Marsilius of Inghen (1330–96)

2018 ◽  
Author(s):  
E.P. Bos
Keyword(s):  
Sixteenth Century ◽  
Thirteenth Century ◽  
Central European ◽  
European Philosophy ◽  
The Way

The theological and philosophical works of Marsilius of Inghen are characterized by a logico-semantical approach in which he followed John Buridan, combined with an eclectic use of older theories, often dating from the thirteenth century. These were sometimes more Aristotelian and sometimes more Neoplatonist. The label ‘Ockhamist’, which is often applied to Marsilius, has therefore limited value. He was influential on Central European philosophy of later centuries, both through his own philosophy and by the way he stimulated reform of university programmes. In the sixteenth century there were still references to a ‘Marsilian way’ in logic and physics.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

The “Central European Urban Model” and the Emergence of Towns in Wallachia from the Fourteenth to the Sixteenth Century

2010 ◽  
Vol 37 (1) ◽  
pp. 1-30
Author(s):  
Laurenţiu Rădvan
Keyword(s):  
Sixteenth Century ◽  
Central European ◽  
Urban Model ◽  
The Carpathians ◽  
Tax Exemptions ◽  
Institutional Organization ◽  
The Right ◽  
The Way

AbstractThe present study addresses the issue of how the Central European urban model was embraced in areas south of the Carpathians, namely Wallachia. The Saxon and Hungarian colonists arriving from Transylvania, who settled in these regions, were key in the adoption of certain elements of urban institutional organization. The local rulers granted them privileges, which acknowledged their right of ownership in settlements in which they dwelled, the right to use plots, as well as tax exemptions. The study also inquires into the way these colonists have arrived, and documents local urban terminology.

Leone de' Sommi and Jewish Theatre in Renaissance Mantua

2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher
Keyword(s):  
Sixteenth Century ◽  
The Political ◽  
Complex Relationship ◽  
Social Negotiations ◽  
Renaissance Artist ◽  
The Way

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.

Introduction

2018 ◽  
Author(s):  
Rembert Lutjeharms
Keyword(s):  
Sixteenth Century ◽  
Political History ◽  
The Political ◽  
Poetry And Poetics ◽  
Sanskrit Poetics ◽  
History Of ◽  
Sanskrit Poetry ◽  
The Way

This chapter introduces the main themes of the book—Kavikarṇapūra, theology, Sanskrit poetry, and Sanskrit poetics—and provides an overview of each chapter. It briefly highlights the importance of the practice of poetry for the Caitanya Vaiṣṇava tradition, places Kavikarṇapūra in the (political) history of sixteenth‐century Bengal and Orissa as well as sketches his place in the early developments of the Caitanya Vaiṣṇava tradition (a topic more fully explored in Chapter 1). The chapter also reflects more generally on the nature of both his poetry and poetics, and highlights the way Kavikarṇapūra has so far been studied in modern scholarship.

Abruptly Dogen

2022 ◽  
Author(s):  
Kidder Smith
Keyword(s):  
Everyday Life ◽  
Thirteenth Century ◽  
Full Moon ◽  
The Moon ◽  
The World ◽  
The Buddha ◽  
The Way

In the thirteenth century Dogen brought Zen to Japan. His tradition flourishes there still today and now has taken root across the world. Abruptly Dogen presents some of his pith writings—startling, shifting, funny, spilling out in every direction. They come from all seventy-five chapters of his masterwork, the Eye of Real Dharma (Shōbōgenzō 正法眼藏), and roam through mountains, magic, everyday life, meditation, the nature of mind, and how the Buddha is always speaking from inside our heads. An excerpt from chapter 1, “A Case of Here We Are”: Human wisdom is like a moon roosting in water. No stain on the moon, nor does the water rip. However wide and grand the light, it still finds lodging in a puddle. The full moon, the spilling sky, all roosting in a single dewdrop on a single blade of grass. A man of wisdom is uncut, the way a moon doesn’t pierce water. Wisdom in a man is unobstructed, the way the sky’s full moon is unobstructed in a dewdrop. No doubt about it, the drop’s as deep as the moon is high. How long does this go on? How deep is the water, how high the moon?

Keeping Up with the French

Stolen Song ◽  
2020 ◽  
pp. 81-114
Keyword(s):  
Roman Empire ◽  
Thirteenth Century ◽  
Holy Roman Empire ◽  
Roman De La Rose ◽  
Cultural Products ◽  
Cultural Elite ◽  
French Culture ◽  
The Way

This chapter examines Jean Renart's Roman de la rose (early thirteenth century). It specifically assesses the way in which francophone lyric and other French artistic objects—the symbolic significance of which has previously been dismissed by critics—are circulated with a peculiar frenzy by the elite of the Holy Roman Empire in Rose. Renart implies that instead of taking an interest in the artistic traditions more native to the Empire—such as Minnesang (the German analog of troubadour and trouvère song)—the cultural elite of the Empire are infatuated with French cultural products. The chapter then looks at the processes through which Occitan song is assimilated into the broader francophone lyric landscape, one of which is linguistic Gallicization. This process has resulted in this text, as elsewhere in the French reception of the troubadours, in occasional moments of nonsensicality, and the chapter documents the various ways in which this nonsensicality is accounted for within the narrative. Finally, it considers the ramifications of this staging of French culture (including Gallicized Occitan) within the narrative.

Spaces for Music in Sixteenth-Century Paduan Courts

2012 ◽  
Author(s):  
GUIDO BELTRAMINI
Keyword(s):  
Sixteenth Century ◽  
Crucial Role ◽  
Rare Plants ◽  
Way Of Life ◽  
Pietro Bembo ◽  
Literary Sources ◽  
Hadrian’S Villa ◽  
Hadrian's Villa ◽  
The Ideal ◽  
The Way

This chapter is dedicated to a particular culture relating to the way one might ideally lead one's life in line with ancient practices and views. The trend in question, which developed in Padua in the first half of the Cinquecento, was promoted by such humanists as Pietro Bembo, Alvise Cornaro and Marco Mantova Benavides. Exceptional connoisseurs of the mores and values of antiquity, these intellectuals personally supervised and directed the building of their homes. Following the model of Hadrian's villa at Tivoli, the complexes of these Paduan residences comprised dwelling areas, pavilions, large gardens and the installation of fountains, statues and rare plants. Inspired by literary sources, the ideal of recreating the ‘ancient’ way of life, in which music played a crucial role, was revived.

Terre's Brilliant Mines

Exterranean ◽  
2019 ◽  
pp. 41-56
Author(s):  
Phillip John Usher
Keyword(s):  
Sixteenth Century ◽  
Pierre De Ronsard ◽  
Poetic Text ◽  
French Author ◽  
The Way

This chapter turns to a mid-sixteenth-century poetic text, the “Hymne de l’or” (Hymn to Gold) by French author Pierre de Ronsard. The poem is read here—recuperating in particular its “vision” of Terre that generations of critics have written off as a mere aside—as a poem ever conscious about gold’s exterranean origins and as a kind of poetic counterpart to nonpoetic texts about mining such as Georgius Agricola’s Bermannus (1500) and Vannoccio Biringuccio’s metallurgical treatise De la Pirotechnia (1540). After analyzing the “vision” of Terre in some detail, especially the way that Terre is described as always already containing not just gold, but mines, the chapter explores how Ronsard juxtaposes (in somewhat problematic ways) specific sites of extraction.

Glimmers of the World Soul in Kabbalah

2021 ◽  
pp. 124-150
Author(s):  
Jeremy P. Brown
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Thirteenth Century ◽  
The World ◽  
The Status

Brown interrogates the status of the world soul in medieval and early modern Kabbalah. He advances a critical distinction between stronger and weaker fields for determining this inquiry, namely, between (a) the kabbalists’ explicit uses of the Platonic term “world soul,” which are rare and begin primarily during the sixteenth century, and (b) Kabbalah’s hypostatic psychology. The latter dates back to the infancy of Kabbalah in the thirteenth century. While sharing affinities with Neoplatonic cosmo-psychology, it does adopt its technical terminology. Special attention focuses on attempts during the Renaissance to render the teachings of Isaac Luria into the philosophical idiom of the world soul, and in particular, a nexus of Lurianic speculation that related the distillation of the primordial ether from the abyssal depth, or ʾEn Sof. Conclusion explores the dynamics of Kabbalah’s uneasy relationship with this facet of the Platonic philosophical heritage.

The Trotula and the Works of Hildegard of Bingen

2020 ◽  
Author(s):  
Theresa A. Vaughan
Keyword(s):  
Sixteenth Century ◽  
Medical School ◽  
Thirteenth Century ◽  
Folk Medicine ◽  
Prolific Author ◽  
Hildegard Of Bingen ◽  
Humoral Theory ◽  
Medical Tradition ◽  
Female Author

Two thirteenth century works on medicine attributed to women are examined for what they tell us about those writing inside and outside the medical tradition, and what the authors might have known about folk medicine. The Trotula is traditionally attributed to a female author (Trota) who was a teacher in the medical school at Salerno. While only part of the book, if any, was written by Trota, the text was a mainstay of gynaecological treatment through the sixteenth century. Hildegard of Bingen was a prolific author and abbess who wrote two works addressing health: Causae et curae and Physica. All three texts are examined and compared for their take on humoral theory and influence of folk medicine.

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