AbstractThis article examines the unfolding of interaction in a growing and, so far, scarcely examined social and cultural practice – interpreter-mediated public literary conversations. In this context, the activity of interpreters, although indispensable when authors and audiences do not share a common language, is sometimes regarded as a “necessary evil” that allegedly causes delays and information loss. Exploring an interpreter-mediated public literary conversation with Nobel Laureate Svetlana Alexievich as a case in point, the focus of this article is rather on what the presence of an interpreter might add to the shared performance on stage. Attention is drawn to the temporal evolvement of the interlocutor’s communicative resources, evident within narrative sequences, drawing on prosody research and research on gestures. The study suggests that, apart from keeping the non-Russian speaking audience updated on content, the interpreter’s rhythmically calibrated performance adds an energizing asset to the event as a whole. The notion of the “coupled turn”, internally hosting gestural and prosodic coherence across topical boundaries and language frame shifts, emerges as a usable unit for the analysis.
To Re-present a Nobel Prize Winner. Interpreting a Public Literary Conversation
