Conclusion
The conclusion is summative, its purpose being to bring together insights drawn from the preceding chapters. It interrogates, more closely, the aspiration described in the Introduction; to explore the dynamic relation of law, literature and history in the closer context of modern British drama. It confirms that the theatre, and theatrical writing, is especially suited to realising one of the abiding ambitions of ‘law and literature’ scholarship, which is to humanise the legal text. An insight familiar to students of Shakespeare or Chekhov and various other dramatists whose work is already established in the literary jurisprudence ‘canon’, but which is just as persuasive in the context of modern and contemporary drama.
1998 ◽
Vol 10
(2)
◽
pp. 155-160
Keyword(s):
1997 ◽
Vol 9
(2)
◽
pp. 259-274
◽
1993 ◽
Vol 5
(1)
◽
pp. 193-200
2017 ◽
Vol 14
(1)
◽
pp. 268-288