Feminist Criticism and Social Change (RLE Feminist Theory)

2013 ◽  
2022 ◽  
pp. 026540752110657
Author(s):  
Katherine R. Allen

Feminism provides a worldview with innovative possibilities for scholarship and activism on behalf of families and intimate relationships. As a flexible framework capable of engaging with contentious theoretical ideas and the urgency of social change, feminism offers a simultaneous way to express an epistemology (knowledge), a methodology (the production of knowledge), an ontology (one’s subjective way of being in the world), and a praxis (the translation of knowledge into actions that produce beneficial social change). Feminist family science, in particular, advances critical, intersectional, and queer approaches to examine the uses and abuses of power and the multiple axes upon which individuals and families are privileged, marginalized, and oppressed in diverse social contexts. In this paper, I embrace feminism as a personal, professional (academic), and political project and use stories from my own life to illuminate broader social-historical structures, processes, and contexts associated with gender, race, class, sexual orientation, gender identity, age, nationality, and other systems of social stratification. I provide a brief history and reflections on contemporary feminist theory and activism, particularly from the perspective of my disciplinary affiliation of feminist family science. I address feminism as an intersectional perspective through three themes: (a) theory: defining a critical feminist approach, (b) method: critical feminist autoethnographic research, and (c) praxis: transforming feminist theory into action. I conclude with takeaway messages for incorporating reflexivity and critical consciousness raising to provoke thought and action in the areas of personal, professional, and political change.


1997 ◽  
Vol 67 (3) ◽  
pp. 583-596 ◽  
Author(s):  
Haithe Anderson ◽  
Patti Lather

Can accessible and clear writing styles unlock the power of feminist theory? Can clearly articulated ideas change the world? Some academic feminists think so. They feel that feminist theory should be measured against its ability to contribute to social change. Anything less and their work would look merely academic. Patti Lather's work, judging by her recent article, "Troubling Clarity: The Politics of Accessible Language" (Fall 1996), has been criticized by other feminists precisely because her desire to appeal to intramural readers appears to overshadow her commitment to extramural change. Gaby Weiner (1993), for example, implies that Lather's use of dense prose denies equal access to the interesting ideas that her complicated style of writing contains. Weiner assumes, as do other feminists, that feminist theory in education should be written in a clear and accessible way so that it can reach beyond the classroom to edify the world. Lather responds to this call for clarity by defending her complex writing style and her desire "to be heard," as she writes, "in the halls of High Theory." She justifies her position by pointing out that academic feminists "can't do everything and that the struggle demands contestation on every front" (p. 526).


2021 ◽  
Author(s):  
Kimberley Radmacher

""It's difficult to believe that after over 30 years of feminist theory "breaking the glass ceiling" is still a term often heard from women professionals. Still, while women continue to make up a trifling percentage of CEOs in Fortune 500 companies, and are continually paid 72% of the wages of their male counterparts, 2 small advances continue to be made by women in both these areas? Yet, one profession that stands out as persistently keeping women on the outside looking in is mainstream filmmaking, especially directing. Indeed, no woman has ever won an Oscar for directing, and women are rarely nominated in the category, most likely because women direct less than 1 % of mainstream films. While women continue to chip their way up the corporate ladder, albeit excruciatingly slowly, women directors of mainstream films are actually declining in numbers. It is ironic that it should be in the area of filmmaking that women have made such small progress. The implication of feminist film criticism's rifts and divisions, played out in theories of heterogeneity or what makes up a feminist aesthetic, typifies the continuing contribution that feminist criticism has made to critical and ultural studies on a whole. Much current critical theory is indebted to feminist film theory, but in tum, critical, psychoanalytic, post structuralist and cultural studies' influences on radical feminist theory have effected--or at least influenced--a shift that tends to privilege a critical practice dealing primarily with image/representation. As a result, feminist approaches to media have centred on '[re]reading' popular culture through a narrow feminist paradigm which in film criticism, especially, has meant that dominant critical strategies chiefly have been limited to a political tactic of "reading against the grain," rather than a tactic of producing contemporary feminist films."--Pages 2-3.


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