scholarly journals Jörg Becker, Claudia Beuger et Bernd Müller-Neuhof (éd.) – Human iconography and symbolic meaning in Near Eastern Prehistory. Proceedings of the workshop held at 10th ICAANE in Vienna, April 2016

Paléorient ◽  
2021 ◽  
pp. 200-201
Author(s):  
Alain Le Brun
Author(s):  
Jörg Becker ◽  
Claudia Beuger ◽  
Bernd Müller-Neuhof

2020 ◽  
Vol 37 (4) ◽  
pp. 294-304
Author(s):  
Arianna Palmieri ◽  
Silvia Zidarich ◽  
Johann Roland Kleinbub
Keyword(s):  

2020 ◽  
Vol 18 (2) ◽  
pp. 205-227
Author(s):  
Nor Hasan ◽  
Edi Susanto

This article attempted to trace the existence of Dhâmmong tradition in the following scopes, namely: (1) Madurese perception against Dhâmmong , (2) the function and symbolic meaning of Dhâmmong in human life, and (3) the efforts of the Madurese community to preserve the Dhâmmong tradition. Through a descriptive phenomenological analysis, this study revealed that Dhâmmong is a hereditary tradition carried out by the Madurese community, it is urged by the community’s anxiety caused by the long dry season (némor lanjheng). Dhâmmong functionsas a means for salametan, paying respect for the ancestors, strengthening human relations (silaturrahim ), Bhek Rembhek, and nguri berkah (the fertility of the earth). The offerings and mouth-music by imitating the sounds of animals represent a strong desire and wishof the community for the immediate rainfall that could pour out blessings for the community. Hence, the community’s efforts to preserve Dhâmmong are: (1) introducing and involving the younger generation in the ritual, and (2) setting and changing the time sequence of Dhâmmong implementation from night to daytime.


CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Nofi Rahmanita

The Handicraft of embroidery “palaminan” in Nareh Pariaman is an old culture product which is used for social purposes. As the time goes, now, the “palaminan” is not only used by the king or noblesse. Right now, it has been used in mostly wedding parties of Minangkabau tradition. It is used as the seat of the bride groom and bride who are called king and queen for a day. Regarding this theme, when we see the several various of palaminan, it looks like been influenced by the Chinese and Hindi/Gujarat Custom. Such as phoenix 9(bird) and lion decorated at the “palaminan”, or for the Gujarat custom, there are embroidery with mirrors that decorate the palaminan. The mirror embroidered for the people of Nareh Pariaman has the meaning “suluah bendang” in the village. The art of embroidery palaminan Nareh Pariaman has many structures which are connected to each other. They can not be separated in each use. The structures are decorated by the many kinds of Minangkabau decoration. Most of the decorating comes from application of the Minangkabau’sphilosophy known as “alam takambang Jadi Guru”. The philosophy has symbolic meaning that contains some lessons about managing humans life, especially for people of Nareh Pariaman.Keywords: beyond culture, motif, pelaminan


2019 ◽  
Vol 27 (2) ◽  
Author(s):  
Alice Deken
Keyword(s):  
The Law ◽  

A semantic reading of this text alters the structure of the episode as a whole to reveal a story-within-a-story: the death of the seven Saulides and the expiation performed by Rizpah. The purpose of this sub-plot is to point to the perpetrator of the initial crime causing a famine, by presenting an analogous circumstance. By analogy we are directed to the conclusion that David is responsible for the famine after engineering the deaths of Saul and Jonathan. David’s exploitation of the differences between Ancient Near Eastern and Israelite law resulting in seven dead claimants to the throne of Israel, suggests that the episode has been compiled as a rejection of kingship; the centralization of worship, and the promulgation of the law-code. Fundamental to all these, is the rejection of the popular sovereign practice of murdering any potential successors to the throne.


2015 ◽  
Vol 36 ◽  
pp. 99-115
Author(s):  
선종 김
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document