Dignity, memory and the future under siege: reconciliation and nation- building in post- apartheid South Africa

2012 ◽  
pp. 228-247
MedienJournal ◽  
2017 ◽  
Vol 36 (4) ◽  
pp. 51
Author(s):  
Renira Rampazzo Gambarato ◽  
Geane Carvalho Alzamora

This paper is presented in order to understand the evolution of media dynamics in Brazil and investigate its perspectives for the future. Brazil, among the BRICS states (Brazil, Russia, India, China and South Africa), will be our focus. From a mono-mediatic paradigm to a convergent one, Brazil is developing new practices in fictional and non-fictional media. Our hypothesis is that the transmedia storytelling strategy is both the reality – although still timid – and the most probable future scenario for media development in Brazil. We can assert that transmedia storytelling is a tendency. Therefore, we will explore examples of transmedia storytelling initiatives in Brazilian media mainly related to journalism, entertainment, branding and advertisement.


2017 ◽  
Vol 14 (1) ◽  
pp. 88-96
Author(s):  
Khatija Bibi Khan

The documentary film Prisoners of Hope (1995) is a heart-rending account of 1 250 former political prisoners in the notorious Robben Island prison in South Africa. The aim of this article is to explore the narratives of Prisoners of Hope and in the process capture its celebratory mood and reveal the contribution that the prisoners made towards the realisation of a free South Africa. The documentary features interviews with Nelson Rolihlahla Mandela, Ahmed Kathrada and other former inmates as they recall and recount the atrocities perpetrated by defenders of the apartheid system and debate the future of South Africa with its ‘new’ political dispensation led by blacks. A textual analysis of Prisoners of Hope will enable one to explore the human capacity to resist, commit oneself to a single goal and live beyond the horrors and traumas of an oppressive and dehumanising system.


PMLA ◽  
2016 ◽  
Vol 131 (5) ◽  
pp. 1452-1461 ◽  
Author(s):  
Grace A. Musila

In a Compelling Reading of Sol Plaatje's Native Life in South Africa, Bhekizizwe Peterson Remarks on the Work's Inscription of multiple imagined readers with different investments in the narrative (79). Quoting from Jean-Paul Sartre's reflections on the intricacies of addressing fractured, and sometimes future, publics, Peterson writes:[T]he works of writers who find themselves on the “margin of the privileged class” contain a “double simultaneous postulation,” a consequence of the “fracture” in the “actual public” in which their art is produced and consumed. Because the “real public” consists largely of the conservative forces that compose the dominant class and ideology, the marginal writer is compelled to address “the progressive forces, or the virtual public” even if “the oppressed classes have neither the leisure nor the taste for reading.” In engaging the future and its virtual public—“an emptiness to be filled in, an aspiration”—the writing exceeds its actual limits and extends itself step by step to the infinite. (81)


2020 ◽  
Vol 12 (2-3) ◽  
pp. 137-161
Author(s):  
Bianca van Laun

Drawing on debates on materiality, this article investigates the lives and multiple afterlives of prison identification photographs of individuals hanged by the apartheid state in South Africa during the 1960s for crimes framed as political. In recent years these photographs have been recovered and repurposed as part of post-apartheid nation-building and memorialization projects. Under the auspices of the Gallows Memorialization Project, bureaucratic records and photographs have been recovered from the apartheid state archives, reinterpreted and placed into different and new ‘presentational circumstances’ that desires to overturn their original oppressive logic. However, as the photographs and documents are used to fix the identities of particular individuals that the project seeks to commemorate, the logic that drives their reproduction in the new configurations and contexts seems to replicate the bureaucratic rationality that produced them.


2017 ◽  
Vol 51 (2) ◽  
pp. 177-182 ◽  
Author(s):  
Mirjam Brusius

Tangible “heritage” (artifacts, buildings, and sites) has always played key roles in identity and nation-building in the Middle East. As countries in the Middle East face unprecedented disorder and violence we lack more nuanced answers to what preservation was, is, and what it can be in the future. This roundtable—initiated as a session at the Middle East Studies Association's annual meeting in 2016—offers a much-needed perspective and critical voice in a debate that has become increasingly monolithic. In other words, current notions of what “cultural heritage” is and how it should be preserved are limited and often dismiss the limitations, complexities and ironies of iconoclasm. Objects seen as valuable by some but “idolatrous” to others, for example, have sometimes been destroyed precisely because they were considered worthy of preservation by opposing parties. Further, preservation and destruction were rarely exclusive binaries, but rather connected and identified in crucial ways. They are, in other words, two sides of the same coin: Archaeological excavation has destroyed buildings and deposits in strata above selected layers or artifacts, often removing sites that are meaningful in other ways, such as Islamic shrines.


Sign in / Sign up

Export Citation Format

Share Document