scholarly journals O DESAFIO � AUMENTAR AS QUEST�ES QUE N�O EST�O N�TIDAS, � ENTENDER LUTA COMO DAN�A / The challenge is to increase the issues that are not clear, is to understand fight as dance

2022 ◽  
Vol 27 (42) ◽  
pp. 302-334
Author(s):  
Ian Habib; Keyna Eleison; Nat�lia Quinder�; Talita Trizoli
Keyword(s):  
Art Criticism

Em di�logo com o dossi� Gl�ria Ferreira ? Milit�ncia cr�tica, a revista Arte Ensaios convida quatro pessoas atuantes na cr�tica e curadoria de arte ? Ian Habib, Keyna Eleison, Nat�lia Quinder� e Talita Trizoli ? a discutir interse��es entre feminismo, transfeminismo, racializa��o, maternidade, corpo, g�nero e seus desdobramentos no campo da arte. Presen�as emergentes e posi��es que permeiam narrativas hegem�nicas na cena art�stica atual revelam-se tensionadas entre visibilidade e invisibiliza��o, em meio a outras quest�es. Entrevista realizada em 5 de novembro de 2021 pela plataforma Zoom.Palavras-chave:Feminismo; Transfeminismo; Racializa��o; G�nero; Circuito de arte.�AbstractIn dialogue with the dossier Gl�ria Ferreira ? Critical Militance, Arte Ensaios invites four people active in art criticism and curatorship ? Ian Habib, Keyna Eleison, Nat�lia Quinder� and Talita Trizoli ? to discuss intersections between feminism, transfeminism, racialization, maternity, body, gender and its consequences in the field of art. Emerging presences and positions that permeate hegemonic narratives in the current artistic scene reveal themselves to be tensioned between visibility and invisibility, amid other issues.Interview conducted on November 5, 2021 by the Zoom platform.Keywords:Feminism; Transfeminism; Racialization; Gender; Art circuit.

V.V. Rozanov’s Concepts of the Russian Life Ideal Fundamentals

2019 ◽  
Vol 60 ◽  
pp. 88-94
Author(s):  
Victoria T. Zakharova
Keyword(s):  
Art Criticism ◽  
Domestic Life ◽  
Positive Elements

The article is devoted to revealing in the views of V.V. Rozanov the positive elements of the domestic life and ideal beginnings of Russian life, – both in synchronic and diachronic plans. Various works of the writer and philosopher became the objects of the study: books belonging to the genre of “prose of fragments”, journalistic essays, “Russian Nile” travel essay, articles and reviews of the art criticism character. The analysis showed how important for the philosopher was the idea of the essentiality of preserving those spiritual and cultural national traditions that had always been the key to the sustainability of life.

Experiencing Pain in Imperial Greek Culture

2017 ◽  
Author(s):  
Daniel King
Keyword(s):  
Roman Empire ◽  
Art Criticism ◽  
Cultural Theory ◽  
Embodied Experience ◽  
Physical Pain ◽  
Pain Experience ◽  
Emotional Context ◽  
Social And Emotional ◽  
Greek Culture ◽  
Christian Society

Much of the Western intellectual tradition’s interest in pain can be traced back to Greek material. This book investigates one theme in the interest in physical pain in Greek culture under the Roman Empire. Traditional accounts of pain in the Roman Empire have either focused on philosophical or medical theories of pain or on Christian notions of ‘suffering’; and fascination with the pained body has often been assumed to be a characteristic of Christian society, rather than ancient culture in general. The book uses ideas from medical anthropology, as well as contemporary philosophical discussions and cultural theory, to help unpack the complex engagement with pain in the ancient world. It argues, centrally, that pain was approached as a type of embodied experience, in which ideas about the body’s physiology, its representation, and communication, as well as its emotional and cognitive impact on those who felt pain and others around them, were important aspects of what it meant to be in pain. The formulation of this sense of pain experience is examined across a range of important areas of Imperial Greek culture, including rational medicine, rhetoric, and literature, as well as ancient art criticism. What is common across these disparate areas of cultural activity is the notion that pain must be understood within its broad personal, social, and emotional context.

Aesthetics and Philosophy of Art Criticism. Jerome Stolnitz

Ethics ◽  
1961 ◽  
Vol 71 (2) ◽  
pp. 143-144
Author(s):  
Manuel Bilsky
Keyword(s):  
Art Criticism ◽  
Philosophy Of Art

The American Artist at Work: Romanian-American Colloquium on Art Criticism

2020 ◽  
Vol 12 (3) ◽  
pp. 352-355
Author(s):  
Amelia Pavel ◽  
Jozefina Komporaly
Keyword(s):  
Art Criticism ◽  
American Artist

scholarly journals ‘Painting out’ (and ‘reading in’) the Franco-Prussian War: Politics and art criticism in the 1870s

2020 ◽  
Vol 50 (1) ◽  
pp. 52-59 ◽  
Author(s):  
Robert Lethbridge
Keyword(s):  
Art Criticism ◽  
French Government ◽  
Artistic Works ◽  
The Government

Taking the majority of its examples from the Salon of 1872, this article explores the extent to which official intervention was effective in eliminating from the exhibition potentially inopportune representations of the Franco-Prussian War. The withdrawal of a certain number of works deemed to risk offending the Prussians coincided with the very moment the French government was trying to negotiate the departure of occupying enemy troops under the terms of the May 1871 Treaty of Frankfurt. It initiated, or reignited, a debate about censorship during the course of which art criticism was itself politicized. Drawing on information in the Salon catalogue and analysing the reviews of the exhibition which appeared in the Parisian press, the article takes issue with much scholarship to date. In particular, it demonstrates how the interpretation of artistic works on display is inflected by polemical and ideological determinants. What emerges from this is precisely the incipient revanchard discourse which the government had hoped to suppress.

scholarly journals Art Criticism and the State of Feminist Art Criticism

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 28
Author(s):  
Katy Deepwell
Keyword(s):  
Women Artists ◽  
Art Criticism ◽  
The State ◽  
Art World ◽  
Feminist Art ◽  
The Gaze ◽  
The Third ◽  
Fourth Part ◽  
State Of Art ◽  
First Offers

This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”. In the fourth part, against the limits of the first three, the state of feminist art criticism across the last fifty years is reconsidered by highlighting the plurality of feminisms in transnational, transgenerational and progressive alliances.

More on Art Criticism and Anthropology

1978 ◽  
Vol 19 (2) ◽  
pp. 419-420
Author(s):  
M. Marlene Martin
Keyword(s):  
Art Criticism
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