scholarly journals CUMULATIVE PHANTASY OF THE LITERARY INHERITED IN THE CONTEMPORARY IRAQI THEATRE'S TEXTS

2021 ◽  
Vol 03 (02) ◽  
pp. 302-314
Author(s):  
Ruqaiah Wahab Majeed BAYRAM
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Collective Memory ◽  
Structural Transformations ◽  
Psychological Concept ◽  
Theoretical Frame ◽  
Theatrical Text ◽  
General Frames

The cumulative phantasy of literary inherited in the contemporary Iraqi theatre's texts composes important pivot and a literary cultural phenomena has its' distinguished presence in the Iraqi theatre represented by inspiration of literary inherited and urging the collective memory by aesthetic and conceptual frames via works of dramatic processing by shifting central structures and their time-place and structural transformations in the theatrical text. The research consists of four chapters, first chapter tackled with the methodical frame and included the research's problem that is specified by the following question: ((What is the cumulative phantasy of literary inherited and how was employed in the contemporary Iraqi theatre's text?)). The research concerned with knowing the special and general frames of the cumulative phantasy of literary inherited concept and knowing also their cognitive paths, references and innovative producing tools according to cognitive time's evidences to arise the viewer's memory and rooting the cultural identity. The research aims to briefing the cumulative phantasy of literary inherited in the contemporary theatrical text. The research's limits included studying the cumulative phantasy of literary inherited in the contemporary Iraqi theatrical texts for the period (1965-2005) also first chapter included the terms and defining them also. While the second chapter consists of three sections, first one was about phantasy philosophy and its' conceptual concepts, second section was about the phantasy and its' psychological concept, third section was about phantasy and its' representations in the Arabian theatrical literary inherited. Third chapter included research's procedures of a population included (15) theatrical texts, sample consisted of two theatrical texts, choosing was by intentional method whereas conforms with the research's subject and achieving the required goal represented by (Almiftah) for Yousif Al-Ani and the play (Al-Layali Al-Sumariyah) for the writer (Lutfiyah Al-Dulaimi). The researcher considered the depicting method to analyze the research's sample, she relied on the indications of theoretical frame in analyzing. Fourth chapter included results and conclusions, some of them are: 1. Text were featured with drama structure based on inspiration of the inherited and reproduce it by contrast according to the…. Of the phantasy, cumulative of the literary public inherited via shifting techniques, symbols and interpretations of indications. 2. Writers' phantasy added manifestations of public and national identity and its' structures sublimation by its' limits, historical and inherited evidences, permanence and existence by opening the eras. 3. Parallel and harmonic employment that express the inherited characters with a contemporary visions

Introduction

Cinesonidos ◽  
2019 ◽  
pp. 1-20
Author(s):  
Jacqueline Avila
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Collective Memory ◽  
Identity Construction ◽  
Present State ◽  
Sound Design ◽  
Moving Image ◽  
Mexican Cinema ◽  
Visual Phenomenon ◽  
State Of Research

This chapter discusses the present state of research on music in Mexican cinema and why a study is so important. Building on frameworks of nationalism and cultural identity in Mexico the author utilizes the concept of “cultural synchresis,” which draws upon sound theorist Michel Chion’s model of synchresis—the combination of synchronism and synthesis that arises when an auditory phenomenon and a visual phenomenon occur at the same time. Using this model, the author investigates how repetitions of film—as bodies of music, the moving image, and narrative working in tandem—molded diverse codes of national identity construction aimed and recognized by urban audiences. This juxtaposition of the narrative, moving image (which encompasses the costuming, setting, lighting, etc.), and sound (which includes diegetic and non-diegetic music and sound design) produced encoded messages representing specific interpretations of Mexicanidad (the cultural identity of the Mexican people) that impacted collective memory.

Macedonia Faculties’ Students - “Chrisi Avgi” (Right Party) Followers’ Critique on the Greek Educational Policy

2014 ◽  
Vol 2013 (1) ◽  
pp. 3-14 ◽  
Author(s):  
Kalerante Evagelia
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Educational Policy ◽  
Educational System ◽  
Political Party ◽  
Moral Values ◽  
Political Issues ◽  
The Past ◽  
Research Findings ◽  
History Books

AbstractThe present paper is involved with the Pedagogical faculties’ students’ critique on the current educational system as it has been altered after 1981. The research was carried out utilizing both quantitative and qualitative tools. Students-voters participated in the interviews whereas active voters were difficult to be located to meet the research requirements. The dynamics of the specific political party is based on a popular profile in terms of standpoints related to economic, social and political issues. The research findings depict the students’ strong wish for a change of the curricula and a turn towards History and Religion as well as an elevation of the Greek historic events, as the History books that have been written and taught at schools over the past years contributed to the downgrading of the Greek national and cultural identity. There is also a students’ strong belief that globalization and the immigrants’ presence in Greece have functioned in a negative way against the Greek ideal. Therefore, an overall change of the educational content could open the path towards the reconstruction of the moral values and the Greek national identity.

Nation Branding:

MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 7
Author(s):  
Gisela K. Cánepa
Keyword(s):  
Economic Growth ◽  
National Identity ◽  
Cultural Identity ◽  
Social Contract ◽  
The State ◽  
Nation Branding ◽  
Great Opportunity ◽  
National Community ◽  
Neoliberal Governmentality ◽  
Entrepreneurial Spirit

Nation branding plays a central role within neoliberal governmentality, operating as a technology of power in the configuration of emerging cultural and political formations such as national identity, citizenship and the state. The discussion of the advertising spot Perú, Nebraska  released as part of the Nation Branding campaign Marca Perú  in May of 2011, constitutes a great opportunity to: (i) argue about the way in which audiovisual advertisement products, designed as performative devises, operate as technologies of power; and (ii) problematize the terms in which it founds a new social contract for the Peruvian multicultural national community. This analysis will allow me to approach neoliberalism as a cultural regime in order to discuss the ideological nature of the uncontested celebratory discourse that has emerged in Perú and which explains the economic growth of the last decades as the outcome of a national entrepreneurial spirit that would be distinctive of Peruvian cultural identity.

Ivan Cankar’s National Narrative and Its Role in the Formation of the Slovenian Cultural Identity

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Symbolic Order ◽  
National Narrative ◽  
Cultural Space ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.

scholarly journals The Place Of Karakalpak Ethnoculture In The Integration Of Society

2021 ◽  
Vol 03 (04) ◽  
pp. 676-688
Author(s):  
Halima Kadirova ◽  
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Scientific Article ◽  
Social Changes ◽  
Next Generation ◽  
Way Of Life ◽  
The Past ◽  
Global Space ◽  
The People

This scientific article highlights the place and role of the Karakalpak ethnic culture in the development and preservation of the identity of the people. The authors analyze the culture and life of the modern Karakalpak family, which inherits to the next generation the traditional way of life associated with national holidays and traditions, dastans performed by Karakalpak bakhshi (singers), legends and legends of the past, told by the older generation. The article argues that social changes in the global space contribute to the emergence of certain changes in the content of cultural identity, language, art, spiritual categories, which are elements of the basis of the national identity of each nation and various ethno-regional units, which further strengthens the study of this issue under the influence of the process of globalization.

scholarly journals W poszukiwaniu idei narodowej: „krajowość” początku XX wieku jako próba ideologii „Polaków litewskich”

2017 ◽  
Author(s):  
Aleksander Smalianczuk
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cultural Identity ◽  
Main Criterion ◽  
National Ideology ◽  
Grand Duchy Of Lithuania ◽  
Polish Culture ◽  
In The Beginning ◽  
Determining Factor ◽  
Grand Duchy

In the Search for a National Idea: Krajowość in the Beginning of the Twentieth Century as an Attempt at “Lithuanian Poles’" IdeologyKrajowość as the national ideology of the “civil” (or “political”) type developed in Belarus and Lithuania at the beginning of the twentieth century. The adherents of krajowośćclaimed that all native inhabitants of historical Lithuania, disregarding their ethno-cultural identity, are “the citizens of the Kraj” [the Countrymen] and therefore belong to one nation. Some called them “the nation of Lithuanians.” The category of “the native inhabitants” was used in relation to the Lithuanians, Belarusians, Poles, Jews, and almost never to Russians. As the main criterion for a national identity they proclaimed patriotism and self-identification as citizens.The krajowość idea appeared among the nobility. Its representatives belong to the combined Polish culture in respect of their own Lithuanian and Belarusian origin. The former Grand Duchy of Lithuania was interpreted by them as a historical native land. It was the determining factor in the formation of a new identity.All adherents of krajowość (Michal Romer, Roman Skirmunt, Kanstancyja Skirmuntt, Ludwik Abramovich, etc.) belonged to the group of the “Lithuania (vel Belarus) Poles”. Despite their intentions, the krajowość idea was formed on the basis of the “Lithuanian Poles’” struggle for their own place in the new society. As a result, the ideology for “Lithuanian Poles” was created, but it could not neutralize the existing Polish-Lithuanian-Belarusian conflict. W poszukiwaniu idei narodowej: „krajowość” początku XX wieku jako próba ideologii „Polaków litewskich”„Krajowość”, czyli ,,ideologia krajowa”, została sformułowana na Białorusi i Litwie na początku XX wieku. Krajowcy stwierdzali, że wszyscy rdzenni mieszkańcy historycznej Litwy, niezależnie od ich etnokulturowej i stanowej przynależności, należą do jednego „narodu Litwinów”. Za główne kryteria owej narodowej przynależności uznano poczucie patriotyzmu w stosunku do Litwy historycznej. Jednym z celów krajowości było pogodzenie partykularnych interesów miejscowych narodów z ich ogólnym interesem, pod jakim rozumiano dobro wspólnej Ojczyzny, historycznej Litwy. Jednak mimo zamiarów ideologów, którzy mówili o „obywatelach Kraju”, krajowość wyrosła z poszukiwania przez Polaków litewskich swego miejsca w nowym społeczeństwie. Koncepcja krajowa była ideologią Polaków litewskich, stworzoną przede wszystkim dla nich. Z postanowieniami krajowców była związana przede wszystkim perspektywa polskości na Litwie historycznej.

scholarly journals National Identity Construction in Cultural and Creative Tourism: The Double Mediators of Implicit Cultural Memory and Explicit Cultural Learning

SAGE Open ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 215824402110407
Author(s):  
Shu-Ning Zhang ◽  
Wen-Qi Ruan ◽  
Ting-Ting Yang
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Mixed Method ◽  
Cultural Memory ◽  
Interactive Effect ◽  
Cultural Learning ◽  
Structured Interviews ◽  
Factors Affecting ◽  
Mediating Role ◽  
Chinese Tourists

In light of the gap in the national identity research, this study proposes, constructs, and examines the path to national identity by using a mixed-method approach. Study 1 collected 502 questionnaires from Chinese tourists, and Study 2 conducted semi-structured interviews with 15 tourists. The findings confirm that cultural and creative tourism contributes to the construction of tourists’ national identity. Tourists’ long-term implicit cultural memory and short-term explicit cultural learning are the double guarantees for forming tourists’ cultural identity. Importantly, tourists’ cultural identity plays a critical mediating role in promoting national identity. Moreover, the interactive effect of cultural experience and creative performance accelerates the construction process of tourists’ national identity. This study consolidates the sociopolitical significance of cultural and creative tourism for national identity through a rare mixed method and identifies the specific role of the cultural factors affecting national identity, thereby providing great theoretical contributions and practical value.

scholarly journals Een pasgeboren staat, of een recentelijk ontwaakte natie?

1970 ◽  
Vol 59 ◽  
pp. 5-22
Author(s):  
Nele Bemong
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Collective Memory ◽  
Cultural Memory ◽  
Crucial Role ◽  
Historical Novel ◽  
International Community ◽  
Historical Novels ◽  
The Creation

Between 1830 and 1850, practically out of nowhere there came into beinga truly 'Belgian' literature, written boch in Flemish and in French, but aimedat a single goal: the creation of a Belgian past and the conscruction of aBelgian national identity. The historical novel played a crucial role in thisconscruction and representation of a collective memory for the Belgian statejust out of the cradle. The prefaces to these historical novels are characterizedboth by the central role granted to the representacion of Flanders as the cradleof nineteenth-century Belgium, and by the organically and religiously inspiredimagery. Attempts were made to create an intimate genealogical relationshipwith the forefathers, in order to make the Belgian citizens feel closer to theirrich heritage. Through the activation of specific recollections from theimmense archive of the collective cultural memory, Belgian independencefound its legitimization both towards the international community andtowards the Belgian people.

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