scholarly journals The Arts Incubators, Influence on the Development of System Innovations

2014 ◽  
Vol 22 (2) ◽  
pp. 126-136 ◽  
Author(s):  
Jūratė Černevičiūtė ◽  
Rolandas Strazdas
Keyword(s):  
Clustering Analysis ◽  
Creative Industries ◽  
Creative City ◽  
The Arts ◽  
Cultural And Creative Industries

This paper discusses the arts incubators’ influence on the development of system innovations and on the ensuring the sustainability of the creativity process in the creative industries’ enterprises. The influence of cultural and creative industries on the economy development is analysed in the article. The analysis of system innovations’ specific features and importance for creative industries is presented. The paper analyses the arts incubators as a part of creative city and as a creative cluster. The factors for the sustainability of creativity process are identified as well as the role of the arts incubators when ensuring the sustainability of system innovations development. Clustering analysis of Vilnius arts incubators was made and the proposals how the existing arts incubators can contribute to the development of system innovations in creative industries were presented.

Gentrification, displacement and the arts: Untangling the relationship between arts industries and place change

Urban Studies ◽  
2016 ◽  
Vol 55 (4) ◽  
pp. 807-825 ◽  
Author(s):  
Carl Grodach ◽  
Nicole Foster ◽  
James Murdoch
Keyword(s):  
Urban Policy ◽  
Statistical Study ◽  
Change Agents ◽  
Creative Industries ◽  
Standard Account ◽  
Clear Cut ◽  
The Arts ◽  
Neighbourhood Level ◽  
The Relationship

The arts have long played a role in debates around gentrification and displacement, yet their roles and impacts as change agents are not clear-cut. According to the standard account, artists facilitate gentrification and ultimately engender the displacement of lower income households, but more recent research complicates the accepted narrative. This article seeks to untangle the relationship between the arts, gentrification and displacement through a statistical study of neighbourhood-level arts industry activity within large US regions. The findings indicate that the standard arts-led gentrification narrative is too generalised or simply no longer applicable to contemporary arts-gentrification processes. Rather, the arts have multiple, even conflicting relationships with gentrification and displacement that depend on context and type of art. These results have important implications for how we study the role of the arts in neighbourhood change and for how governments approach the arts and creative industries in urban policy.

Innovation in cultural and creative industries firms with an academic origin (CCI-USOs): The role of regional context

Technovation ◽  
2020 ◽  
Vol 92-93 ◽  
pp. 102044 ◽  
Author(s):  
María Jesús Rodríguez-Gulías ◽  
Sara Fernández-López ◽  
David Rodeiro-Pazos
Keyword(s):  
Creative Industries ◽  
Regional Context ◽  
Cultural And Creative Industries

scholarly journals The Benefit of Failure: On the Development of Ostrava’s Culture

2019 ◽  
Vol 11 (9) ◽  
pp. 2592 ◽  
Author(s):  
Jan Suchacek
Keyword(s):  
Research Question ◽  
Creative Industries ◽  
Cultural Industries ◽  
Structured Interviews ◽  
The Czech Republic ◽  
Cultural Management ◽  
Traditional Industry ◽  
Cultural And Creative Industries ◽  
The Town

Peculiar cultures are symptomatic for areas of traditional industry. The purpose of this paper is to analyze and evaluate cultural and creative industries in Ostrava, the third largest town of the country that at the same time constitutes a typical representative of old industrial urban fabrics in the Czech Republic. Special attention will be devoted to the emerging cultural clusters that appear to be indispensable in terms of sustainable cultural management. Unique qualities of Ostrava’s culture culminated in 2009, when the town decided to stand for the prestigious title of the European Capital of Culture. Finally, Ostrava did not succeed, nonetheless the contest vivified the discourse on Ostrava’s culture and a distinctive potential for the creation of cultural clusters was revealed. Semi-structured interviews accomplished with relevant actors of the town’s culture facilitated contextual interpretation of the role of cultural and creative industries as well as mapping the potential cultural clusters in the town. The research question posed in this article is as follows: do development effects formed by the concentration of creative and cultural industries in Ostrava exist? It turned out that the paths towards cultural management sustainability can differ substantially from recipes, which are well-proven in leading developed territories. The results of our analysis confirmed some developmental effects evoked by the concentration of cultural industries and cultural clusters in Ostrava can be identified, but genuine qualitative transformation towards a more cultural and sustainable milieu in Ostrava undoubtedly requires more time.

scholarly journals Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries

2021 ◽  
Vol 11 ◽  
Author(s):  
Diana Yeh ◽  
Keyword(s):  
Political Identity ◽  
Model Minority ◽  
Creative Industries ◽  
Political Community ◽  
Asian Identity ◽  
Agents Of Change ◽  
Political Agents ◽  
Cultural And Creative Industries ◽  
Passive Model

This article advances work on the ‘British Chinese’ by reconfiguring the boundaries of the field and expanding it beyond the cultural and linguistic transformations of an ‘ethnic community’. Instead, I examine new pan-Asian political formations and situate them within wider anti-racist organising in Britain. First, I examine the birth of ‘British East and Southeast Asianness’ as an emphatically political identity that contests racialised notions of ‘the Chinese’ as a passive model minority and repositions us as political agents of change. Second, I examine the crafting of a political community, in which a pan-Asian identity emerges as a contestation of the borders of ‘Chineseness’ and its policing, while maintaining a Chinese hegemony. Third, I identify distinct political repertoires of anti-racism within this ‘community’, a more radical and a more integrationist approach, which highlights the challenges of political mobilisation, and is shaped by a continued abject status. Finally, I examine the role of political love and care as a means of mobilisation, through which a radical politics of affirmation and refusal is crafted. In doing so, I re-envision the political horizons of the so-called ‘British Chinese’, while shedding light on the current complexities, transformations and solidarities of communities within and beyond Chineseness.

”Cultural and Creative” museums. Introduction to the issue

2018 ◽  
Vol 56 (1) ◽  
pp. 37-44
Author(s):  
Naďa Machková ◽  
Jana Adamcová
Keyword(s):  
Economic Development ◽  
Cultural Heritage ◽  
Creative Industries ◽  
The Past ◽  
Current Trends ◽  
Social And Economic Development ◽  
Manual Labour ◽  
Changing Economy ◽  
Cultural And Creative Industries

This paper deals with museums as a key part of cultural and creative industries and their role in social and economic development. Taking into account the role of museums in the past and the current trends, their contribution is considered to be crucial. Cultural and creative industries are an intersection of art, technology, cultural heritage, innovation, creativity and mental and manual labour. The purpose of this paper is to reflect links between museums, creativity, innovation and culture in the changing economy.

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