Visiting New York's Chinatown, it is surprising to find there a memorial statue of the legendary anti-opium hero, Lin Zexu, instead of the more usual statue of the father of modern China, Sun Yat-sen. Perhaps Lin deserves his place in New York's Chinatown: it is generally believed the history of Chinese migration into the New World was a chapter of humiliation, resulting from the evil opium and the opium trade. Until very recently, the conventional wisdom has been that it was the opium trade that ended the house of Qing, and that opium had turned China into a nation of hopeless addicts, smoking themselves to death while their civilization descended into chaos (a view challenged by Dikötter, Laaman and Zhou in Narcotic Culture: A History of Drugs in China).In her book The Troublesome Legacy of Commissoner Lin, Joyce Madancy argues that, like opium, Lin Zexu was turned into a potent symbol of nascent Chinese nationalism (p. 5). Like opium, the legacy of Lin continued well into the 20th century. In his native Fujian, for instance, Lin “came to represent the vitality of elite activism and the complex links between provincial, national, and international interests. Lin Zexu's character and mission embodied the themes and motivations of Fujian's late Qing opium reformers – the righteousness of opium reform, pride in country and province, and a none-too-subtle slap at foreign imperialist greed.” Accordingly, during the late Qing/early Republican anti-opium campaign in Fujian, “reformist elites, and officials presided over the apotheosis of Lin Zexu, whose image loomed, literally and figuratively, over their efforts and shaped the rhetoric and tone of suppression” (p. 5).
