scholarly journals Neural Entrainment and Sensorimotor Synchronization to the Beat in Children with Developmental Dyslexia: An EEG Study

2017 ◽  
Vol 11 ◽  
Author(s):  
Lincoln J. Colling ◽  
Hannah L. Noble ◽  
Usha Goswami
2021 ◽  
Author(s):  
A. Celma-Miralles ◽  
B.A. Kleber ◽  
J.M. Toro ◽  
P. Vuust

ABSTRACTMotor coordination to an isochronous beat improves when it is subdivided into equal intervals. Here, we study if this subdivision benefit (i) varies with the kind of subdivision, (ii) is enhanced in individuals with formal musical training, and (iii), is an inherent property of neural oscillations. We recorded electroencephalograms of musicians and non-musicians during: (a) listening to an isochronous beat, (b) listening to one of 4 different subdivisions, (c) listening to the beat again, and (d) listening and tapping the beat with the same subdivisions as in (b). We found that tapping consistency and neural entrainment in condition (d) was enhanced in non-musicians for duplets (1:2) compared to the other types of subdivisions. Musicians showed overall better tapping performance and were equally good at tapping together with duplets, triplets (1:3) and quadruplets (1:4), but not with quintuplets (1:5). This group difference was reflected in enhanced neural responses in the triplet and quadruplet conditions. Importantly, for all participants, the neural entrainment to the beat and its first harmonic (i.e. the duplet frequency) increased after listening to each of the subdivisions (c compared to a). Since these subdivisions are harmonics of the beat frequency, the observed preference of the brain to enhance the simplest subdivision level (duplets) may be an inherent property of neural oscillations. In sum, a tapping advantage for simple binary subdivisions is reflected in neural oscillations to harmonics of the beat, and formal training in music can enhance it.Highlights-The neural entrainment to periodic sounds only differs between musicians and non-musicians when they perform a predictive sensorimotor synchronization task.-After listening to a subdivided beat, the frequencies related to the beat and its first harmonic are enhanced in the EEG, likely stabilizing the perception of the beat.-There is a natural advantage for binary structures in sensorimotor synchronization, observed in the tapping of duplets by non-musicians, which can be extended to other subdivisions after extensive musical training.


Author(s):  
Alan J. Power ◽  
Natasha Mead ◽  
Lisa Barnes ◽  
Usha Goswami

2021 ◽  
pp. 1-16
Author(s):  
Sean A. Gilmore ◽  
Frank A. Russo

The ability to synchronize movements to a rhythmic stimulus, referred to as sensorimotor synchronization (SMS), is a behavioral measure of beat perception. Although SMS is generally superior when rhythms are presented in the auditory modality, recent research has demonstrated near-equivalent SMS for vibrotactile presentations of isochronous rhythms [Ammirante, P., Patel, A. D., & Russo, F. A. Synchronizing to auditory and tactile metronomes: A test of the auditory–motor enhancement hypothesis. Psychonomic Bulletin & Review, 23, 1882–1890, 2016]. The current study aimed to replicate and extend this study by incorporating a neural measure of beat perception. Nonmusicians were asked to tap to rhythms or to listen passively while EEG data were collected. Rhythmic complexity (isochronous, nonisochronous) and presentation modality (auditory, vibrotactile, bimodal) were fully crossed. Tapping data were consistent with those observed by Ammirante et al. (2016), revealing near-equivalent SMS for isochronous rhythms across modality conditions and a drop-off in SMS for nonisochronous rhythms, especially in the vibrotactile condition. EEG data revealed a greater degree of neural entrainment for isochronous compared to nonisochronous trials as well as for auditory and bimodal compared to vibrotactile trials. These findings led us to three main conclusions. First, isochronous rhythms lead to higher levels of beat perception than nonisochronous rhythms across modalities. Second, beat perception is generally enhanced for auditory presentations of rhythm but still possible under vibrotactile presentation conditions. Finally, exploratory analysis of neural entrainment at harmonic frequencies suggests that beat perception may be enhanced for bimodal presentations of rhythm.


2013 ◽  
Vol 25 (3) ◽  
pp. 736-747 ◽  
Author(s):  
Sylvie Nozaradan ◽  
Younes Zerouali ◽  
Isabelle Peretz ◽  
André Mouraux

Author(s):  
Manuel Perea ◽  
Victoria Panadero

The vast majority of neural and computational models of visual-word recognition assume that lexical access is achieved via the activation of abstract letter identities. Thus, a word’s overall shape should play no role in this process. In the present lexical decision experiment, we compared word-like pseudowords like viotín (same shape as its base word: violín) vs. viocín (different shape) in mature (college-aged skilled readers), immature (normally reading children), and immature/impaired (young readers with developmental dyslexia) word-recognition systems. Results revealed similar response times (and error rates) to consistent-shape and inconsistent-shape pseudowords for both adult skilled readers and normally reading children – this is consistent with current models of visual-word recognition. In contrast, young readers with developmental dyslexia made significantly more errors to viotín-like pseudowords than to viocín-like pseudowords. Thus, unlike normally reading children, young readers with developmental dyslexia are sensitive to a word’s visual cues, presumably because of poor letter representations.


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