Wordsworthian Tourism in the Interwar Period

Author(s):  
Saeko Yoshikawa

Chapter 7 explores how the cultural identity of the Lake District was redefined and preserved after the First World War through two trends: new global tourism, and the advent of outdoor movements. First it focuses on foreign visitors, including American and Japanese tourists, who have made no slight contribution to the re-invention of ‘Wordsworth Country’. Then it explores some of the new walkers’ guides, including those by William Thomas Palmer, Maxwell Fraser and Henry Herbert Symonds, that were particularly attuned to foot-stepping through Wordsworth’s Lake District and encouraged readers to go back to Romantic pedestrianism. The chapter also pays attention to how the hiking and cycling boom among urban working classes changed the tourist landscape in the Lake District, becoming the driving force behind conservation and access campaigns and the new National Parks movement. Taken as a whole, the chapter investigates how Wordsworth’s legacy was preserved and then rehabilitated in the interwar era of mass motoring.

Author(s):  
Saeko Yoshikawa

This book explores William Wordsworth’s pervasive influence on the tourist landscapes of the Lake District throughout the age of transport revolutions, popular tourism, and the Great 1914-18 War. It reveals how Wordsworth’s response to railways was not a straightforward matter of opposition and protest; his ideas were taken up by advocates and opponents of railways, and through their controversies had a surprising impact on the earliest motorists as they sought a language to describe the liberty and independence of their new mode of travel. Once the age of motoring was underway, the outbreak of the First World War encouraged British people to connect Wordsworth’s patriotic passion with his wish to protect the Lake District as a national heritage—a transition that would have momentous effects in the interwar period when the popularisation of motoring paradoxically brought a vogue for open-air activities and a renewal of Romantic pedestrianism. With the arrival of global tourism, preservation of the cultural landscape of the Lake District became an urgent national and international concern. By revealing how Romantic ideas of nature, travel, liberty and self-reliance were re-interpreted and utilized in discourses on landscape, transport, accessibility, preservation, war and cultural heritage, this book portrays multiple Wordsworthian legacies in modern ways of perceiving and valuing the nature and culture of the Lake District.


2021 ◽  
pp. 141-162
Author(s):  
Mircea-Gheorghe Abrudan ◽  
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A prolific historian, a professor of the Andreian Seminary in Sibiu, parish priest of Săliștea and an archpriest of Mărginimea Sibiului, a professor of the ‘King Ferdinand I’ University in Cluj, a titular member of the Romanian Academy, a talented publicist, a co-founder of the Institute of National History in Cluj, a deputy in the Parliament of Greater Romania, a minister in the Averescu and Goga-Cuza governments, a patriot and victim of the Bolshevik regime in the 1950s’ Romania, Ioan Lupaș is a scholar with the aura of a saint. Fr. Lupaș is part of the admirable generation of those who committed themselves with all their power and selflessness to the national movement of the Transylvanian Romanians, those who achieved the Union of Transylvania, Banat, Crișana and Maramureș with the Kingdom of Romania on 1 December 1918 and then fought for the consolidation of national unity during the interwar period. Lupaș is part of the leading gallery of the makers of Greater Romania, and one of the few historians-participants who later wrote relevant pages about the astral event in which they were active participants. The study provides a brief biography of Ioan Lupaș, focusing on the activity of the archpriest at the time of the First World War, his involvement in the organization of the Great National Assembly of Alba Iulia, and the way in which he subsequently remembered the events and feelings experienced in the year of the ‘fortunate fulfilling of long-awaited goals’ and of ‘thoroughly well-deserved triumph’.


2018 ◽  
Vol 66 (2) ◽  
pp. 294-298
Author(s):  
Thomas Raithel

Abstract The interwar period was a phase of the formation of new states and of democratic awakening, but also a time of crises and the failure of democracies as well as the establishment of authoritarian and dictatorial systems. Until recently, it was largely overlooked by research and the general public. Given the recent increase of right-wing populist currents and authoritarian tendencies in Europe, interest has once again grown. The second “Contemporary History Podium” is thus dedicated to the question of how akin we are to the interwar period. How is it perceived in different countries which constituted themselves as democracies at the end of the First World War after the fall of the Romanov, Habsburg and Hohenzollern Empires? Also what is the relevance of this history for the present? Ota Konrád (Charles University Prague), Ekaterina Makhotina (University of Bonn), Anton Pelinka (Central European University Budapest), Thomas Raithel (Institute for Contemporary History Munich-Berlin) und Krzysztof Ruchniewicz (Willy Brandt Center, Wrocław University) look into these questions utilising the examples of Czechoslovakia, Lithuania, Austria, Germany and Poland.


Author(s):  
Guy Miron

IN THE WAKE of the First World War Poland and Hungary became independent states. Poland, which for some 130 years had been partitioned between its neighbouring empires—Russia, Austria, and Prussia—now gained independence, including in its territory some predominantly Ukrainian and Belarusian areas which had been part of the Polish-Lithuanian Commonwealth. Hungary, which had enjoyed extensive autonomy since the Ausgleich (Austro-Hungarian Compromise) of 1867, was now severed from the defunct Habsburg empire and became independent, but its boundaries were dramatically reduced as a result of the Treaty of Trianon. The two states, whose independence was part of a new European order based on the principle of national self-determination, were supposed to function as democracies and respect the rights of their minorities. In the immediate aftermath of 'the war to end all wars', there was reason to hope that the recognition of the Jews as equal citizens would lead to a golden age of Jewish integration. In practice, the reality was different. Both Poland and Hungary were established as independent states amidst violent internal and external conflicts over their boundaries and the nature of their regimes. In both states, these struggles, which continued throughout the whole interwar period, increasingly led to the dominance of an exclusionary nationalism. Jews were the central, although not the only, minority targeted by this policy of exclusion. Of course, the anti-Jewish violence that occurred during the struggles for the independence of both Poland and Hungary and the anti-Jewish policies and legislation of the 1920s and especially the 1930s should not be regarded as foreshadowing the Nazi catastrophe—which was primarily the result of actions by an external force—however, there is no doubt that in both countries Jewish integration was seriously endangered during the interwar period....


2020 ◽  
pp. 73-84
Author(s):  
Izabela Olszewska

‟Wir Deutschjuden”: The Image of Germans and Westjuden in the German-Language Jewish Press of the First World War and the Interwar PeriodThe interwar period was a highly special time in reference to defining and constructing all kinds of cultural identities in Europe. One of the groups building their identity at the time were the so-called Westjuden, a Jewish community culturally defined as Ashkenazi assimilated under the influence of the Jewish Enlightenment (the Haskalah). In German territory, Westjuden considered themselves German citizens of the Jewish faith, thus separating themselves from the remaining groups of Ashkenazi Jews, i.e. the Ostjuden. Also describing themselves as Germans in the German-language Jewish press, Westjuden frequently characterized, analyzed, and searched for confirmation of their belonging to the German cultural circle.The aim of the article is to reconstruct the image of Germans and  Westjuden themselves in the German-language Jewish press at the time of the First World War and in the interwar period. „Wir Deutschjuden”: obraz Niemców oraz Westjuden w niemieckojęzycznej prasie żydowskiej z okresu pierwszej wojny światowej oraz dwudziestolecia międzywojennegoOkres pierwszej wojny światowej oraz dwudziestolecia międzywojennego był czasem niezwykle specyficznym, jeśli chodzi o określanie i konstruowanie wszelkich ku lturowych tożsamości w Europie. Jedną z takich grup byli Deutschjuden, tj. zasymilowani pod wpływem oświecenia żydowskiego (Haskali) Żydzi niemieccy. Deutschjuden deklarowali się jako „obywatele niemieccy wyznania mojżeszowego”, separując się tym ostentacyjnie od migrujących do Niemiec Żydów z Europy wschodniej – Ostjuden. Na łamach swojej prasy niemieckojęzycznej Żydzi wielokrotnie charakteryzowali, analizowali, szukali potwierdzenia przynależności do niemieckiego kręgu kulturowego, opisując przy tym siebie, jak i Niemców.Celem artykułu jest rekonstrukcja kulturowego obrazu Deutschjuden oraz pośrednio Niemców ze szczególnym uwzględnieniem dyskursu odnoszącego się do języka, religii, kultury historycznej czy tradycji Deutschjuden.


Author(s):  
Edward Juler

Born of the sociocultural effervescence that swept through Europe in the years following the First World War, Surrealism represented a profound disillusionment towards the established intellectual order that it held responsible for the dehumanising and violent depths to which civilisation had so recently sunk. Decrying the inadequacy of postwar philosophies and politics to deal with the new, brutalised world of the interwar period, the Surrealists loudly championed a revolution of perception by replacing the certainties of prewar thought with the unpredictable discontinuities of non-Euclidean geometry, the base materialism of Georges Bataille and, most especially, the dark visions of the human psyche that emerged through Freudian psychoanalysis.


Author(s):  
Nicholas Mulder

Abstract This article explores how the Versailles Treaty was shaped by the effects of economic warfare 1914–1919. The First World War was in part an Allied economic war waged against the Central Powers in conditions of advanced economic and financial globalization. This was reflected in the treaty’s expropriation mechanisms, which were used to take control of German property, rights, and interests around the world. Whereas Articles 297 and 298 of the treaty legalized wartime seizures, the Reparations Section of the treaty also contained a provision, paragraph 18, that gave the Allies far-reaching confiscatory powers in the future. The article places these mechanisms in a wider political, legal and economic context, and traces how they became a bone of contention among the former belligerents in the interwar period.


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