scholarly journals Tools for Assessing Climate Impacts on Fish and Wildlife

2013 ◽  
Vol 4 (1) ◽  
pp. 220-241 ◽  
Author(s):  
Chad B. Wilsey ◽  
Joshua J. Lawler ◽  
Edwin P. Maurer ◽  
Donald McKenzie ◽  
Patricia A. Townsend ◽  
...  

Abstract Climate change is already affecting many fish and wildlife populations. Managing these populations requires an understanding of the nature, magnitude, and distribution of current and future climate impacts. Scientists and managers have at their disposal a wide array of models for projecting climate impacts that can be used to build such an understanding. Here, we provide a broad overview of the types of models available for forecasting the effects of climate change on key processes that affect fish and wildlife habitat (hydrology, fire, and vegetation), as well as on individual species distributions and populations. We present a framework for how climate-impacts modeling can be used to address management concerns, providing examples of model-based assessments of climate impacts on salmon populations in the Pacific Northwest, fire regimes in the boreal region of Canada, prairies and savannas in the Willamette Valley-Puget Sound Trough-Georgia Basin ecoregion, and marten Martes americana populations in the northeastern United States and southeastern Canada. We also highlight some key limitations of these models and discuss how such limitations should be managed. We conclude with a general discussion of how these models can be integrated into fish and wildlife management.

Author(s):  
Stuart Capstick ◽  
Sarah Hemstock ◽  
Ruci Senikula

Purpose This study aims to investigate the role of the visual arts for communicating climate change in the context of the Pacific islands, through the perspectives of artists and climate change practitioners. Design/methodology/approach As part of an “Eco Arts” project carried out in Fiji, semi-structured research interviews were undertaken with artists and climate change practitioners. Findings Participants’ motivations to produce art reflected their personal concerns about, and experiences of, climate change. There was an intention to use art-based approaches to raise awareness and promote action on climate change. The artwork produced drew on metaphors and storytelling to convey future climate impacts and aspects of climate change relevant to Fijian and Pacific communities. Research limitations/implications The study reports the perspectives of participants and discusses the potential uses of arts communication. Conclusions cannot be drawn from the findings regarding the effectiveness of specific artwork or of arts communication as a general approach. Practical implications The research offers suggestions for the inclusion of creative approaches to climate change communication within education and vocational training. A consideration of the perspectives of artist–practitioners has implications for the design and conduct of climate change communication. Social implications The involvement of artist–practitioners in the communication of climate change offers the potential for novel discussions and interpretations of climate change with individuals and within communities, which complement more formal or scientific communication. Originality/value The present study identifies the motivations and objectives of artist–practitioners involved in climate change communication. The authors highlight the role of personal experience and their use of artistic concepts and creative considerations pertinent to the geography and culture of the Pacific region.


Ella Rhoads Higginson (b. 1862?–d. 1940) was born in Council Grove, Kansas, a launching point for westward movement of settler colonialists. When she was a child, her family moved to Oregon, traveling in a wagon train following the old Oregon Trail. The family eventually settled in Oregon City, where she was educated in private school. Ella’s strong interests in reading and writing began early. Her parents possessed a substantial library that included books by Irving, Longfellow, Shakespeare, and Tennyson. Ella began writing when she was eight. Her first publication, the poem “Dreams of the Past,” appeared in The Oregon City newspaper when she was fourteen. The following year she began work on The Oregon City Enterprise newspaper, learning typesetting and editorial writing. She also started publishing fiction. In 1885, she married Russell Carden Higginson, a businessman who was a cousin to New England author Thomas Wentworth Higginson. The couple moved north to Whatcom (later Bellingham), Washington, where Higginson lived for fifty-two years until her death. There she devoted herself to writing. She soon became the first influential Pacific Northwest author. People around the world were introduced to the region when they read Higginson’s award-winning writing. Her descriptions of majestic mountains, vast forests, and the scenic waters of the Puget Sound presented the then-remote, unfamiliar Pacific Northwest to eager readers. Her characterizations of white women and men who inhabited the region revealed what life was like in this part of the nation as opposed to regions such as New England. Higginson’s celebrated writings were the first to place the Pacific Northwest on the literary map. Her talent was widely recognized. The prestigious Macmillan Company, which became her publisher, approached her seeking to print her work. She was awarded prizes from magazines such as Collier’s and McClure’s. Her poems were set to music and performed internationally. She published over eight hundred works in her lifetime. However, World War I altered the means of production, resulting in books going out of print and diminishing reputations of well-known authors, especially writers of color and women. Most of Higginson’s books went out of print. After the war, new editors, mostly white men, managed US newspapers, periodicals, and publishing companies. Largely uninterested in prewar authors, they sought writing from nascent literary movements such as Modernism while also promoting works by overlooked white male authors such as Melville. Higginson’s reputation faded in the last decades of her life. By the time she was chosen first Poet Laureate of Washington State in 1931, she and her work were largely remembered only in the Pacific Northwest. When she died in 1940, she was almost completely forgotten. In the 21st century, Higginson and her writings are returning to literary distinction.


2014 ◽  
Vol 43 (1) ◽  
pp. 85-93 ◽  
Author(s):  
P. Troy White ◽  
Kattlyn J. Wolf ◽  
Jodi L. Johnson-Maynard ◽  
Jonathan J. Velez ◽  
Sanford D. Eigenbrode

Radiocarbon ◽  
2015 ◽  
Vol 57 (5) ◽  
pp. 917-941 ◽  
Author(s):  
Ian Hutchinson

Surface-breaking ruptures on shallow crustal faults in the southern Puget Lowland in western Washington State about a millennium ago prompted abrupt changes in land level and triggered tsunamis in Puget Sound. The displacement on the Seattle fault most likely occurred in the 1050–1020 cal BP interval. Structures further south (the Tacoma and Olympia faults, and one or more faults in the southern Hood Canal zone) ruptured at about the same time, or slightly earlier. The low frequency of radiocarbon ages from archaeological sites in the region in the aftermath of the “millennial series” of earthquakes, when compared to bootstrapped samples from a database of 1255 ages from the Pacific Northwest as a whole, suggests that these very large earthquakes had significant socioeconomic consequences. The cultural record from coastal archaeological sites shows that although survivors camped on the shore in the aftermath, many coastal villages appear to have been abandoned, and were not reoccupied for several centuries. There is little evidence, however, to suggest that people migrated from southern Puget Sound to neighboring areas, and no evidence of social conflict in the adjacent areas that might have served as havens.


2020 ◽  
pp. 016224392092035
Author(s):  
Adam Fish

Drones deployed to monitor endangered species often crash. These crashes teach us that using drones for conservation is a contingent practice ensnaring humans, technologies, and animals. This article advances a crash theory in which pilots, conservation drones, and endangered megafauna are relata, or related actants, that intra-act, cocreating each other and a mutually constituted phenomena. These phenomena are entangled, with either reciprocal dependencies or erosive entrapments. The crashing of conservation drones and endangered species requires an ethics of care, repair, or reworlding. Diffractions, disruptions that expose difference, result from crashes and reveal the precarious manner by which technologies, laws, and discourses bring nature and culture together. To support crash theory, this article presents three ethnographic cases. A drone crash in the United Kingdom near white rhinoceroses while building machine learning training data exhibits the involvement of the electromagnetic spectrum; the threat of crashes in the Pacific Northwest near Puget Sound orcas discloses the impacts of drone laws; and drone crashes in Sri Lanka among Asian elephants presents the problems of technoliberal ideals around programming natural worlds. Throughout the article, a methodology is developed, parallelism, which attends to the material similarities in lateral phenomena.


1986 ◽  
Vol 64 (10) ◽  
pp. 2086-2089 ◽  
Author(s):  
Chris Maser ◽  
Zane Maser ◽  
Joseph W. Witt ◽  
Gary Hunt

Fecal samples were collected over 27 months from the northern flying squirrel (Glaucomys sabrinus (Shaw)), a mycophagist in the Pacific Northwest portion of its range. Nine genera of hypogeous Basidiomycetes, 10 of hypogeous Ascomycetes, and 1 of hypogeous Zygomycetes were identified from fecal samples (hypogeous fungi fruit underground). The squirrel food habits generally paralleled the seasonal availability of the hypogeous fungi, but with notable exceptions. Our data demonstrate the functional diversity an individual species lends to its habitat when viewed in a functional context.


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