Willemijn Ruberg, History of the Body

Somatechnics ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 451-455
Author(s):  
Danielle Kinsey
Author(s):  
William G. Pooley

The conclusion draws together ideas from the book, suggesting a few key points. First, it draws attention to the cultural agency of ‘exemplars’, or what folklorists have sometimes called ‘star performers’. Singers and storytellers like Henri Vidal, Marie Bouzats, or Catherine Gentes are not just important because they were typical, but because they played leading roles in local cultures. The conclusion argues that such exemplars allow historians to perceive changing cultures of the body which cannot be reduced to the simple advent of a ‘modern’ body. The example of the moorlands of Gascony suggests broader patterns in the history of the body during the period of modernization.


Author(s):  
William G. Pooley

This chapter situates the book as an intervention in discussions of the history of the body, suggesting that the experiences of the working population have often been absent from discussions of changing bodily cultures, which have instead tended to focus on elite discourses. The chapter suggests that the moorlands of Gascony in south-western France make a particularly powerful example, because of the scale and speed of top-down reforms of the landscape following a national law passed in 1857, which encouraged the forestation of the moorlands. The region also boasts one of the most impressive ethnographic archives, thanks to the work of the folklorist Félix Arnaudin (1844–1921). The chapter finishes with an outline of key methodologies drawn from folklore studies, including the study of performance, variation, and traceability.


2020 ◽  
Vol 12 (3) ◽  
pp. 131-134
Author(s):  
Rob Boddice

The history of emotions has become a thriving focus within the discipline of history, but it has in the process gained a critical purchase that makes it relevant for other disciplines concerned with emotion research. The history of emotions is entangled with the history of the body and brain, and with cultural and political history. It is interested in the how and why of emotion change; with the questions of power and authority behind cultural scripts of expression, conceptual usages, and emotional practices. This work has reached a level of maturity and sophistication in its theoretical and methodological orientation, and in its sheer quantity of empirical research, that it contributes to emotion knowledge within the broad framework of emotion research.


2008 ◽  
Vol 42 (2-3) ◽  
pp. 283-315 ◽  
Author(s):  
NILE GREEN

AbstractThis essay examines a series of ‘Hindustani’ meditation manuals from the high colonial period against a sample of etiquette and medicinal works from the same era. In doing so, the essay has two principal aims, one specific to the Indian past and one pertaining to more general historical enquiry. The first aim is to subvert a longstanding trend in the ‘history’ of religions which has understood meditational practices through a paradigm of the mystical and transcendent. In its place, the essay examines such practices—and in particular their written, and printed, formulation—within the ideological and technological contexts in which they were written. In short, meditation is historicised, and its ‘Hindu’ and ‘Muslim’ expressions, compared in the process. The second aim is more ambitious: to test the limits of historical knowledge by asking whether it is possible to recount a history of breathing. In reassembling a political economy of respiration from a range of colonial writings, the essay thus hopes to form a listening device for the intimate rhythms of corporeal history. In doing so, it may suggest ways to recount a connected and necessarily political history of the body, the spirit and the world.


2009 ◽  
Vol 204 (1) ◽  
pp. 235-245
Author(s):  
C. Jones

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