Religious life of Crimea in the early Middle Ages

Author(s):  
A. Mineeva

The paper describes a brief history of the Crimean ethnic groups, describing their religion and the development of culture and Christianity in the Crimea during the early middle Ages.

Author(s):  
Francesca Brooks

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.


2020 ◽  
pp. 97-123
Author(s):  
Ismet A. Zaatov ◽  

The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people. The fact that the ancestors of the steppe Crimean Tatars are the Turkic tribes of the Kypchaks and the ancestors of the southern coastal Crimean Tatars are the Turkic tribes of the Oghuz, from the earliest centuries of their history were ethnic groups with a developed musical culture, written evidence from ancient Turkic authors and, in particular, the dictionary “Divan Lugat ata” – Turk “Mahmud al-Kashgari”. This article attempts to determine, based on the lexical analysis of the text of the vocabulary, the direct connection between the semantics of musical terminology in the language of modern Crimean Tatars with the semantics of the musical vocabulary of their Oguz and Kipchak ancestors, as well as identifying patterns of Oguz and Kipchak musical vocabulary in lexicon of the Crimean Tatars by the time of Mahmud Al-Kashgari has written his creation.


Author(s):  
Kriston R. Rennie

A monastery’s relationship with Rome raises fundamental questions about its origins and nature. Exemption privileges form an important part of this story – a connecting link between the centre in Rome and the Christian periphery. This chapter questions the monastery’s impetus for seeking special exemption from Rome by examining the practice’s development from the papal perspective. It seeks to understand the gravitational pull of ‘Rome’s orbit’, which reveals the precedent, pragmatism, and vision of early medieval popes in the organization and governance of religious life. Formulating the popes’ attitude towards, and involvement in, western monasteries, this chapter explains why the granting of monastic exemptions became so pronounced a feature of papal government in the early Middle Ages.


1988 ◽  
Vol 108 (2) ◽  
pp. 337
Author(s):  
Laurel Rasplica Rodd ◽  
Jin'ichi Konishi ◽  
Aileen Gatten ◽  
Earl Miner

Author(s):  
Stephanie Beswick

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of African History. Please check back later for the full article. Histories of South Sudan are rare. Indeed a pre-colonial history of what is actually, geographically, the world’s largest swamp (South Sudan) is challenging and at present impossible without the use of oral histories, along with a very few archaeological and linguistic studies. Only two scholarly accounts lend information about the obscure history of this region of Africa. Oral histories suggest that the very earliest inhabitants of South Sudan were a mound-building folk known to the Dinka as the Luel, and to archaeologists as the Turkwel. Sometime after the later Middle Ages and the fall of the 11th-century Christian kingdom of Alwa, the Western Nilotic Dinka claim to have migrated with their cattle into South Sudan from the Gezira because of fear of slave raiders. The Dinka claim to have found Bari, on the East Bank of the Nile, a historical point that is corroborated by Bari oral histories. Some decades later, the Dinka crossed the Nile following the rich soils that were most favorable to their favorite agricultural food, kec. Over time they penetrated deeply into the western swamps of Southern Sudan. Sometime around the 15th century, another Nilotic people, now known as the Shilluk, thrust northwards beyond the depths of the South Sudanese swamps, settling approximately at the junction of the Nile and the Sobat rivers. Oral histories claim the Shilluk were led to this homeland by a great leader, Nyikang, the first in a long line of kings. The last great ethnic groups to migrate into what is now the boundary of modern South Sudan were the non-Nilotic Azande. Of interest is that all of these ethnic groups were slave-holding cultures and, with the exception of the Azande, were agro-pastoralists. The Bari were prominent iron-making specialists, as were the highly martial Azande. All of these cultures had social hierarchies, and migration is a connecting theme among the larger societies; none of the present cultures of South Sudan appear to have originated in South Sudan except the Nilotic Luo. By the late 17th century, with the fall of Sultan Sanusi of the Central African Republic, numbers of non-Nilotic peoples fled into various western regions of South Sudan. Additionally, with the fall of the Islamic sultanate of Sinnar and the coming of the Turco-Egyptians in the early 19th century, much of South Sudan had been historically peopled by the Nilotic Luo, whose progeny appeared to have evolved into numerous ethnic groups of South Sudan; groups that would now include the Shilluk-Luo, the Nuer, the Atuot, Anyuak, and various Luo communities that now exist under various names.


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