Barthes's Xyloglossia: Structuralism and The Language of Wood
This article investigates Barthes's xyloglossia, his use of the motifs of tree and wood, with a view to exploring their implications for his work and for structuralism as a whole. Barthes's xyloglossia takes essentially three forms. First, the motif of the tree is associated with the critique of traditional philology undertaken by structural linguistics. Second, wood figures an idealized example of the material world associated in utopian terms with transparent language, transformative labour and fulfilment through play. Third, wood is conceived as a non-isotropic material, infinitely varied in consistency and density, serving as a model for a non-essentialist understanding of textuality and subjectivity. In tracing Barthes's xyloglossia across three decades, this article analyzes how the related motifs of tree and wood reveal some of the key paradoxes of Barthes's work and its relationship to structuralism (Lévi-Strauss) and actor-network theory (Latour).