Fate,Memory and Novel Belief:World Meaning of French Russian Writer Victor Serge’s Witness Literature

2021 ◽  
Vol 3 (1) ◽  
pp. 41-81
Author(s):  
Zhang Yi ◽  
Yan Zhijun ◽  
Li Baojia
Keyword(s):  
2019 ◽  
Author(s):  
Alice Winsor ◽  
Heather D Flowe ◽  
Travis Morgan Seale-Carlisle ◽  
Isabella Killeen ◽  
Danielle Hett ◽  
...  

Children are frequently witnesses of crime. In the witness literature and legal systems, children are often deemed to have unreliable memories. Yet, in the basic developmental literature, young children can monitor their memory. To address these contradictory conclusions, we reanalysed the confidence-accuracy relationship in basic and applied research. Confidence provided considerable information about memory accuracy, from at least age 8, but possibly younger. We also conducted an experiment where children in young- (4–6 years), middle- (7–9 years), and late- (10–17 years) childhood (N=2,205) watched a person in a video, and then identified that person from a police lineup. Children provided a confidence rating (an explicit judgement), and used an interactive lineup—in which the lineup faces can be rotated—and we analyzed children’s viewing behavior (an implicit measure of metacognition). A strong confidence-accuracy relationship was observed from age 10, and an emerging relationship from age 7. A constant likelihood ratio signal-detection model can be used to understand these findings. Moreover, in all ages, interactive viewing behavior differed in children who made correct versus incorrect suspect identifications. Our research reconciles the apparent divide between applied and basic research findings and suggests that the fundamental architecture of metacognition that has previously been evidenced in basic list-learning paradigms also underlies performance on complex applied tasks. Contrary to what is believed by legal practitioners, but similar to what has been found in the basic literature, identifications made by children can be reliable when appropriate metacognitive measures are used to estimate accuracy.


2013 ◽  
Vol 28 (70) ◽  
Author(s):  
Troels Hughes Hansen

Troels Hughes Hansen: “The Emotive Metro. Louis-Ferdinand Céline and Witness Literature”The article proposes a new angle on the last novels of the French writer Louis-Ferdinand Céline (1894-1961). It is suggested that certain formal traits of the so-called German Trilogy can be regarded as more or less analogous to themes and problems normally associated with witness literature. This interpretation adds an ethical dimension to Céline’s oeuvre insofar as his chronicle incorporates the voices of an exiled community and thereby in a certain manner speaks for a group more or less damned by official history. Knowing, however, that his testimony will not be easily accepted by the public because of the author’s collaboration, Céline develops a literary style designed to reach a hostile reader on an emotional rather than a rational level.


2013 ◽  
Vol 5 (1) ◽  
pp. 67-78
Author(s):  
Laura Sasu

Abstract The purpose of this paper is to identify and investigate the role of Romanian post-communist witness literature for contemporary historiography in outlining national and social (self-)images. This type of literature, written mostly by former political detainees, is perceived by literary criticism as a specific borderline segment partly relevant as historical documents and partly as literary texts. Applying the conceptual pattern coined by Giorgio Agamben. in his analysis based upon the national socialist concentration camp, to post-communist depositional literature reveals two focal directions of imagological relevance: on the one hand, the points of similarity and difference of totalitarian practices in creating stereotypes, cultivating the sense of absolute antagonist otherness and promoting distorted ethnic, social and national images and. on the other hand, the particular contributions and limitations posed by the post-totalitarian depositional discourse in (re)-creating national and social (self-)images.


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