The Children’s Digital Media Center @ Los Angeles

Author(s):  
Kaveri Subrahmanyam ◽  
Adriana Manago

The Children’s Digital Media Center @ Los Angeles studies young people’s interactions with digital media – with a focus on the implications of these interactions for their offline lives and long-term development. Founded by Professor Patricia Greenfield, Distinguished Professor at the University of California, Los Angeles (UCLA), USA, the Center is a collaborative effort of researchers at the UCLA and the California State University, Los Angeles, USA. CDMC@LA researchers have been at the forefront of research on children’s and adolescents’ use of media ranging from early media forms such as television and video games to more recent ones including various applications on the Internet such as chat rooms, social networking sites, and YouTube. This entry presents an overview of the Center – its history, researchers and collaborators, research focus, and major contributions.

2006 ◽  
Vol 27 (6/7) ◽  
pp. 379-389 ◽  
Author(s):  
Fang Gu

PurposeThis article aims to outline the functions and activities performed by California State University, Sacramento Library Media Center in the University Distance and Distributed Education (DDE) program, with an emphasis on the unique role of the library media services in partnership with other campus units in the system‐wide integrative DDE service.Design/methodology/approachThe article observes and examines the effectiveness of the library media services through the framework functions of the University DDE Program.FindingsThe article finds that faculty and librarians may share benefits of information resources and university technologies through a well‐organized collaboration program in an environment of learner‐centered service.Originality/valueThis paper highlights the library cooperative efforts in expanding access to library media resources in serving DDE educators and students, and the exceptional role of the library media services in collaboration with other campus units in handling consistent change, sharing fund and achieving successful alliance in the University Distance and Distributed Education program.


2020 ◽  
Vol 2 (3) ◽  
pp. 53-59

The California missions, whose original church spaces and visual programs were produced by Iberian, Mexican, and Native artisans between 1769 and 1823, occupy an ambiguous chronological, geographical, and political space. They occupy lands that have pertained to conflicting territorialities: from Native nations, to New Spain, to Mexico, to the modern multicultural California. The physical and visual landscapes of the missions have been sites of complex and often incongruous religious experiences; historical trauma and romantic vision; Indigenous genocide, exploitation, resistance, and survivance; state building and global enterprise. This Dialogues section brings together critical voices, including especially the voices of California Indian scholars, to interrogate received models for thinking about the art historical legacies of the California missions. Together, the contributing authors move beyond and across borders and promote new decolonial strategies that strive to be responsive to the experience of California Indian communities and nations. This conversation emerges from cross-disciplinary relationships established at a two-day conference, “‘American’ Art and the Legacy of Conquest: Art at California’s Missions in the Global 18th–20th Centuries,” sponsored by the Terra Foundation for American Art and held at the University of California, Los Angeles, in November 2019.


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