Une promenade au Palais-Royal à la fin du règne de Louis XVI

2008 ◽  
Vol 11 (1) ◽  
pp. 41-53
Author(s):  
Daniel Crépin
Keyword(s):  

2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.





1985 ◽  
Vol 17 (1) ◽  
pp. 221-228
Author(s):  
Corinne Pré
Keyword(s):  


1954 ◽  
Vol 42 (143) ◽  
pp. 401-404
Author(s):  
Marcel Marcot
Keyword(s):  


1891 ◽  
Vol 4 (13) ◽  
pp. 86-88
Author(s):  
Théodore Reinach
Keyword(s):  


1990 ◽  
Vol 76 (196) ◽  
pp. 57-71 ◽  
Author(s):  
Philippe Boutry
Keyword(s):  




Revue du Nord ◽  
1989 ◽  
Vol 71 (282) ◽  
pp. 723-736 ◽  
Author(s):  
Louis Trénard
Keyword(s):  


1989 ◽  
Vol 85 (1) ◽  
pp. 84-85
Author(s):  
Fabienne Cirio
Keyword(s):  


Author(s):  
Robert St. Clair

weChapter 4 takes up the question of poetry and engagement at its most explicit and complex in Rimbaud, focusing on a long, historical epic entitled “Le Forgeron.” We read this poem, which recreates and re-imagines a confrontation between the People in revolt and Louis XVI in the summer of 1792, as Rimbaud’s attempt to add a revolutionary supplement to the counter-epics modeled by Victor Hugo in Châtiments. Chapter 4 shows how Rimbaud’s “Forgeron” challenges us to examine the ways in which a poem might seek “to enjamb” the caesura between poiesis and praxis by including and complicating revolutionary (counter)history into its folds in order to implicate itself in the political struggles of its time.



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