Multidimensional representations of space and time

Kant-Studien ◽  
2020 ◽  
Vol 111 (3) ◽  
pp. 331-385
Author(s):  
Christian Martin

AbstractAccording to a widespread view, the essentials of Kant’s critical conception of space and time as set forth in the Transcendental Aesthetic can already be found in his 1770 Inaugural Dissertation. Contrary to this assumption, the present article shows that Kant’s later arguments for the a priori intuitive character of our original representations of space and time differ crucially from those contained in the Dissertation. This article highlights profound differences between Kant’s transcendental and his pre-critical conception of pure sensibility by systematically comparing the topic, method and argumentation of the First Critique with that of the Inaugural Dissertation. It thus contributes to a better understanding of the Transcendental Aesthetics itself, which allows one to distinguish its peculiar transcendental mode of argumentation from considerations made by the pre-critical Kant, with which it can easily be conflated.


Leonardo ◽  
2010 ◽  
Vol 43 (2) ◽  
pp. 169-174 ◽  
Author(s):  
Chris Speed

The author explores the potential for locative media to offer a sense of a place. Frank White's “Overview Effect” is cited as a model for perceiving a sense of place in a global context. The paper describes the inherent limitations of Cartesian representations of space in supporting this perception. Finally, the author proposes that the capacity of locative media to connect people offers a path for a creative reconciliation between space and time. The author proposes that this kind of connected model may provide an “Underview Effect” and foster an appreciation of a global sense of place.


2019 ◽  
pp. 91-128
Author(s):  
Anish Vanaik

Chapter 4 examines ways of representing space as a commodity that played key roles in colonial Delhi: maps, lease deeds, advertisements, and auctions. These representations were related to the buying and selling of real estate in distinct ways. At the same time, they also referred to and relied on each other to give effect to their pronouncements. Two elements ran through these disparate representations: connections between space and time, and the imbrication of state and property market. This chapter argues that the ability to utilize these representations of space to develop narratives about urban space was a critical constituent of state power.


2018 ◽  
Vol 23 (1) ◽  
pp. 41-64
Author(s):  
Andrew F. Roche

AbstractOn one reading of Kant’s account of our original representations of space and time, they are, in part, products of the understanding or imagination. On another, they are brute, sensible givens, entirely independent of the understanding. In this article, while I agree with the latter interpretation, I argue for a version of it that does more justice to the insights of the former than others currently available. I claim that Kant’s Transcendental Deduction turns on the representations of space and time as determinate, enduring particulars, whose unity is both given and a product of synthesis.


2007 ◽  
Vol 19 (9) ◽  
pp. 2387-2432 ◽  
Author(s):  
Alexander S. Klyubin ◽  
Daniel Polani ◽  
Chrystopher L. Nehaniv

Sensor evolution in nature aims at improving the acquisition of information from the environment and is intimately related with selection pressure toward adaptivity and robustness. Our work in the area indicates that information theory can be applied to the perception-action loop. This letter studies the perception-action loop of agents, which is modeled as a causal Bayesian network. Finite state automata are evolved as agent controllers in a simple virtual world to maximize information flow through the perception-action loop. The information flow maximization organizes the agent's behavior as well as its information processing. To gain more insight into the results, the evolved implicit representations of space and time are analyzed in an information-theoretic manner, which paves the way toward a principled and general understanding of the mechanisms guiding the evolution of sensors in nature and provides insights into the design of mechanisms for artificial sensor evolution.


2021 ◽  
pp. 1-20
Author(s):  
Thomas Raysmith

Abstract In the Critique of Pure Reason Kant appears to make incompatible claims regarding the unitary natures of what he takes to be our a priori representations of space and time. I argue that these representations are unitary independently of all synthesis and explain how this avoids problems encountered by other positions regarding the Transcendental Deduction and its relation to the Transcendental Aesthetic in that work. Central is the claim that these representations (1) contain, when characterized as intuitions and considered as prior to any affections of sensibility, only an infinitude of merely possible finite spatial and temporal representations, and (2) are representations that are merely transcendental grounds for the possibilities for receiving or generating finite representations in sensibility that are determined (immediately, in the case of reception) by means of syntheses that accord with the categories.


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