Double-Vision: Neil Gaiman

Author(s):  
Brian Willems
Keyword(s):  

A number of works by Neil Gaiman include incomprehensible elements within a comprehensible story. Such inclusion in sf is here called the Zug effect. This effect appears in Gaiman’s work when diachronic events are represented synchronically. In his novel Anansi Boys (2005), Gaiman calls these events moments of ‘double-vision’. These moments consist of the co-presencing of the changed and the unchanged within a single being at one moment in time. In other words, a world is developed in which both the knowable and unknowable appear together. While change is everywhere around us, in germination, growth and decay, the term ‘double-vision’ indicates the potential of seeing more than one side of a transformation simultaneously, thereby presenting a moment of stasis within change. One of the important consequences of Gaiman’s double-vision is that the movement of change then becomes easier to see.

Author(s):  
Brian Willems

A human-centred approach to the environment is leading to ecological collapse. One of the ways that speculative realism challenges anthropomorphism is by taking non-human things to be as valid objects of investivation as humans, allowing a more responsible and truthful view of the world to take place. Brian Willems uses a range of science fiction literature that questions anthropomorphism both to develop and challenge this philosophical position. He looks at how nonsense and sense exist together in science fiction, the way in which language is not a guarantee of personhood, the role of vision in relation to identity formation, the difference between metamorphosis and modulation, representations of non-human deaths and the function of plasticity within the Anthropocene. Willems considers the works of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Miéville, Doris Lessing and Kim Stanley Robinson are considered alongside some of the main figures of speculative materialism including Graham Harman, Quentin Meillassoux and Jane Bennett.


2016 ◽  
Vol 6 (1) ◽  
pp. 25-41
Author(s):  
Lucyna Krawczyk-Żywko

Sherlock Holmes, one of the world's most famous detectives, is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in the process of adaptation, be it cinematic or literary, and I propose calling him a cultural chameleon: regardless of the palette and colour against which he is positioned – warm (scarlet and pink), cold (emerald), or black – he remains a brilliant sleuth. This paper compares four titles and four colours: A Study in Scarlet (1887), the first of the long-running series of texts by Doyle, and three instances of Holmes's adaptability to twenty-first century standards and expectations: ‘A Study in Emerald’ (2003), an award-winning short story by Neil Gaiman, ‘A Study in Pink’ (2010), the first episode of the BBC series Sherlock, and ‘A Study in Black’ (2012–13), a part of the Watson and Holmes comics series. Each background highlights different aspects of the detective's personality, but also sheds light on his approach to crime and criminals.


Author(s):  
Mai-Ly N. Steers ◽  
Rose Marie Ward ◽  
Clayton Neighbors ◽  
Angela B. Tanygin ◽  
Ying Guo ◽  
...  
Keyword(s):  

2010 ◽  
Vol 8 (2) ◽  
pp. 169-187
Author(s):  
Annemarie Butler
Keyword(s):  
Raw Data ◽  

In Treatise 1.4.2, David Hume seeks to explain how we come to believe in the external existence of bodies. He offers a complicated psychological account, where the imagination operates on the raw data of the senses to produce the ‘vulgar’ belief in the continued existence of the very things we sense. On behalf of philosophers, he presents a perceptual relativity argument that purports to show that the vulgar belief is false. I argue that scholars have failed to appreciate Hume's peculiar formulation of the perceptual relativity argument and its relation to his psychological account of the vulgar belief. On my interpretation, in order to account for all the premises that Hume explicitly offers, the argument is best interpreted as beginning with a reductio that opposes the effects of the senses and the imagination in the vulgar belief. Thus Hume can be interpreted as identifying an ‘antinomy’ in the habits of the vulgar mind that produce belief in bodies.


2016 ◽  
Vol 30 (1) ◽  
pp. 88-91 ◽  
Author(s):  
Alfredo Di Gaeta ◽  
Francesco Giurazza ◽  
Eugenio Capobianco ◽  
Alvaro Diano ◽  
Mario Muto

To identify and localize an intraorbital wooden foreign body is often a challenging radiological issue; delayed diagnosis can lead to serious adverse complications. Preliminary radiographic interpretations are often integrated with computed tomography and magnetic resonance, which play a crucial role in reaching the correct definitive diagnosis. We report on a 40 years old male complaining of pain in the right orbit referred to our hospital for evaluation of eyeball pain and double vision with an unclear clinical history. Computed tomography and magnetic resonance scans supposed the presence of an abscess caused by a foreign intraorbital body, confirmed by surgical findings.


2018 ◽  
Vol 75 (9) ◽  
pp. 1142
Author(s):  
Amanda J. Lu ◽  
Jenna M. Kim ◽  
Adeniyi Fisayo
Keyword(s):  

Strabismus ◽  
2010 ◽  
Vol 18 (4) ◽  
pp. 167-171
Author(s):  
Johannes Peter Müller
Keyword(s):  

Science ◽  
1886 ◽  
Vol ns-7 (171) ◽  
pp. 440-440
Author(s):  
Geo. Keller
Keyword(s):  

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