scholarly journals Resepsieteorie: Konkurrent of Komplement van die Teksimmanemte Eksegese?

1989 ◽  
Vol 10 (2) ◽  
pp. 113-127
Author(s):  
P. J. Botha
Keyword(s):  
Reception Theory ◽  
Critical View ◽  
As If

Reception theory: competitor or complement of text-immanent exegetical methodology? Due to the underlying principles on which it was based and which suggest a critical view of positivism and its idea of applying an exegetical “method” to a text, it seems as if the reception theory could only be regarded as an alternative to text-immanent exegesis. This paper reflects on the possibility of incorporating the insights of the reception theory into a text-immanent model so as to form a comprehensive exegetical approach.

“Ocular Proof” in Othello and its Source

PMLA ◽  
1964 ◽  
Vol 79 (3) ◽  
pp. 234-241 ◽  
Author(s):  
Maurianne S. Adams
Keyword(s):  
Interracial Marriage ◽  
Critical Perspective ◽  
Critical View ◽  
Source Studies ◽  
Words And Images ◽  
As If

Shakespeare's selectivity in adapting a novella from Giraldi Cinthio's De Gli Hecatommithi into his own Othello has long been apparent; students of Shakespeare's play have stressed his transformation of the source by speeding up the action, condensing the plot, reassessing the characterization, and transfiguring the commonplace attitudes toward an interracial marriage presented in the source into a tragedy of love. But no one has demonstrated how a close comparison of single words and phrases in Othello and in the novella can help us to understand how the transformation took place, how words and phrases such as vedere cogl' occhi, vendetta, satio, and la giustizia divina are translated imaginatively into the thematic imagery of ocular proof, the configuration of revenge, satisfaction, and satiation, and the movement from justice to mercy which Desdemona offers to Othello. Clearly, such a comparison of the play and its source affords a critical perspective upon the verbal drama especially. But studies of the imagery in Othello neglect its source entirely, and source studies, merely footnoting the verbal parallels as they appear, seem to maintain the critical view that marvels how Shakespeare could have created so much out of so little. It is as if Shakespeare's characteristic ingredient, the poetic interplay of words and images in the verbal fund of his drama, had no parallel in the verbal fund of his source.

Empathy and the Ethics of Entitlement

1991 ◽  
Vol 16 (2) ◽  
pp. 142-152 ◽  
Author(s):  
Ronald J. Pelias
Keyword(s):  
Performance Art ◽  
Real Life ◽  
The Other ◽  
Reception Theory ◽  
Oral Histories ◽  
The People ◽  
And Performance ◽  
Collective Creation ◽  
As If

With the increasing familiarity of reception theory, deconstruction, collective creation and performance art, it seems as if performers have assumed they should pursue their craft unencumbered by textual dictates. Actors appear to be privileging their own interests over the interests of characters or literary personae. Even when actors turn from fictive characters to real life personalities in their presentations of one-person shows, oral histories and performance ethnographies, it seems less fashionable to discuss the people that serve as a basis for such performances than to focus upon the actors' personal preferences and individual visions. The question is no longer how performers might put flesh on the textual and human ‘skeletons’ they encounter but how they might pull a bone from here and another one from there in order to create their own figures. In short, ‘the other’ serves performers.

Improvement of an artificial test substrate technique for evaluation of em immunocytochemical labeling

1987 ◽  
Vol 45 ◽  
pp. 762-763
Author(s):  
G. D. Gagne ◽  
M. F. Miller
Keyword(s):  
Bovine Serum Albumin ◽  
Serum Albumin ◽  
Bovine Serum ◽  
Artificial Substrate ◽  
Chemical Fixation ◽  
As If

We recently described an artificial substrate system which could be used to optimize labeling parameters in EM immunocytochemistry (ICC). The system utilizes blocks of glutaraldehyde polymerized bovine serum albumin (BSA) into which an antigen is incorporated by a soaking procedure. The resulting antigen impregnated blocks can then be fixed and embedded as if they are pieces of tissue and the effects of fixation, embedding and other parameters on the ability of incorporated antigen to be immunocyto-chemically labeled can then be assessed. In developing this system further, we discovered that the BSA substrate can also be dried and then sectioned for immunolabeling with or without prior chemical fixation and without exposing the antigen to embedding reagents. The effects of fixation and embedding protocols can thus be evaluated separately.

As-If Test

1956 ◽  
Author(s):  
Theodore R. Sarbin ◽  
Donal S. Jones
Keyword(s):  
As If

Methodological Principles of Keynes’ Theory and His «Strife over Method» with Tinbergen

2007 ◽  
pp. 25-36 ◽  
Author(s):  
I. Rozmainsky
Keyword(s):  
Economic Theory ◽  
Critical View ◽  
Modern Economic ◽  
Methodological Principles

The author analyzes Keynes-Tinbergen controversy in the context of Keynes’ methodological ideas, which he thinks are fully opposite to the methodology of modern economic theory. Using different Keynes’ papers the author considers this difference in detail and shows its links to the critical view held by Keynes towards econometrics

From Container to Claustrum: Projective Identification in Couples

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman
Keyword(s):  
Psychological Health ◽  
Projective Identification ◽  
The Self ◽  
The Other ◽  
Intimate Partners ◽  
And Control ◽  
The Relationship ◽  
As If

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.

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