scholarly journals Anthropology and Representations of Magic in Arab Theatrical Text Harut and Marut's Play as a Model

Al-academy ◽  
2021 ◽  
Keyword(s):  
Theatrical Text

scholarly journals Die sexuellen Neurosen unserer Eltern von Lukas Bärfuss und die Frage nach der Tabuisierung von Sexualität

2018 ◽  
Vol 143 ◽  
pp. 59-73
Author(s):  
Justyna Kłopotowska
Keyword(s):  
Everyday Life ◽  
German Literature ◽  
Mentally Handicapped ◽  
Swiss German ◽  
The Subject ◽  
Theatrical Text

Sexualität der Menschen, die als eines von vielen Themen im Alltag erscheint und die auch literarisch aus vielerlei Perspektiven aufgegriffen wird, wird hier und da gerne tabuisiert. Lukas Bärfuss, Vertreter der jungen, deutschsprachigen Schweizer Literatur, setzt sich mit diesem Thema auf eine sehr provozierende Art und Weise auseinander. In seinem Theatertext Die sexuellen Neurosen unserer Eltern führt er die Leser in ein verklemmtes Milieu, in dem seine geistig behinderte Protagonistin Dora ihre Sexualität entdeckt. Was daraus wird, wie der Autor damit umgeht und es in Sprache umsetzt, wird zum Thema der Überlegungen.The sexual neuroses of our parents by Lukas Bärfuss and the question of the tabooing of sexualityPeople’s sexuality, which appears as one of many topics in everyday life and which has been approached in the literature from a variety of perspectives, has often been tabooed. Lukas Bärfuss, a representative of the young Swiss German literature, is dealing with this topic in a very provocative way. In his theatrical text The sexual neuroses of our parents, he leads the readers into an inhibited milieu in which his mentally handicapped protagonist Dora discovers her sexuality. What becomes of it, how the author deals with it and puts it to practice, will become the subject of the considerations.

scholarly journals Herramientas embotadas

2018 ◽  
Author(s):  
Luigi Giuliani
Keyword(s):  
Golden Age ◽  
Point Of View ◽  
Stage Direction ◽  
Stage Directions ◽  
Theatrical Text

This article tackles the problem of editing the stage directions from a neo-Lachmannian point of view. After considering the nature of the stage direction a sign within the semiotic nature of the theatrical text, the behaviour of the copyists in the manuscript and printed transmission of the Spanish theatre of the Golden Age is taken into account, in order to analyse those problems that arise in the application of the method in the phase of constitutio textus. Thus, the focus is on four paradigmatic cases: variants stemming from different staging; variants within a recensio cum stemmate; variants in a contaminatio; lack of stage directions either in one-witness traditions or in the archetype.

scholarly journals CUMULATIVE PHANTASY OF THE LITERARY INHERITED IN THE CONTEMPORARY IRAQI THEATRE'S TEXTS

2021 ◽  
Vol 03 (02) ◽  
pp. 302-314
Author(s):  
Ruqaiah Wahab Majeed BAYRAM
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Collective Memory ◽  
Structural Transformations ◽  
Psychological Concept ◽  
Theoretical Frame ◽  
Theatrical Text ◽  
General Frames

The cumulative phantasy of literary inherited in the contemporary Iraqi theatre's texts composes important pivot and a literary cultural phenomena has its' distinguished presence in the Iraqi theatre represented by inspiration of literary inherited and urging the collective memory by aesthetic and conceptual frames via works of dramatic processing by shifting central structures and their time-place and structural transformations in the theatrical text. The research consists of four chapters, first chapter tackled with the methodical frame and included the research's problem that is specified by the following question: ((What is the cumulative phantasy of literary inherited and how was employed in the contemporary Iraqi theatre's text?)). The research concerned with knowing the special and general frames of the cumulative phantasy of literary inherited concept and knowing also their cognitive paths, references and innovative producing tools according to cognitive time's evidences to arise the viewer's memory and rooting the cultural identity. The research aims to briefing the cumulative phantasy of literary inherited in the contemporary theatrical text. The research's limits included studying the cumulative phantasy of literary inherited in the contemporary Iraqi theatrical texts for the period (1965-2005) also first chapter included the terms and defining them also. While the second chapter consists of three sections, first one was about phantasy philosophy and its' conceptual concepts, second section was about the phantasy and its' psychological concept, third section was about phantasy and its' representations in the Arabian theatrical literary inherited. Third chapter included research's procedures of a population included (15) theatrical texts, sample consisted of two theatrical texts, choosing was by intentional method whereas conforms with the research's subject and achieving the required goal represented by (Almiftah) for Yousif Al-Ani and the play (Al-Layali Al-Sumariyah) for the writer (Lutfiyah Al-Dulaimi). The researcher considered the depicting method to analyze the research's sample, she relied on the indications of theoretical frame in analyzing. Fourth chapter included results and conclusions, some of them are: 1. Text were featured with drama structure based on inspiration of the inherited and reproduce it by contrast according to the…. Of the phantasy, cumulative of the literary public inherited via shifting techniques, symbols and interpretations of indications. 2. Writers' phantasy added manifestations of public and national identity and its' structures sublimation by its' limits, historical and inherited evidences, permanence and existence by opening the eras. 3. Parallel and harmonic employment that express the inherited characters with a contemporary visions

scholarly journals Dialogismo dramático: possibilidades e intenções

2000 ◽  
Vol 7 ◽  
pp. 286-292
Author(s):  
Robson Coelho Tinoco
Keyword(s):  
Oral Expression ◽  
Theatrical Text

Resumo: Este estudo tem a intenção de avaliar algumas características discursivas e estilísticas da composição dialógica dramá­ tica. Busca, assim, verificar a necessidade da integração de elementos extratextuais em comparação a um texto mais convencional, por exemplo, um romance, e a leitura da men­ sagem nele implícita. Nessa linha argumentativa, considera como fundamental a função textual de elementos como a representação física e expressão oral dos atores, o papel do diretor, luzes, trilha musical, espaço físico do palco e mesmo o interesse da platéia pelo texto teatral sendo apresentado.Palavras-chave: dialogismo, funcionalidade, imaginação, integração.Abstract: This paper has the intention to evaluate some discoursive and stylistics caractheristics of dramathic dialogic composition. Its main goal is to analyse the necessity of integration of extratextuals components in comparasion to a more text convencional, for ex., a novel, and the reading of its message. In this argumentative way, this paper considers as fundamental the textual function of some components like the phisical representation and oral expression of the actors, the function of director, spotlights, soundtrack, phisical space of the stage even same the interest of the audience in the theatrical text that has being shown.Keywords: dialogism, functionality, imagination, integration.

(Intertextuality and its manifestations in the contemporary Iraqi theatrical text, the play of the A tale of two friends by Muhy al-Din Zangana as a model).

2021 ◽  
Vol 26 ◽  
pp. 264-287
Author(s):  
ISMAEEL HASHIM ◽  
Keyword(s):  
Literary Texts ◽  
Umberto Eco ◽  
Theatrical Text

Intertextuality is one of the modern theories that study literary texts, knowing their interactions and interactions and what the text absorbs from previous texts, which left their imprint on the text, directly or indirectly, and this theory has witnessed great interest by many Western critics after studying and writing about it (Julia Kresina Then the writings continued by (Roland Bart), (Michel Revatier) and (Umberto Eco), and other critics, as Arab criticism was interested in this theory and many Arab critics wrote about it, such as Abdullah Al-Ghadhami, Saeed Yaktin, and Muhammad Miftah Abd Al-Malik Murtad. And others KeyWords :Intertextuality, in the Iraqi theatrical text

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