scholarly journals The Prospect of Premodern East Asian Narratology and the Phase of Korean Classic Novels - A Proposal on the Change of Perspective Reading the Communication and Connection of Korean & Chinese Classic Novels -

2010 ◽  
Vol 31 (31) ◽  
pp. 339-372
Author(s):  
Chung,Chul-heon
Keyword(s):  
East Asian ◽  
Change Of Perspective ◽  
Korean Chinese ◽  
Chinese Classic

The Historical Market Analysis and Rationale of Electric Vehicles Batteries

2018 ◽  
Vol 8 (1) ◽  
pp. 35
Author(s):  
Majid A Dehkordi
Keyword(s):  
Electric Vehicle ◽  
Electric Vehicles ◽  
Production Cost ◽  
Raw Materials ◽  
East Asian ◽  
Rechargeable Batteries ◽  
Market Analysis ◽  
Production Factors ◽  
Two Generations ◽  
Korean Chinese

The aim of this paper is to analyze the market structure of rechargeable batteries, and the importance of battery production cost on the commercialization of Electric Vehicles. In this regard, the two generations of electric vehicle penetration in the society, in the period of 1996 to 2012, are concerned. It is argued that a combination of pre-production factors such as raw materials and technology breakthroughs, as well as post-production factors such as rise of East-Asian competitors will define the next market trend of EV batteries. Among the implications of this study, the competition between Korean, Chinese and Japanese battery suppliers is also explained.

‘It is the East’

2016 ◽  
Author(s):  
Alexa Huang
Keyword(s):  
East Asia ◽  
Life Stories ◽  
East Asian ◽  
National Identities ◽  
Personal Life ◽  
Korean Chinese ◽  
Cultural Location ◽  
Shakespearean Tragedy

Shakespearean tragedies have played an important part in modern and contemporary East Asian engagements with Western cultures. Japanese, Korean, Chinese, and Singaporean translations, rewritings, films, and theatre productions have three important shared characteristics, namely hybridization of genres, intra-regional and trans-historical allusions, and spirituality. These adaptations tend to present the plays in hybrid performative genres, sometimes turning tragedy into comedy or parody. These adaptations are also informed by intra-regional borrowing and allusions that matter to each separate cultural location and to East Asia as a whole. They tend to interpret Shakespearean tragedies through issues of spirituality and through the artists’ personal, rather than national, identities, giving primacy to personal life stories and to the interaction with the audience, rather than attempting ‘authentic’ representations either of Shakespearean tragedy or indeed of ‘Asia’.

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