A Court Case of Frog and Snake: Rereading Korean Court-Case Fiction from the Law and Literature Perspective

Korea Journal ◽  
2019 ◽  
Vol 59 (2) ◽  
pp. 61-85
Author(s):  
Sohyeon Park
2020 ◽  
pp. 174387212097199
Author(s):  
Kathleen Birrell

This short essay will dwell upon the ‘law of literature and the literature of law’, as illuminated in the enduring scholarship and intellectual legacy of Peter Fitzpatrick. Reading with Fitzpatrick, we must grapple with a law that is both constituted and subverted by recourse to the supplement of fiction. These ambivalent ‘affines’, law and literature, share in an oscillatory rhythm: each is constituted and enlivened by an unbounded exteriority, yet each must be rendered normatively determinate. I reflect upon the ways in which Fitzpatrick’s account of ‘law like literature’ grasps and hones the methodological challenge implicit in this reading: to read law as literature and literature as law. Yet further, I extend a reading of Fitzpatrick’s scholarship that acknowledges this fictive law as not merely susceptible to but constituted by decoloniality.


In order to prove that a defendant is negligent, a plaintiff must prove the elements of negligence, which are duty, breach, causation, and damages. This relationship between duty and negligence was at the essence of a famous U.K. court case (Donoghue v Stevenson, 1932). Since Donoghue, the whole world has become a neighbour online. Since Donoghue, the “neighbour” principle is extended to anywhere, any time. Today, everyone takes anywhere, any time for granted; the law has yet to catch up. This chapter describes recent attempts at preventing cyber-bullying through legislation and educational initiatives. There are many educational initiatives already in place about cyberbullying awareness and prevention: some federal, some provincial.


Author(s):  
François Ost

This chapter discusses the representation of arbitration in literature. Arbitration seems to receive little attention in literary works, as opposed to justice and the judge, which form the heart of the ‘law and literature’ movement. This disparity is likely due to the collective fascination with the judge as the embodiment of justice. The air of mystery that often surrounds arbitration can also be explained by the difference between the way in which it is presented in fictional texts and in modern law. Literature does not usually apprehend arbitration in the strict understanding of a private judge chosen by the parties, who adjudicates on a dispute by rendering a final and binding award which he cannot enforce without the assistance of state courts. Yet literature’s approximations in the treatment of arbitration are precisely what makes them interesting, in that they shed a welcome light on a justice that is both broader and more perennial than the justice that is rendered within the strict boundaries of the traditional court system. Works of literary fiction also provide many valuable stories about the value and reach of decisions rendered by arbitrators.


Author(s):  
Nan Goodman

This book traces the emergence of a sense of kinship with and belonging to a larger, more inclusive world within the law and literature of late seventeenth-century Puritanism. Connected to this cosmopolitanism in part through travel, trade, and politics, late seventeenth-century Puritans, it is argued, were also thinking in terms that went beyond these parameters about what it meant to feel affiliated with people in remote places—of which the Ottoman Empire is the best, but not the only example—and to experience what Bruce Robbins calls “attachment at a distance.” In this way Puritan writers and readers were not simply learning about others but also cultivating an awareness of themselves as “stand[ing] in an ethically significant relation” to people all around the world. The underlying source of these cosmopolitan predilections was the law, specifically the law of nations, often considered the precursor to international law. Through the terms for sovereignty, obligation, and society made available by a turn toward the cosmopolitan within the law, the Puritans experimented with concepts of extended obligation and ideas about a society consisting of all humans, not just those living on certain trade routes or within certain foreign communities. In mapping out these thought experiments, The Puritan Cosmopolis uncovers Puritans who were reconceptualizing war, contemplating new ways of cultivating peace, and rewriting the rules for being Puritan by internalizing legal theories about living in a larger, more inclusive world.


Legal Studies ◽  
1993 ◽  
Vol 13 (3) ◽  
pp. 323-331 ◽  
Author(s):  
Ian Ward

In 1979, Allen Smith suggested that there was to be a ‘coming renaissance’ in Law and Literature as a teaching discipline. In fact, Law and Literature had already arrived. In 1973, James Boyd White had publishedhis The Legal Imagination, and had geared it primarily to the teaching and study of law. Of the many intriguing characteristics of the Law and Literature movement, one of the most exciting and most valuable, is the fact that, unlike many other theoretical approaches to the problems of law, the ambition of Law and Literature is firstly educative, and only then, secondly, social and political. Moreover this secondary ambition, has tended, in two senses, to be appended to the educational ambition. In one sense, it is additional in that the political manifesto is supposed to emerge from the educational force of literature. In a second sense, it is additional because politics was certainly not such a ranking ambition in the earliest days of the Law and Literature movement, and it is no concidence that the politicization of Law and Literature has come about as its star has risen, whilst that of Critical Legal Studies has declined


Ritið ◽  
2018 ◽  
Vol 18 (1) ◽  
pp. 3-10
Keyword(s):  

Erlendis hafa þverfaglegar rannsóknir á sviði laga og bókmennta verið blómlegar á undanförnum ártugum. Á fyrstu áratugum tuttugustu aldar mótaðist meðal bandarískra lögfræðikennara hreyfing í kringum þetta efni (e. the law and literature movement) sem hafði framan af þann tilgang að bæta húmanískan bakgrunn lögfræðinema. Um miðjan þriðja áratuginn voru færð rök fyrir mikilvægi þess að lögfræðingar kynntu sér skáldskap og bókmenntir. Þar sem starf stéttarinnar snerist að verulegu leyti um skriftir (að semja sóknar- og varnarræður, lög og dómsorð) væri yfirgripsmikil þekking á stíl og stílbrögðum gagnleg hverjum þeim sem vildi ná árangri í faginu. Ekki leið á löngu þar til bandaríska fræðiumræðan fór að hafa áhrif víðar, meðal annars í Evrópu. Meginmarkmið með þessu þemahefti Ritisins er að kynna þessa fræðahefð hérlendis og vekja áhuga á margháttuðum tengslum lögfræðinnar við bókmenntafræði, sagnfræði og heimspeki. Í heftinu birtast fjórar frumsamdar og tvær þýddar greinar þar sem lög og bókmenntir fléttast saman.


2021 ◽  
pp. 153-164
Author(s):  
O. G. Koban

The article examines the problem of the essence and content of judicial interpretation, its characteristic features. The goal of a casual court interpretation is the correct understanding of the content of the norms of law, and the task is to individualize legal regulations. Acts of casual court interpretation are «samples» for lower courts, given that they are always guided by the practice of interpretation. The article also deals with the theoretical aspects of the institute of interpretation of law by court, its gist, and legal nature; explores the views of the Ukrainian and foreign scientists on the subject. The article also deals with relevant to modern legal practice issues of judicial interpretation. The peculiarity of the casual interpretation is that it has a person-oriented character and is relevant to specific circumstances. A casual interpretation can not go beyond the boundaries of a particular legal case and apply to similar cases. The difference between the normative interpretation and the casual is that the former may extend to an unspecified range of cases, and the second one to the incident that was the subject of a dispute. Subjects of casual interpretation are the judicial and administrative bodies. Clarification of the content of the law by the judiciary is a judicial interpretation. The official constitutional interpretation of the Constitutional Court of Ukraine is carried out in providing opinions on cases of constitutionality of laws and other legal acts, compliance with the Constitution of Ukraine of international treaties, adherence to the procedure of investigation and consideration of the case of removal of the President of Ukraine from office in the order of impeachment. The supreme court’s interpretation of the case largely influences judicial practice. Courts, in court cases, carry out a casual interpretation of the rules of law and develop case-law on the application of the rules of law. The casual judicial interpretation is the interpretive activity of the court in the process of reviewing and resolving court cases (or in the order of their review by the appellate or cassation instances), the purpose of which is a correct understanding of the content of the legal norm. His task is the individualization of legal requirements, and the result is binding only for a specific court case and parties involved in it. The acts of the casual interpretation of the higher judicial bodies are «samples» for lower courts, given that they are always guided by the practice of interpretation and application of the law by the highest judicial authorities and, as a rule, follow it. Characteristic features of the casual judicial interpretation is that its subjects are judges of all courts, it is directed at the consideration and resolution of a particular court case, the results of such an interpretation are binding only for the parties to a specific court case and are fixed in the motive part of the decision. Keywords: court, casual interpretation, the rule of law, judicial interpretation, rule.


Author(s):  
Kamil Zeidler

If we put together and systematize research streams: law in film, law and literature, and aesthetics of law, it is easy to reach the conclusion that we are dealing with related subjects, with a certain overlap in research areas. The broadest term is aesthetics of law, whose scope covers the entire law and literature movement, meanwhile law in film is a more detailed aspect of the latter. Systematizing the aesthetics of law, we can close it in three aspects: the external one, the internal one, and the one called ‘law as a device for aesthetization’. The aesthetics of law in the external aspect deals with manifestations of law, legal inspirations, legal themes, symbols, signs, which were represented through centuries in fine arts. The subject of the aesthetics of law in the internal aspect is the law itself. The third aspect of the aesthetics of law focuses on law as a device for aesthetization of daily life. In the law and literature movement, the reflections concern either the inclusion of legislative and legal content in literary works (law in literature), or the literary, including aesthetic, value, of normative instruments, and more broadly, also other acts of applying the law (law as literature). A special case of this research stream is legal cinematography, where a film prepared on the basis of a screenplay is treated as a kind of narrative, justifying the statement that law in film further develops the law and literature movement. The practical aspect of such research – of legal aesthetics, law and literature, and law in film – concerns mainly the significance and influence on legal awareness, and on shaping the attitudes towards law. The key thing here is approaching the problem of influencing legal awareness through other means than the text of a normative instrument alone.


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