Dissensus in the Community: Disrupting Neoliberal Affects in La Comunidad
Chapter three rethinks the notions of political community and democracy through Alex de la Iglesia’s La Comunidad (2000), and places them in the context of the anxieties attending Spain’s integration in the European Monetary Union (EMU) in 1999. Taking as starting points Jean Baudrillard’s vision of the “consumer society” and Jacques Rancière’s account of the “politics of consensus,” this chapter suggests that La Comunidad launches a powerful critique of the ideological presuppositions and “regimes of visibility” of Western liberal democracies. However, departing from previous analyses, it is argued that the real strength of the film lies not in its ability to render visible this order of domination, but rather in its ability to create an aesthetics of dissensus within the sensory world of the viewer. In this way, the film demonstrates not just the aesthetic dimension of politics, but the political character of aesthetics.