Feminist consciousness Feminist consciousness and consciousness-

2002 ◽  
pp. 129-159
Author(s):  
Rachel R. Miller

The comics anthology has long served as a productive format by which creators with a feminist consciousness have made their individual efforts visible and elaborated their networks of other like-minded creators. The material conditions under which comics anthologies with a feminist consciousness are made and received reveal how comics are a unique medium whose reach extends beyond the spaces where we expect to find feminist discourse, such as the feminist bookstore, rally, or consciousness-raising meeting. Looking at how feminist comics anthologies address these material conditions, this chapter considers how Sarah Dyer’s Action Girl Comics anthology in the early 1990s is inflected by Dyer’s history as a grass-roots zine maker and situates itself within the larger comics industry. The chapter then turns to Dyer’s archive at the Sallie Bingham Center to elaborate how her all-girl comics anthology’s mission to saturate the comics marketplace with women’s work actually played out.


1990 ◽  
Vol 90 (4) ◽  
pp. 1146
Author(s):  
Ruth Colker ◽  
Catharine A. MacKinnon

2021 ◽  
Vol 5 (5) ◽  
pp. 81-85
Author(s):  
Linshuo Qi

Before the Victorian era, it was rare for women to be authors and writers to fix the protagonists of their works as female characters. However, in the 19th century, there was a rapid increase of women writers and emphasis on feminist consciousness. Among all the works of women writers, Jane Eyre and Wuthering Heights which were written by the Bronte sisters were distinctive. The Bronte sisters conveyed their feminist consciousness and described the society in their works. Both works emphasized romantic relationships as the narrative thread. By shaping the female characters in their works as self-reliant women who fought for equivalence and freedom in the era where male chauvinism occupied leadership roles, the Bronte sisters conveyed their eagerness for freedom, equality, and their feminist consciousness. This paper combines features of the Victorian era and the Bronte sisters’ life experiences to analyze feminist consciousness in these two works and make comparisons between them.


1997 ◽  
Vol 23 (4) ◽  
pp. 415-426 ◽  
Author(s):  
Donna Henderson-King ◽  
Abigail J. Stewart

Research on feminist consciousness has often relied on feminist self-identification as an indicator of women's group consciousness. In this study, several measures of group consciousness including group evaluations, political beliefs about gender relations, and sensitivity to sexism were used to predict women's self-identification as feminist. This set of variables was also used to predict four stages of feminist identity: passive acceptance, revelation, embeddedness/emanation, and synthesis. Findings emphasize the importance of not relying simply on self-identification in research on feminist consciousness. A view of feminist consciousness that goes beyond a dichotomous approach is recommended, as is further work on assessments of the phenomenology of consciousness.


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