scholarly journals The Modulation of Stimulus Familiarity on the Repetition Effect in Duration Judgment

2020 ◽  
Vol 11 ◽  
Author(s):  
Lina Jia ◽  
Can Deng ◽  
Lili Wang ◽  
Xuelian Zang ◽  
Xiaocheng Wang
2012 ◽  
Author(s):  
Neil Mulligan ◽  
Daniel Peterson
Keyword(s):  

1968 ◽  
Vol 77 (3, Pt.1) ◽  
pp. 435-439 ◽  
Author(s):  
Marilyn C. Smith

2018 ◽  
Vol 1 ◽  
pp. 205920431878458 ◽  
Author(s):  
Pauline Larrouy-Maestri

Listeners regularly judge the accuracy of musical performances. However, as is true for several types of judgments (e.g., beauty or obscenity), estimating the correctness of melodies is not based on a precise definition of the object/performance but rather follows arguments such as “I know it when I hear it”. In order to clarify the definition of correctness in melodies, participants identified parametrically manipulated sung melodies as in-tune or out-of-tune, using the method of limits procedure (Experiment 1). Listeners’ tolerance with regard to mistuning was compared across melodies (Experiment 2). The potential roots of correctness perception were investigated by testing the effect of familiarity, the influence of formal musical training (Experiment 3), and the task repetition effect (Experiment 4). The results highlight a surprisingly small tolerance with regard to mistuning (half of a quarter tone), whatever the melodic context, large individual differences, but high consistency over time. This high sensitivity was mainly modulated by musical training as well as by previous exposure. In addition to defining the boundary between in- and out-of-tune melodies, this study supports the implicit development of the normative notion of “correctness” as a category that might drive listeners’ appreciation of artistic performances.


2017 ◽  
Vol 8 ◽  
Author(s):  
Charlotte Harrison ◽  
Nicola Binetti ◽  
Isabelle Mareschal ◽  
Alan Johnston

2021 ◽  
pp. 002383092110530
Author(s):  
Dan Villarreal ◽  
Lynn Clark

A growing body of research in psycholinguistics, corpus linguistics, and sociolinguistics shows that we have a strong tendency to repeat linguistic material that we have recently produced, seen, or heard. The present paper investigates whether priming effects manifest in continuous phonetic variation the way it has been reported in phonological, morphological, and syntactic variation. We analyzed nearly 60,000 tokens of vowels involved in the New Zealand English short front vowel shift (SFVS), a change in progress in which trap/dress move in the opposite direction to kit, from a topic-controlled corpus of monologues (166 speakers), to test for effects that are characteristic of priming phenomena: repetition, decay, and lexical boost. Our analysis found evidence for all three effects. Tokens that were relatively high and front tended to be followed by tokens that were also high and front; the repetition effect weakened with greater time between the prime and target; and the repetition effect was stronger if the prime and target belonged to (different tokens of) the same word. Contrary to our expectations, however, the cross-vowel effects suggest that the repetition effect responded not to the direction of vowel changes within the SFVS, but rather the peripherality of the tokens. We also found an interaction between priming behavior and gender, with stronger repetition effects among men than women. While these findings both indicate that priming manifests in continuous phonetic variation and provide further evidence that priming is among the factors providing structure to intraspeaker variation, they also challenge unitary accounts of priming phenomena.


2009 ◽  
Vol 7 (1) ◽  
Author(s):  
Dida Fleisig ◽  
Karni Ginzburg ◽  
Dan Zakay
Keyword(s):  

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