies on a complex network of geographical and cartographical references. Finally, I will examine the way in which the frontispiece of the editio princeps of 1516, as well as the frontispiece of the third edition published by Froben at Basle in 1518, clearly highlight the geographical and cartographical aspect of More’s narrative.


1964 ◽  
Vol 11 (4) ◽  
pp. 359-371
Author(s):  
Ralph H. Turner
Keyword(s):  

Author(s):  
Jennifer Morton

Upward mobility through the path of higher education has been an article of faith for generations of working-class, low-income, and immigrant college students. While we know this path usually entails financial sacrifices and hard work, very little attention has been paid to the deep personal compromises such students have to make as they enter worlds vastly different from their own. Measuring the true cost of higher education for those from disadvantaged backgrounds, this book looks at the ethical dilemmas of upward mobility—the broken ties with family and friends, the severed connections with former communities, and the loss of identity—faced by students as they strive to earn a successful place in society. The book reframes the college experience, factoring in not just educational and career opportunities but also essential relationships with family, friends, and community. Finding that student strivers tend to give up the latter for the former, negating their sense of self, the book seeks to reverse this course. It urges educators to empower students with a new narrative of upward mobility—one that honestly situates ethical costs in historical, social, and economic contexts and that allows students to make informed decisions for themselves. The book paves a hopeful road so that students might achieve social mobility while retaining their best selves.


2017 ◽  
Vol 50 ◽  
pp. 79-108
Author(s):  
Hwan-Hee Kim ◽  
Hoon-Soon Kim
Keyword(s):  

Author(s):  
Laurence Publicover

This chapter explores the mostly overlooked history of romance on the early modern stage. Analysing the geographies of two little-known plays, Clyomon and Clamydes (1580s?) and Guy of Warwick (early 1590s?), it argues that, in its imaginative openness and its flexible staging of space, the early modern theatre was the ideal environment in which to stage romance’s extravagant spatial and ethnographical imaginings. Further, the chapter demonstrates how a theatrical tradition of clowning enabled these late-Elizabethan dramas to contest the values of the very romance-worlds they had established. It closes with a fresh reading of Francis Beaumont’s parody of romance, The Knight of the Burning Pestle, arguing that the play satirizes dramatic romance’s spatial grammar as well as its narrative strategies.


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